Øystein Karlsen

브릿마리는 매사에 정확하고 깔끔하지 않으면 견디지 못하는 성격의 인물이다. 그런 그녀가 남편의 불륜을 알아차리고 홧김에 집을 박차고 나온다. 그녀는 무작정 재취업 알선센터를 찾아가 '보르그'라는 시골 지역의 레크리에이션 센터 관리인으로 취직하는데 성공한다. 열악한 환경과 어처구니 없는 일들이 연속으로 일어나는 곳이지만, 브릿마리는 변함없이 제 할 일을 다한다. 결국, 브릿마리도 보르그도 완전히 달라지게 된다.

Lars Winnerbäck is one of Sweden's biggest artists for 15 years. At the same time he is one of those we know least about. Now Winnerbäck celebrates 20 years as an artist, despite barely filling 40. This documentary takes us closer to him than ever, while summarizing a musically unlikely career. But most of all, it gives an insight into an extremely complex human being, with all its weaknesses and characteristics reflecting an entire generation's feelings. In addition to Lars Winnerbäck is featured in the film Rolf Lassgård, Per Gessle and Melissa Horn. Director and producer are Øystein Karlsen, who is behind successes like Dag og Lilyhammer.

Jack is pleased with himself for the first time in years. He has decided to stop fucking anything with a pulse and also to cut back on his eager and enthusiastic drug use. Then his best friend crashes into a moose in the middle of the night on the Swedish border. He is found with a hoof buried in his forehead and 2.5 kilos of cocaine in the trunk. Over the next 24 hours, Jack loses his house, his girlfriend leaves him and takes their daughter with her. And as he is about to find out: when you think you have hit rock bottom, it can always get worse.

Jack is pleased with himself for the first time in years. He has decided to stop fucking anything with a pulse and also to cut back on his eager and enthusiastic drug use. Then his best friend crashes into a moose in the middle of the night on the Swedish border. He is found with a hoof buried in his forehead and 2.5 kilos of cocaine in the trunk. Over the next 24 hours, Jack loses his house, his girlfriend leaves him and takes their daughter with her. And as he is about to find out: when you think you have hit rock bottom, it can always get worse.

The Kingdom is the perfect blend of intense thriller and Shakespearean drama; Jo Nesbø’s version of Cain and Abel. It will challenge the viewer’s own perspectives on life choices, shame, inheritance, love, and destiny, in a way that forces you to realize that most people’s lives are different from what you might imagine. And as with all of life’s most difficult choices, there is no single right answer. The Kingdom is fundamentally about choices. What is right, what is wrong, what can you live with and how can you justify those choices to yourself. As the brothers’ father says at the beginning of the story: “The agony of choice, do you know what that is? When making the choice is what strangles you, not the choice itself. When you know that no matter what you choose, you’re going to lie awake at night torturing yourself over whether you made the right choice.”