Adaptation
Britt-Marie, uma mulher de 60 anos, decide deixar o marido e começar de novo. Tendo sido dona de casa a maior parte de sua vida e vivendo na pequena cidade de Borg, não há muitos empregos disponíveis e logo ela se encontra defendendo um time de futebol juvenil.
Director
Lars Winnerbäck is one of Sweden's biggest artists for 15 years. At the same time he is one of those we know least about. Now Winnerbäck celebrates 20 years as an artist, despite barely filling 40. This documentary takes us closer to him than ever, while summarizing a musically unlikely career. But most of all, it gives an insight into an extremely complex human being, with all its weaknesses and characteristics reflecting an entire generation's feelings. In addition to Lars Winnerbäck is featured in the film Rolf Lassgård, Per Gessle and Melissa Horn. Director and producer are Øystein Karlsen, who is behind successes like Dag og Lilyhammer.
Writer
Jack is pleased with himself for the first time in years. He has decided to stop fucking anything with a pulse and also to cut back on his eager and enthusiastic drug use. Then his best friend crashes into a moose in the middle of the night on the Swedish border. He is found with a hoof buried in his forehead and 2.5 kilos of cocaine in the trunk. Over the next 24 hours, Jack loses his house, his girlfriend leaves him and takes their daughter with her. And as he is about to find out: when you think you have hit rock bottom, it can always get worse.
Director
Jack is pleased with himself for the first time in years. He has decided to stop fucking anything with a pulse and also to cut back on his eager and enthusiastic drug use. Then his best friend crashes into a moose in the middle of the night on the Swedish border. He is found with a hoof buried in his forehead and 2.5 kilos of cocaine in the trunk. Over the next 24 hours, Jack loses his house, his girlfriend leaves him and takes their daughter with her. And as he is about to find out: when you think you have hit rock bottom, it can always get worse.
Screenplay
The Kingdom is the perfect blend of intense thriller and Shakespearean drama; Jo Nesbø’s version of Cain and Abel. It will challenge the viewer’s own perspectives on life choices, shame, inheritance, love, and destiny, in a way that forces you to realize that most people’s lives are different from what you might imagine. And as with all of life’s most difficult choices, there is no single right answer. The Kingdom is fundamentally about choices. What is right, what is wrong, what can you live with and how can you justify those choices to yourself. As the brothers’ father says at the beginning of the story: “The agony of choice, do you know what that is? When making the choice is what strangles you, not the choice itself. When you know that no matter what you choose, you’re going to lie awake at night torturing yourself over whether you made the right choice.”
