Michel Negroponte

“For most of my life, New York City has been my home. In the 1960s, when I was a teenager, I was inspired by the street photography of Gary Winogrand, Robert Frank, Helen Levitt, and Lee Friedlander, who captured the unmediated energy of city living in their work. I do not take still photographs, but I have spent years roaming the streets with video and digital film cameras aiming to catch those fleeting moments that define the essence of my hometown”

A haunting, visceral exploration of addiction and one contemporary man's fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their 'magical' plant, Iboga. For those seeking a path out of darkness, this film is not to be missed.

A haunting, visceral exploration of addiction and one contemporary man's fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their 'magical' plant, Iboga. For those seeking a path out of darkness, this film is not to be missed.

A haunting, visceral exploration of addiction and one contemporary man's fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their 'magical' plant, Iboga. For those seeking a path out of darkness, this film is not to be missed.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

루마니아의 수도 부카레스트의 한 지하철역에서 살아가는 다섯 아이들의 삶을 다룬 다큐멘터리. 부모에게 버림받거나 스스로 집을 나온 아이들은 'Piata Victoriei' 라는 도시 한복판의 지하철역에서 매일 음식과 환각제를 구하기 위해 구걸과 도둑질을 일삼으며 살아가지만 결코 가난과 학대가 기다리고 있는 집으로 다시 돌아가길 원하지 않는다. 마약과 빈곤, 그리고 거리의 폭력에 무방비 상태로 노출되어 있는 이 아이들은 그러나 노동력 증강을 목적으로 한 차우체스코 독재정권의 무자비한 산아제한 철폐정책이 나은 2만 명 이상의 거리의 아이들 중 극소수에 지나지 않는다.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

Michel Negroponte, a documentary filmmaker, meets Maggie one day in Central Park. Maggie claims to be married to the god Jupiter and the daughter of actor Robert Ryan. Michel gets to know Maggie over the next couple of years, and attempts to use her often outlandish stories as clues to reconstruct her past. - Written by James Meek

Michel Negroponte, a documentary filmmaker, meets Maggie one day in Central Park. Maggie claims to be married to the god Jupiter and the daughter of actor Robert Ryan. Michel gets to know Maggie over the next couple of years, and attempts to use her often outlandish stories as clues to reconstruct her past. - Written by James Meek

This short film, made with my friends and filmmaking partners, Michel Negroponte and Alex Anthony, was commissioned by PBS's innovative TV Lab in 1980. The three of us saw Kazem Ala, an Iranian student and political exile, briefly interviewed on a local cable access show in Austin, Texas and were very moved by his story. We spent a month filming his day to day life in Houston, during the Iranian-American hostage crisis of 1980. The film was meant to describe in subtle ways what it is to be a political exile in times of political crisis. PBS found it to be a little too subtle, and declined to air it nationally, but the film was televised on various individual PBS outlets, and seeing it recently, I was struck by how, a generation later, we're still dealing with this same situation - the clash between Islam and the West. The Presidents and Ayatollahs may have changed, but politically, things are still at crisis level. - Ross McElwee

This short film, made with my friends and filmmaking partners, Michel Negroponte and Alex Anthony, was commissioned by PBS's innovative TV Lab in 1980. The three of us saw Kazem Ala, an Iranian student and political exile, briefly interviewed on a local cable access show in Austin, Texas and were very moved by his story. We spent a month filming his day to day life in Houston, during the Iranian-American hostage crisis of 1980. The film was meant to describe in subtle ways what it is to be a political exile in times of political crisis. PBS found it to be a little too subtle, and declined to air it nationally, but the film was televised on various individual PBS outlets, and seeing it recently, I was struck by how, a generation later, we're still dealing with this same situation - the clash between Islam and the West. The Presidents and Ayatollahs may have changed, but politically, things are still at crisis level. - Ross McElwee

This short film, made with my friends and filmmaking partners, Michel Negroponte and Alex Anthony, was commissioned by PBS's innovative TV Lab in 1980. The three of us saw Kazem Ala, an Iranian student and political exile, briefly interviewed on a local cable access show in Austin, Texas and were very moved by his story. We spent a month filming his day to day life in Houston, during the Iranian-American hostage crisis of 1980. The film was meant to describe in subtle ways what it is to be a political exile in times of political crisis. PBS found it to be a little too subtle, and declined to air it nationally, but the film was televised on various individual PBS outlets, and seeing it recently, I was struck by how, a generation later, we're still dealing with this same situation - the clash between Islam and the West. The Presidents and Ayatollahs may have changed, but politically, things are still at crisis level. - Ross McElwee

Focusing on three residents of Cape Canaveral, Florida this film puts forward the thesis that a decline in NASA's space program after the moon landings has left the local community impoverished.

A herd of shaggy Belted Galloway cattle is delivered to a neighboring pasture in the Catskills and instantly inspires a new film. The filmmaker’s growing fascination with the complex forces that propel the animals through one season to the next leads him to reflect on the modern idea of animal personhood. The cows graze and chew their cud, new calves are born, the mothers diligently safeguard their offspring, while the bull dominates the herd.