Michel Negroponte

“For most of my life, New York City has been my home. In the 1960s, when I was a teenager, I was inspired by the street photography of Gary Winogrand, Robert Frank, Helen Levitt, and Lee Friedlander, who captured the unmediated energy of city living in their work. I do not take still photographs, but I have spent years roaming the streets with video and digital film cameras aiming to catch those fleeting moments that define the essence of my hometown”

A haunting, visceral exploration of addiction and one contemporary man's fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their 'magical' plant, Iboga. For those seeking a path out of darkness, this film is not to be missed.

A haunting, visceral exploration of addiction and one contemporary man's fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their 'magical' plant, Iboga. For those seeking a path out of darkness, this film is not to be missed.

A haunting, visceral exploration of addiction and one contemporary man's fearless and determined quest for healing and redemption through the ancient wisdom of the Bwiti and their 'magical' plant, Iboga. For those seeking a path out of darkness, this film is not to be missed.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Документальный фильм о бездомных румынских детях, нашедших пристанище в метро Бухареста. Эти дети стали самым разительным последствием краха режима Чаушеску. По мнению автора, 20 000 детей на улицах - явное свидетельство национальной катастрофы, переживаемой Румынией. Автор попытался проследить судьбы нескольких из них, пытающихся выжить в нечеловеческих условиях.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

In a lab somewhere on the Lower East Side, a team of scientists and engineers are designing a robot named W.I.S.O.R.; a futuristic, subterranean robo welder that, being able to withstand temperatures of 300 degrees and navigate through the snaking, hundred-mile long world of buried steam pipes beneath Manhattan, will repair the rapidly decaying century-old system. New York's little known or understood underground steam pipes provide the necessary heat and hot water for everything from Chinese laundries and Turkish baths to the World Trade Center and the Empire State Building. A thousand engineering hours behind a schedule and way over budget, Honeybee Robotics, W.I.S.O.R.'s creators, are worried. They argue, discuss God, baseball, and technology and ultimately lead us into a futuristic world originally thought impossible in this eerie, stranger than fiction tale set in the city beneath the city.

Michel Negroponte, a documentary filmmaker, meets Maggie one day in Central Park. Maggie claims to be married to the god Jupiter and the daughter of actor Robert Ryan. Michel gets to know Maggie over the next couple of years, and attempts to use her often outlandish stories as clues to reconstruct her past. - Written by James Meek

Michel Negroponte, a documentary filmmaker, meets Maggie one day in Central Park. Maggie claims to be married to the god Jupiter and the daughter of actor Robert Ryan. Michel gets to know Maggie over the next couple of years, and attempts to use her often outlandish stories as clues to reconstruct her past. - Written by James Meek

This short film, made with my friends and filmmaking partners, Michel Negroponte and Alex Anthony, was commissioned by PBS's innovative TV Lab in 1980. The three of us saw Kazem Ala, an Iranian student and political exile, briefly interviewed on a local cable access show in Austin, Texas and were very moved by his story. We spent a month filming his day to day life in Houston, during the Iranian-American hostage crisis of 1980. The film was meant to describe in subtle ways what it is to be a political exile in times of political crisis. PBS found it to be a little too subtle, and declined to air it nationally, but the film was televised on various individual PBS outlets, and seeing it recently, I was struck by how, a generation later, we're still dealing with this same situation - the clash between Islam and the West. The Presidents and Ayatollahs may have changed, but politically, things are still at crisis level. - Ross McElwee

This short film, made with my friends and filmmaking partners, Michel Negroponte and Alex Anthony, was commissioned by PBS's innovative TV Lab in 1980. The three of us saw Kazem Ala, an Iranian student and political exile, briefly interviewed on a local cable access show in Austin, Texas and were very moved by his story. We spent a month filming his day to day life in Houston, during the Iranian-American hostage crisis of 1980. The film was meant to describe in subtle ways what it is to be a political exile in times of political crisis. PBS found it to be a little too subtle, and declined to air it nationally, but the film was televised on various individual PBS outlets, and seeing it recently, I was struck by how, a generation later, we're still dealing with this same situation - the clash between Islam and the West. The Presidents and Ayatollahs may have changed, but politically, things are still at crisis level. - Ross McElwee

This short film, made with my friends and filmmaking partners, Michel Negroponte and Alex Anthony, was commissioned by PBS's innovative TV Lab in 1980. The three of us saw Kazem Ala, an Iranian student and political exile, briefly interviewed on a local cable access show in Austin, Texas and were very moved by his story. We spent a month filming his day to day life in Houston, during the Iranian-American hostage crisis of 1980. The film was meant to describe in subtle ways what it is to be a political exile in times of political crisis. PBS found it to be a little too subtle, and declined to air it nationally, but the film was televised on various individual PBS outlets, and seeing it recently, I was struck by how, a generation later, we're still dealing with this same situation - the clash between Islam and the West. The Presidents and Ayatollahs may have changed, but politically, things are still at crisis level. - Ross McElwee

Focusing on three residents of Cape Canaveral, Florida this film puts forward the thesis that a decline in NASA's space program after the moon landings has left the local community impoverished.

A herd of shaggy Belted Galloway cattle is delivered to a neighboring pasture in the Catskills and instantly inspires a new film. The filmmaker’s growing fascination with the complex forces that propel the animals through one season to the next leads him to reflect on the modern idea of animal personhood. The cows graze and chew their cud, new calves are born, the mothers diligently safeguard their offspring, while the bull dominates the herd.