검색

Lucía Carreras

Lucía Carreras

출생 : , Mexico City, Mexico

약력

Lucía Montserrat Carreras Navarro (born 1973), better known as Lucía Carreras, is a mexican director and screenwriter who debuted with the feature film Nos vemos, papá (Missing Dad, 2011), premiered at the 47th Karlovy Vary Film Festival. He co-directed with Ana V. Bojórquez the Mexico-Guatemala co-production The Greatest House in the World, which won the Special Jury Prize at the Huelva Festival in 2015, among other awards. His third feature film, the Mexico-Spain co-production Tamara y la Catarina, with a script he wrote, had its world premiere as part of the official selection of the Toronto Film Festival in September 2016 and has won various awards, including the FIPRESCI for Best Feature Film at the Los Cabos International Film Festival and the Colón de Plata for Best Director at the Huelva Ibero-American Film Festival. In her role as a writer, she co-wrote, along with director Michael Rowe, the feature film Leap Year (2010), winner of the Golden Camera at the Cannes Film Festival and nominated for the Ariel for Best Original Screenplay. He also participated in the co-writing of La Jaula de Oro (Diego Quemada-Diez, 2013), a film that debuted in the Un Certain Regard section of the Cannes Film Festival in 2013 and for which he won the Ariel for Best Original Screenplay together with Gibrán Ramírez. Portela and Quemada-Diez in 2014 and the nomination for the Fénix Award for Best Ibero-American Cinema in the category of Original Screenplay.

프로필 사진

Lucía Carreras

참여 작품

All the Silence

All the Silence

Writer

Miriam teaches sign language in the mornings and is part of a professional theater production in the afternoons, maintaining a stable and passionate relationship with her girlfriend Lola. Although her life is very much connected to the routine of a deaf person, her world begins to crumble when she discovers that she is losing her hearing.

Producer

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

Tamara and the Ladybug

Tamara and the Ladybug

Director

Tamara has Intellectual disability and a love for ladybugs. One day, she decides to take care of a baby but she forgets where she took him from, so she will get assistance from the old lady who sell quesadillas so they can return the baby to his parents.

Tamara and the Ladybug

Tamara and the Ladybug

Screenplay

Tamara has Intellectual disability and a love for ladybugs. One day, she decides to take care of a baby but she forgets where she took him from, so she will get assistance from the old lady who sell quesadillas so they can return the baby to his parents.

Co-Writer

A delightful farce about a young European man's first encounter with his Mexican boyfriend's mother, whose affectionate hold over her son is at once warm, puzzling and problematic. Set in an elegant Mexican hacienda on the occasion of a wedding, the comedy hinges on personal misunderstandings as well as droll cultural differences.

Director

A delightful farce about a young European man's first encounter with his Mexican boyfriend's mother, whose affectionate hold over her son is at once warm, puzzling and problematic. Set in an elegant Mexican hacienda on the occasion of a wedding, the comedy hinges on personal misunderstandings as well as droll cultural differences.

Screenplay

Three generations of women who share a strange family tradition: all widowed in extraordinary circumstances; all give birth only to girls. This is the film based on the television series.

The Greatest House in the World

The Greatest House in the World

Director

Rocio, a Maya Mam girl, lives in the mountains with her mother, who is pregnant and her granny. Due to an early delivery from her mother, Rocio is stuck with caring for a herd of sheep, the first time she has done it on her own. Playing in the mountains she loses one of the sheep. Looking for it, she will lose the rest of the herd. In the midst of this tragedy, Rocio will have to face her innocence, conquer her fear of fog and learn that freedom entails responsibility. Nature will teach her that you do not have to defeat your fears, you just have to experience them. The Greatest House in the World is a story of children -which we all are- when facing fears, the unknown, the uncertain... the fog.

Eddie Reynolds y los Ángeles de Acero

Eddie Reynolds y los Ángeles de Acero

Woman in Bar 1

They are not wild and crazy anymore, or at least they think so. Now, thanks to an offer nobody can't refuse, they will try to recapture that old rock and roll magic and give themselves a second chance.

Screenplay

과테말라 슬럼가에 사는 후안, 사라, 사무엘은 보다 나은 삶을 찾아 미국행 화물열차에 몸을 싣는다. 이들 십대는 중간 지점인 멕시코에서 치아파스 출신의 인디언 차욱을 만난다. 자신의 여친인 사라에게 관심을 보이는 차욱에게 후안이 적개심을 표출하는 와중에도 넷은 일행이 되어 이동한다. 약속의 땅 미국으로 향하는 그들의 여정은 곧 부패한 경찰과 무자비한 강도들, 지독한 국경순찰원들의 폭력으로 물든다. 남미 십대들의 인생에 대한 도전 및 우정과 사랑을 그린 는 올해 신인감독들의 잠재력을 가장 잘 대변하는 수작 중 하나로 칸영화제 주목할만한시선에 소개되었다. 국경을 통과하여 미국으로 건너가고자 하는 이들이 여전히 존재하는 남미의 실상을 지속적 관심사로 삼는 이 지역 영화들을 대표하기도 한다. 영화 속 주인공들은 여느 십대들과 다르지 않고 그들의 여정은 한동안 신나는 여행길과 닮았다. 그러나 그러한 그들의 희망이 꺾이는 모습은 그들이 미처 피지 못한 인생의 한 가운데에 있는 십대라서 더욱 애잔하게 다가온다. (이수원_2013년 제18회 부산국제영화제)

Writer

Pilar loses the one thing in life that mattered to her and, from that moment on time stops. The present begins blending with the past, and the heroine withdraws into a world of her own. An intimate drama about the extreme emotions connected to the loss of someone on whom our lives depend.

Director

Pilar loses the one thing in life that mattered to her and, from that moment on time stops. The present begins blending with the past, and the heroine withdraws into a world of her own. An intimate drama about the extreme emotions connected to the loss of someone on whom our lives depend.

립 이어 : 자학의 성

Writer

칸 영화제에서 최고의 신임감독과 데뷔작에게 수여하는 황금카메라 상을 수상. 아픔을 지닌 한 여자의 고독한 삶과 그 공허함을 메우려는 안타까운 모습을 극도의 사실적 표현으로 묘사한 영화. 프리랜서 기자로 활동하는 로라(모니카 델 카르멘 분)는 고독한 삶을 견딜 수 없을 때마다 낯선 남자를 집으로 유혹해서 격렬한 정사를 나눈다. 가학적 섹스를 즐기는 아르투로(구스타보 산체스 파라 분)를 만난 후로 로라는 고통의 쾌감에 더욱 끌리고 집착하게 된다. 하지만 시간이 갈수록 단순히 금지된 욕망을 풀어버리는 섹스에서 위험하고 치명적인 그 무엇으로 변질된다. 로라가 달력에 빨간 표시를 해놓은 그 마지막 날을 향해서 숨 막히고 초조한 삶의 시간이 흘러가는데...