Daisy Irani

복수를 위해 다이아몬드를 훔치려는 도둑. 댄스경연대회가 열리는 두바이의 한 호텔에 잠입할 작정으로 어중이떠중이들을 모은다. 하지만 이들의 급선무는 춤을 배우는 것.

Shirin Farhad Ki Toh Nikal Padi is a 2012 Bollywood romantic comedy film directed by Bela Bhansali Sehgal, starring Farah Khan, Boman Irani, Kavin Dave, Shammi, Kurush Deboo and Daisy Irani.

Three roommates are in search of true love. They each find a girl with whom they fall head over heels in love with. Now they just have to get the women to reciprocate.

Coming from a conservative family, Rajnandini moves to a city for higher studies and falls in love with Vivaan. However, he must win the heart of Rajnandini's strict father Ravimohan to take things further.

Believing himself to be a jinx and bringing bad luck upon himself and others, a man attempts to find true love, but ends up in very complicated relationships.

The chief protagonists are Shivani and Aditya, a married couple with 2 children, Tanwi Gouri Mehta and Anand Mehta. They are wealthy and live in a mansion. Their idyllic life is shattered with the arrival of Sonia, who has an affair with Adiyta. Eventually, Aditya leaves his family for Sonia, leaving the wife and two kids alone. When it is found out that Sonia is barren, Aditya demands custody of his children from Shivani and approaches the courts for a custody battle. Eventually, the courts rule against Shivani and award custody to Aditya and Sonia. The movie changes it's ambiance from the family dispute to one of suspense and horror shortly after.

A miscreant who commits a misdemeanor is sentenced to do community service in an old-folks home.

Anand Mathur comes from a middle-class background, but has always dreamed of living in luxury. His dreams take form when he meets with the only daughter, Kamini, of an aging and sick multi-millionaire. Kamini who is grossly overweight, approves of him, and soon both get married. Anand assists Kamini and her dad run their vaste business and soon becomes indispensable. When Kamini's dad passes away, Anand hopes that he may have received a fair amount of money in the last will and testament. Alas, that was not to be so, for dad had left everything in Kamini's name...

Aastha: In the Prison of Spring is a story of a lower middle class happy nuclear family. The lady of the family gets involved in prostitution, owing to the not-so-good financial condition of the family. It is the story of the guilt that comes with the money and the cobweb that such a route entails that its quite an effort to come out of the profession once one enters it.

After his father's death, young Sameer runs away to search for his mother and is adopted by the tawaif Ganga.

A runaway bride promises her dying widowed friend that she will assume her identity and look after her infant child.

An impossibly innocent villager named Ganga comes to the big city to find a girl who would agree to become his wife. The first girl he meets is actually a troubled prostitute named Champa whom he manages to rescue from the brothel she has been in for some time. He takes her home and in a most typical Hindi film style, announces her as his sister. Along with them lives a crippled middle-aged man. Ganga falls for a beautiful girl named Barkha, and her parents agree to have them married, but alas, Barkha's brother Rakesh identifies Champa and the marriage is cancelled as a result.

Delhi-based Kamla lives a wealthy lifestyle along with her widower dad, Dindayal, and is a popular stage singer and dancer. She goes for a holiday in scenic Kulu, meets with flute-player and singer Sarju, and both fall in love with each other and both decide to get married. Kamla returns home and convinces her employer, Kunver Shamsher Singh, to let Sarju also sing on stage. Shortly thereafter Sarju and his sister, Janki, move in with them. Sarju is given a new look and name, Suraj Kumar, and soon Kamla and Suraj become a popular stage and singing pair. Kamla arranges for Janki's marriage with Agra-based Ashok, while her dad also finalizes her very own marriage with Suraj on the same day. On the way back from Agra, Suraj's has an accident, he does survive but is grievously injured. After he recuperates he finds he cannot speak due to a brain blood clot. Janki's marriage takes place and she re-locates to Agra.

Shortly after independence India faces terrorists attacks in Assam. A group of concerned citizens, who are not connected with the government, decide to do something to stop this carnage. Spy Sunil Mehra (Dharmendra) must travel to Beirut and foil the terror group.

Keshav, an alcoholic, swears off alcohol after his father's death. He loves Kamala, whose father gets him a job and fixes a marriage date. But, the marriage is cancelled when he starts drinking again.

A rich child and a poor one are both unhappy and search for God in the Himalayas.

Dhool Ka Phool is a 1959 Indian Bollywood film. Produced by B. R. Chopra it was directed by BR's brother Yash Chopra, this being Yash's first movie as a director, having been an assistant director in BR's earlier film Naya Daur. The film stars Mala Sinha, Rajendra Kumar, Nanda, Leela Chitnis, Jeevan and Ashok Kumar.

While helping her friend evade a blackmailer, a woman fears she may have committed manslaughter.

Two rival career-criminal brothers recollect their lives in a Courtroom in which one is about to be convicted for murder.

Geeta and Raja falls in love and everything seems to be going well until the day of their wedding, when Geeta's father breaks off their ceremony

When teacher Indu (Kamini Kadam) marries engineer Ravi Shankar Chaube (Rajendra Kumar) after years of living with her unemployed, widower father, Moolchand Chabbe (Radhakrishan), it's a readjustment -- especially when Moolchand begins gambling after Indu quits working and has a child. Now Ravi puts them all on a budget, and to make ends meet, Indu goes back to work. But Ravi insists she must quit or face a divorce in this Indian drama.

A jailor is abandoned by his wife which leads to great changes in his life

Poori (Daisy Irani) does not know who his parents are, and has been looking high and low to get back to them. Seated in a park bench beside Sundararajan (Gemini Ganesan), Poori asks his name and as soon as he replies, he proclaims that Sundararajan is his father. This creates complications in Sundararajan’s life and ruins his plans of marrying his lover Latha (Savithri). The president of a hospital for the mentally ill with a not-so-mentally-strong daughter creates more problems for the hero. After many interesting twists and turns, the truth emerges — Poori is the illegitimate child of a soldier (Mustafa) and the abandoned mother commits suicide, leaving the child behind. Sundararajan ro and Latha are so attracted to Poori that they decide to adopt him.

Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman Maganlal. When Maganlal announces that he would like to undertake a religious pilgrimage, his son, Kundan, takes over and wants to cut back on labor and mechanize the business - thus leading to loss in jobs

The story is about a house consisting of three families who live in it. It is three stories linked by the house.

A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).

Amar and Malti live an idyllic, loving life with their son Raja. However, Amar makes enemies in his job and is killed, forcing Malti to remarry.