Menashe Noy

A satirical crime, comedy of errors that involves three trailers that have been smuggled into Israel. A mistake in the harbor brings together Arabs, Orthodox Jews and a gay couple that must join forces in order to solve the mishap.

With this two-part feature documentary, Shlomi Elkabetz shares a poignant love letter to his sister, the late actress and director Ronit Elkabetz, and delivers a rare cinematic experience.

텔 아비브에 살고 있는 50세 수의사 요람은 사춘기 딸 로니의 자살 시도 후, 딸과의 관계를 다시 점검해 보아야 하는 상황에 놓였다. 요람은 딸과 함께, 사해를 둘러싸고 있는 사막 지역에 사는 아내의 가족을 방문하기로 결심한다. 이 여행은 그에게 있어 자신을, 그리고 서로를 발견하는 여정이 된다. (2020년 제15회 부산국제어린이청소년영화제) “내가 떠났다면 어떻게 하셨을 거 같아요?” 사춘기를 겪는 소녀와 이를 바라보는 아버지, 이 불편한 사이에서 응어리진 상처들은 여행의 형식을 통해 응시의 대상이 되고 해결의 실마리를 찾아간다. 롱테이크로 지긋이 응시하는 엔딩의 대관람차 씬은 인상적이다. 이스라엘 로드무비 버전의 . (2020년 제15회 부산국제어린이청소년영화제/ 변혜경)

55-year-old Noah, has a passion for classical music, a job that wears him down, and an old piano in his living room. Although Noah gave up on his dream of becoming a pianist in his youth, his youngest son 13-year-old Nir, is set to audition for the Music Academy. Noah's ambition resurfaces and his obsession threatens to disrupt both his and his son's lives.

부동산 업계에 새로 취직한 올나는 얼마 지나지 않아 회사의 중책을 맡을 정도로 인정받는다. 하지만 해외출장 중 상사로부터 부적절한 관계를 강요받는다. 당장 회사를 그만두고 싶지만 새로 오픈한 남편의 레스토랑이 어려운 상황에 놓이게 되자 고민에 빠지게 되는데….

A camel's body lies in the middle of a desert road, exactly on the 147th kilometer, on the border between two settlements. None of them agrees to take responsibility for it.

Heading out to a stressful day at work, Mori, a devoted family man, is completely unaware of the tragic mistake he has just made. We Had a Forest touches on an unfathomable and horrifying human failing.

The trial story of Viviane Amsalem's five year fight to obtain her divorce in front of the only legal authority competent for divorce cases in Israel, the Rabbinical Court.

Between the years 1950-51 close to 130 thousand Jews left Iraq. The most ancient community in the world ceased to exist.

Salah, an Israeli-Arab enterpriser, strives to bring happiness for the children of the Arab sector in Israel by opening a new chain of candy stores. 'The Firm', an Israeli corporation headed by Klausner , that controls Israeli candy market, resent Salah on his former business move - taking control over the Israeli market of Turkish coffee. Klausner sees the new business initiative of Salah as a real threat, not only a business one but also a cultural and a political one, even a real challenge against Zionism itself. In a disguise of a Business struggle the story reveals moral dilemmas and a cultural struggle: the Arab businessman trying to integrate in Modern Israel against the dominant Zionist culture.

A married couple at their forties sit in their living room. Together they recalls their first meeting, but while he remembers the lights on the dark river, she remembers the wind that blew through the sunny field.

Ido hates working at the local Falafel shop. He stays there because of his shift manager, Hadas, but he doesn't have the guts to tell her that he loves her. Will Sassi Keshet, a Game show host for the past 20 years, help him overcome his fears?

이스라엘의 한 마을에서 소녀 둘이 잔인하게 살해당하고 머리 없는 시신만 발견된다. 자신이 저지른 실수 때문에 주요 용의자를 잡았다 풀어 주고 일까지 잃은 형사는 용의자 납치를 계획하지만 예상치 못한 자에게 방해를 받는다. 소녀 연쇄살인마에 의해 잔인하게 희생된 딸의 복수를 노리는 아버지, 범인의 입을 열기 위해서라면 폭력과 납치도 불사하는 형사, 그리고 연쇄살인마로 추정되는 용의자, 세 남자의 이야기가 잔인하면서 유머러스하게 펼쳐진다. 과연 세 남자의 운명은 어떻게 될 것인가?

An estranged father and son are brought together by a young crane named Karl as they trace a family of the birds on their migratory journey from Russia to Africa.

A member of an Israeli anti-terrorist unit clashes with a group of young radicals.

A brother and sister who run away from home find sanctuary in a deserted nature reserve. When the sister falls into the trap of a psychopathic killer, the brother sets out on a race against time to find help. In a twist of fate the rescue of the sister becomes inadvertently intertwined with the lives of a group of young tennis players, a ranger and his dog, as well as a team of policemen.

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

This is a story about a really troubled man who is out of work, his marriage is falling apart, overbearing mother doesn't let him to live, his father recently died, etc...

Through a mosaic of stories intertwined and created a current picture of the sad social and economic situation in Israel. Mother forced into prostitution to support her son; Blind man must survive after loosing his dog; Son is looking for his rocker father's; Apartment owner complicates his life while entering the underworld...

The bizarre adventures of "jobniks", office workers, serving their mandatory Israeli Defence Forces' service in a desert nuclear base.

A short documentary about the making of Ari Folman's film Made In Israel. By featuring interviews with the director Ari Folman and the cast, it takes you to a behind-the-scenes journey from pre-production to shooting, editing, and screening.

Tali and Ori are a young Israeli couple. After attending their best friends' wedding, which ended in disaster, they have a big fight, which leads to Ori proposing. But there is trouble in paradise when Ori's conservative father meets Tali, and all hell breaks loose...

A story with a bit of despair: six or seven families who live in the same blocks that surround a parking lot. And they are all involved in each other’s lives.

Henry, an equipment manager in a film school, makes up his mind to make a movie, now or never. For the starring role he selects his own 13-year-old boy, Ami. Ami is a talented mimic, who excels especially in imitating animals and machine sounds. Making the movie becomes a meaningful process in the father-son relationship. Eitan Green: "I wanted to make a film about the process of making a film... to write about the process of coming back to one's own family... about the fact that it is a painful process for people at a certain age to realize that they will never again be what they used to be, even when it involves a certain amount of success

Cohen takes an elliptical approach in telling the story of Pinchas Rutenberg, a visionary, complex, and larger-than-life figure, who, amongst other things, brought electricity to Jewish Palestine in the early 20th century by building a hydroelectric power station in Nahararyim.

Two pairs of assassins are sent by a holocaust survivor's son to bring the last Nazi for a show trial in Israel.

This is a film about the lifes of a few people, living in south Tel-Aviv, and slightly connected to the life of crime. Each of'em has his dreams his complections, his.. beauty. So they form this beautiful idea to steal an icon from a heavy Mafia guy they knew for years, sell it in Paris, and begin a new flashing life of dream-fulfillment.

Dudu Peled has a secret. In a military action during reserve duty he accidentally shot and killed his commander, Amnon Rifkin. The official investigation absolved him of responsibility, but since the incident he is tormented by an overpowering sense of guilt. Fifteen years later, the delicate balance that he created to pull his life together suddenly falls apart, when his wife Naomi meets Amnon’s widow Ruthie. As the two women become close friends, Dudu has to free himself from the tangled web he’s caught in, and he has to do it fast …

A soldier (Ami Smolartchik) is told by his girlfriend (Ravit Rozen) that he has impregnated her. She asks him to visit her. His commanders reject his request for an R&R vacation, so, he takes over a tank and threatens to launch a misslie straight into their office if his request is not granted.

A soldier (Ami Smolartchik) is told by his girlfriend (Ravit Rozen) that he has impregnated her. She asks him to visit her. His commanders reject his request for an R&R vacation, so, he takes over a tank and threatens to launch a misslie straight into their office if his request is not granted.

The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.

The touching story of Victor, who lives with his mother in the really bad part of town and runs an illegal TV cable station. One day he sees the beautiful Michaela and falls madly in love with her. So desperate to make her love him back he finally snaps, and sits in the rain, all night, waiting for her. Placed in a mental institution for his own sake he meets several colorful characters, such as the mysterious Levanah with whom he becomes sexually involved. Finally, one day, Michaela comes to visit him...

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet‎‎) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.

Filmmaker Amir Zait directed this short during his time as a student at Tel Aviv University’s Department of Film and Television Studies, and for which he won a Wolgin Prize for Best Short at the Jerusalem Film Festival. In the film, two men cross paths in Yael’s flat one morning. The former, in his dressing gown, has just spent the night with Yael, whilst the latter is her ex-partner. The ex gives the new guy the third degree and, in the process, the pair get to know each other and learn how to define themselves in terms of their relationship with Yael.

Filmmaker Amir Zait directed this short during his time as a student at Tel Aviv University’s Department of Film and Television Studies, and for which he won a Wolgin Prize for Best Short at the Jerusalem Film Festival. In the film, two men cross paths in Yael’s flat one morning. The former, in his dressing gown, has just spent the night with Yael, whilst the latter is her ex-partner. The ex gives the new guy the third degree and, in the process, the pair get to know each other and learn how to define themselves in terms of their relationship with Yael.

Filmmaker Amir Zait directed this short during his time as a student at Tel Aviv University’s Department of Film and Television Studies, and for which he won a Wolgin Prize for Best Short at the Jerusalem Film Festival. In the film, two men cross paths in Yael’s flat one morning. The former, in his dressing gown, has just spent the night with Yael, whilst the latter is her ex-partner. The ex gives the new guy the third degree and, in the process, the pair get to know each other and learn how to define themselves in terms of their relationship with Yael.