Maxyne Franklin

“내가 루마를 바라볼 때, 나는 그녀를 통해 온 세상을 본다” – 안드레아 아놀드 감독 영국 켄트의 한 낙농장에서 태어나고 자란 젖소 ‘루마’의 아주 특별한 일상과 여정을 따라간다.

As a wave of anti-boycott legislation has swept through the country, so has a counter-wave in defense of freedom of speech. Everyday Americans are challenging these laws for their constitutionality in a nation-wide battle likely to go all the way to the Supreme Court.

팔레스타인 라말라 시의 기독교도 시장인 무사 하디드의 두번째 임기 기간에 관한 다큐멘터리.

This film is a true-crime thriller that goes behind the headlines to uncover the deep-seated and social media-fueled “boys will be boys” culture at the root of high school sexual assault in America. Like many small towns across the country, Steubenville, nestled in a valley in eastern Ohio, lives and dies by its high school football team. So when a teenage girl was sexually assaulted at a pre-season football party in 2012, no one came forward with information. True-crime blogger Alex Goddard set out to uncover the truth, piecing together the details of the crime through cell phone footage and photos that made their way to YouTube, as well as a nearly minute-by-minute account of events on social media. In the process, she uncovered both the perpetrators and the entire culture of complicity that enabled them. The ensuing trial, which made national headlines, cut to the very heart of nationwide debates about rape culture.

이 다큐멘터리는 오하이오주 스튜번빌 마을을 휩쓴 악명 높은 2012년 강간 사건의 배후를 쫓는다. 미식축구에 열광하는 마을의 파티에서 10대 여성이 성폭행 당하고, 동시에 10대들의 휴대전화에는 문자와 소셜미디어 게시물, 인기 있는 미식축구 선수가 가담한 동영상이 폭발적으로 쏟아진다. 아마추어 범죄 블로거인 알렉스 고더드가 이 충격적인 증거를 공개하면서, 방관자들의 공모에 의문을 던진다. (2019년 13회 여성인권영화제)

The Square looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

The Square looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

The Square looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

A 2008 documentary and debut feature film of Bafta-Award nominated director Jamie Jay Johnson. It follows the lives of the participants of the Junior Eurovision Song Contest 2007, specifically the entrants from Belgium, Bulgaria, Cyprus and Georgia. The film sees them proceed from the national finals that saw them crowned the representatives of their country through to the international song festival itself held in Rotterdam, the Netherlands where they each compete against 16 other acts.