Jorge Drexler

참여 작품

Tetuán
Music
Based on real-life personal experiences, Iratxe Fresneda takes us on a personal journey where past and present blend in a stunningly sensorial visual experience; from the calm shores of the Danube to the hectic life of Madrid, four interlaced stories converge and get lost in the mysteries of Tetuán.
Aute retrato
Himself
A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.
The Great Illusion
Self
Known as "El Mago Pop," illusionist Antonio Díaz shocks and awes celebrities and bystanders around the world with his mind-blowing performances.
The Great Illusion
Thanks
Known as "El Mago Pop," illusionist Antonio Díaz shocks and awes celebrities and bystanders around the world with his mind-blowing performances.
La suerte en tus manos
Uriel
A professional poker player seeks out an old flame after his marriage fizzles.
This Very Instant
Himself
Jorge Drexler undertakes a short tour in late 2007.
The City of Your Final Destination
Original Music Composer
28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to Gund - his brother, widow, and younger mistress - so he can get authorization to write the biography.
Hit
Himself
Through the memories and confessions of some of the most important names in Uruguayan music, the film brings back to life the stories of the songs that defined a country and that, in some cases, helped change history.
Hermanas
Original Music Composer
Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.
Spoils of War
Original Music Composer
Botín de guerra focuses on the history of the birth and growth of the Abuelas de Plaza de Mayo association, along with the frightening socio-political phenomenon that gave them raison d'être: the systematic appropriation of the children of detainees disappeared by the Argentine dictatorship between the years 1976/1983, which after kidnapping, torturing, and murdering the parents, gave their babies for adoption.