Elias
A boy who grows up with his step-parents in Greece and who, at the age of 20, unwittingly murders his father. While serving his sentence, he falls in love and has a child with a woman who works in the prison. They are both unaware of the fact that she is his biological mother. Twenty years later, he lives in London with his daughter and is beginning to lose his eyesight.
The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.
Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.
Vassilis
엘리자베스는 10년전 그리스 서부의 깡촌 사르가소로 좌천돼 온 경찰서장으로 술에 쩔어 살고 있다. 지역사회를 발칵 뒤집은 강력 살인사건이 발생하고 엘리자베스는 신비로운 성격의 리타와 엮이게 되는데… 과연 이들은 서로를 구할 수 있을까?
Miltiadis
A small-time crook agrees to star in a viral video that will restore the image of a businessman who acts against the law. When he realizes that he is the next victim in this man’s list, he struggles to save himself at any cost, in this suspenseful action film.
Kapetan Mihalis
그리스의 찬란함을 담은 섬, 크레타. 그곳에서부터 시작된 완전한 자유를 위한 여정. 전 세계인들이 손꼽는 스테디셀러 「그리스인 조르바」를 써낸 20세기 그리스의 가장 위대한 작가 ‘니코스 카잔자키스’. 그가 꿈꾸던 자유, 우정, 사랑에 대한 삶의 기행.
Efstathiou
It is a movie following the coming-of-age for a boy; the story begins in the mid-60s, continues all through the 70s, and finishes in 1981. He is a creative young man facing the troubles of the first pangs of love and we observe the way he tries to handle them within his social surroundings, his family, and environment.
Angelos Karras
Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging
George Spyratos
The trainee Orthopedic Doctor George Spyrou began his career in the fictional General Orthopedic Hospital "All Saints', somewhere on the outskirts of Athens. There you will discover that the hospital population, by physicians, administrators and nurses, to patients, they are all forced to confront dancing a grotesque dance routine. With humor and humanity within a social landscape so angry George Spyratos trying to balance between the warring parties these microcosms. The gradual evolution from inexperienced trainee to experienced editor will be done through the encounter with the absurd environment. Something that would transform from naive young man who initially stands speechless in front of modern Greek chaos, a mature man who will ultimately make a thoughtful account of choice, but persevere, continue to work on public health.
Alexis
Athens, today. Three siblings face the prospect of selling their family home. The potential buyers will tear it down and erect a modern building in its place.
During a strange night, a prostitute, an opera singer, a fortune teller, a travel agent, a police chief and an insomniac meet by chance.
About a producer-director of erotic films and his mistress, a wannabe a singer, making a porn-musical.
In the near future, when Athens is in danger of ecological catastrophe, a mysterious man, a young hacker and a washed out singer become entangled in a dark web of radioactive waste and suspected maritime shipwrecks.
