Gabriel Latorre

루이스 부뉴엘이 어떻게 자신의 세 번째 작품을 만들었는지에 대한 실제 이야기

The inspiring story of the beginnings of the Sister Servants of Mary, a religious order that was founded in Madrid, Spain in 1851 by Fr. Miguel Martinez and Sister Maria Soledad who guided it in its development and expansion until her death in 1887.

August 1936, the beginning of the Spanish Civil War. 51 members of the Claretian community of Barbastro (Huesca) are martyred, die for their faith. The film recounts the last weeks of his life, since they are held until they are finally shot. During that time, they perform various writings they talk about their situation, of his fellow captives, people who saw them. These writings have been the basic testimony used to narrate this real fact in film version.

Interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives and they will have to pursue their happiness and fight for their dignity in a dark and hostile word.

Today, John, a young professor of history, hidden in a cupboard at his home in Almonacid de la Sierra (Zaragoza) an ancient manuscript. After trying to read a few pages you realize that these texts aljamiados, a form of writing in Spanish but with Arabic script. This is a diary that tells the story of a Moorish family expelled in 1609. Encouraged by his grandfather, John decides to investigate more on that story.

An elderly woman prepares meticulously what he believes will be one of the great events of his life. (Inspired by the tragic death of Mexican actress Lupe Velez).

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

1936년 7월 19일. 바르셀로나 근처의 한 마을. 혁명군에게 점거 당한 수녀원에서 탈출하여 피신처를 찾아온다. 그녀가 도착한 곳은 한 창녀촌. 이곳에서 그녀는 혁명군들에게 저항하는 레지스탕스들을 만나 그들에게 합류한다. 파이로가 이끄는 이 레지스탕스들은 먼저 창녀들을 해방시키고, 혁명군들에게 빼앗긴 자유와 정의를 찾으려 한다. 비굴하게 사는 것보다 차라리 죽음을 택한 이 6명의 여성 레지스탕스들은 지옥 같은 전쟁터를 뚫고 나아가며, 이 와중에 마리아는 한 남자를 통해 사랑을 체험하고 더 없는 전우애를 느끼게 된다.

After spending three years in captivity in Tunis, Bartolomé returns home Extremadura with the only hope to eat his favorite dish: the pork. Along the way he meets a deserter who is traveling with a sow.

While the last remnants of the Empire are extinguishing and King Philip II (1559-1598) is dying in the shadow of lost splendor, a man, defying the divine and human justice, turns his passions into fate and his will into law. His fame is as great as his pride. His conviction, eternal. His name, a legend: Don Juan. Free adaptation of "Don Juan" by Moliere.

군에서 막 제대한 파코(Paco: 조지 샌즈 분)는 고향으로 돌아가지 않고 마드리드에서 살기로 결심한다. 도시에서의 생활이 훨씬 편리하고 좋을 것이라고 생각한데다 애인 트리니(Trini: 마리벨 베두 분)가 마드리드에서 일하면서 파코와의 결혼을 기다리고 있기 때문. 그녀는 파코가 군에 있을때 상관의 집 하녀로 일하고 있다가 알게 된 사이로, 그녀는 파코가 아무리 그녀와의 잠자리를 원해도 결혼 전까지는 순결을 지키려 한다. 젊고 매력적인 미망인 루이사(Luisa: 빅토리아 아브릴 분)의 집에 하숙을 정한 파코는 그녀의 유혹에 넘어가 성의 신비와 환상을 경험하게 되면서 그녀와의 육체적 쾌락에 몰두하게 된다. 이러한 둘의 관계를 짐작하게 된 트리니는 마님의 충고대로 지금까지 지켜온 순결을 버림으로써 파코의 애정을 되찾으려 하지만 불행히도 파코는 루이사와의 욕정에서 헤어나지 못하는 상태. 더구나 루이사는 파코를 이용, 트리니의 돈과 목숨마저 빼앗으려 한다. 두여자 사이에서 번민하던 파코는 일단은 트리니와 결혼하기로 결심하고 트리니와 그녀의 고향으로 향한다.

Spain, 1950s. The corpse of an unknown person appears in the town square of Bocentellas, within the mythical territory of Región. The inhabitants will ask for help to Captain Medina, young officer in command of a nearby military fort, until the arrival of the judge.

페파와 이반은 성우들이다. 이반은 영화나 TV의 빛나는 주인공들을 선망했으나, 결코 그 자신이 스타인 적은 없었다. 페파와의 오랜 교제 끝에 그는 전혀 예기치 않게도 그녀의 전화자동 응답기에 그이 짐을 꾸려놓으라고 녹음해둔다. 페파는 이반과의 추억이 가득한 그 아파트에 홀로 머물 수 없어 세를 놓기로 결심하고, 이반은 그녀 앞에 모습을 드러내지도 전화조차도 않는다. 페파는 이반이 떠난 후에야 그녀가 임신한 것을 알게 되는데...

4,000 tons of oil have been stolen from a Galician deposit. The alleged thieves are defended by the lawyer Ramos, but the witnesses die and suspicions point to Franco's brother.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.