Gabriel Latorre

Paris, 1930. Luis Buñuel is penniless after the scandal surrounding the release of his last movie. Sculptor Ramón Acín, a good friend, buys a lottery ticket and promises Buñuel that he will pay for his next movie if he wins the prize.

História da Santa Soledad e as Servas de Maria.

August 1936, the beginning of the Spanish Civil War. 51 members of the Claretian community of Barbastro (Huesca) are martyred, die for their faith. The film recounts the last weeks of his life, since they are held until they are finally shot. During that time, they perform various writings they talk about their situation, of his fellow captives, people who saw them. These writings have been the basic testimony used to narrate this real fact in film version.

Três mulheres, três épocas, um destino. Em 1923, Violeta se enamora de um jovem que deseja fugir para a França. Em 1941, Inês vive em um deserto esperando seu amante perdido, Paco. Em 1975, Luísa se dá conta que teve medo de amar durante toda a vida.

Today, John, a young professor of history, hidden in a cupboard at his home in Almonacid de la Sierra (Zaragoza) an ancient manuscript. After trying to read a few pages you realize that these texts aljamiados, a form of writing in Spanish but with Arabic script. This is a diary that tells the story of a Moorish family expelled in 1609. Encouraged by his grandfather, John decides to investigate more on that story.

An elderly woman prepares meticulously what he believes will be one of the great events of his life. (Inspired by the tragic death of Mexican actress Lupe Velez).

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.

After spending three years in captivity in Tunis, Bartolomé returns home Extremadura with the only hope to eat his favorite dish: the pork. Along the way he meets a deserter who is traveling with a sow.

While the last remnants of the Empire are extinguishing and King Philip II (1559-1598) is dying in the shadow of lost splendor, a man, defying the divine and human justice, turns his passions into fate and his will into law. His fame is as great as his pride. His conviction, eternal. His name, a legend: Don Juan. Free adaptation of "Don Juan" by Moliere.

Passado na Espanha dos anos 1950', um jovem (Sanz) deixa o exército e procura emprego para que ele e sua noiva (Verdu) possam casar-se. Aluga um quarto a uma viúva (Abril), e logo começa um tórrido romance com ela. A noiva descobre e decide reconquistá-lo, oferecendo-se a ele e levando-o a conhecer a sua família. Em última análise, ele tem que tomar uma decisão. Baseado em uma história verdadeira.

Spain, 1950s. The corpse of an unknown person appears in the town square of Bocentellas, within the mythical territory of Región. The inhabitants will ask for help to Captain Medina, young officer in command of a nearby military fort, until the arrival of the judge.

Em Madrid, Pepa Marcos, uma atriz de dobragens para televisão, é abandonada pelo amante, Ivan. Enquanto tenta falar com ele, é visitada pelo filho deste, Carlos e pela namorada, Marisa, que desejam alugar o seu apartamento. Surge também a sua melhor amiga Candela, que depois de se ter apaixonado por um desconhecido, descobriu que ele é um terrorista xiita e receia ser presa. Enquanto a namorada de Carlos bebe inadvertidamente um gaspacho cheio de soporíferos e adormece profundamente, Pepa faz de tudo para evitar que a verdadeira mulher de Ivan o mate quando ambas descobrem que este planeava viajar com uma segunda amante, a advogada que Pepa tentara contratar para defender Candela.

4,000 tons of oil have been stolen from a Galician deposit. The alleged thieves are defended by the lawyer Ramos, but the witnesses die and suspicions point to Franco's brother.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.