Dominique Auvray

Wang Bing is one of the greatest documentary-makers alive today, and his films offer a very insightful overview of the transformations occurring in Chinese society. Here, Dominique Auvray conducts an interview that, in addition to the biographical information, focuses above all on the relationship with things unsaid: Wang Bing attempts to do justice to his theme and the testimonies he’s gathered, but he stumbles over the words, struggling to keep his emotions in check. The pain of tackling history shows through the awkward speech.

중국 하층민의 삶을 카메라에 담은 왕빙 감독의 신작. 알츠하이머병을 앓는 미세스 팡의 마지막 모습을 섬세하게 그리고 시적으로 표현한다. 슬픔과 불안의 순간, 그리고 죽음을 맞이하는 숭고의 순간을 영화적으로 담아낸다.

Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.

Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.

Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.

Paolo wants to go to Itlay, to forget his broken heart. Arthur suggests a surprising shortcut: Do all roads lead to Rome?

A night in the lives of an all-girl punk band as they illicitly shoot their first music video on the streets of Tangier.

Nana is 4 years old and lives in a stone house beyond the forest. Back from school, a late afternoon, all she finds is silence in the house. A journey into the darkness of her childhood. The world from her height.

A girl on the verge of maturity tells her family and friends in the French countryside so many lies about her hidden relationships that they can hardly be called 'white lies' anymore. It gradually becomes clear what secret she's bearing with her.

Serguei is a 50 year old railway worker, seemingly cheerful and sociable. But within the intimacy of his gloomy apartment, he lives a terrible loneliness that he tries to make up for by watching funny shows on television. When it breaks down, he tries to repair it and overhears a couple’s argument in the apartment next door. Driven by a growing fascination for the woman’s voice, he starts to vicariously share her everyday life, till the day he walks through her door…

A young woman leaves her job and lover in Japan to start a new life in Thailand.

A French couple has been living in Lisbon for years, and they return to Paris for a friend's wedding. They announce to another friend they are having dinner with that they are going to split.

On June 3, 1991, Marguerite Duras gave me her last published work, "The North China Lover", autographed for the first time. She wrote: "For my friend Dominique Auvray, in memory of a wonder of wonders: a still recent past, when we worked together in the cinema". This is a portrait of her as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.

On June 3, 1991, Marguerite Duras gave me her last published work, "The North China Lover", autographed for the first time. She wrote: "For my friend Dominique Auvray, in memory of a wonder of wonders: a still recent past, when we worked together in the cinema". This is a portrait of her as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.

Undaunted by a commission to make a film about his mentors and aesthetic exemplars, the filmmaking team of Jean-Marie Straub and Danièle Huillet, Costa records with great sensitivity and insight the exacting process by which the two re-edit their film Sicilia!, discussing and arguing over each cut and its effect. Incorporating comments about the influence of figures as diverse as Chaplin and Eisenstein, about the ethical and aesthetic implications of film technique and such matters as rhythm, sound mixing, and acting. The film becomes a tour de force, immersing us in the mysteries of cinema as practiced by some of its greatest creators. Costa calls the film both his first comedy and his first love story.

The original television version of 'Where Does Your Hidden Smile Lie?'

Six unused scenes from Where Does Your Hidden Smile Lie? One of the more priceless of the “bagatelles” in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame. —Cinematheque Ontario

An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.

Marguerite has been married to Paul for five years; miraculously the molecules in their pairing are still at work. Except for one thing: they live in Montreal, and molecules do not like the cold.

아프리카의 북서쪽 해안에 위치한 카보베르데라는 작은 섬나라의 마을. 포르투갈에서 온 간호사 마리아나는 건설현장에서 사고를 당한 레오를 간호한다. 레오는 자신의 처지에 분노하며, 그런 레오를 지켜보는 마리아나는 유럽의 식민지였던 이 땅의 아픈 역사를 생각한다. (2021 포르투갈 영화제)

Two young girls of the war generation, Yasmin and Leila, are in search of Beirut. When they meet an elderly film enthusiast with a secret store of Lebanese films, they persuade him to screen his collection for them. So begins an initiation into the myths and images of Beirut, but the girls want cold figures and facts, war babies indifferent to the memories evoked.

In the sixties, in a suburb near Paris, Martine wants to lose her virginity.

Probably no one in the public listening to the orchestra's rendition of Ravel's Bolero notices him but the drummer is a regular hero. For, although his mind is assailed by loads of unsettling thoughts and worries, he tries to keep the rhythm at any cost. He knows all too well that he falls out of time only once all the magic of the piece will vanish.

Sophie comes to New York from France with the intention of joining a man she met a few months before. She finds herself alone in the apartment of the guy, who left town because he was scared stiff at the idea of seeing her. Originally commissioned as one third of an omnibus feature showcasing the Figaro, a Japan-only retro throwback car.

A worldly French teen is determined to escape from her current situation for a better life.

Dah and Jocelyn come from Benin, Africa, to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.

퐁피두센터가 옷에 대한 단편영화를 벤더스 감독에게 제안하여 시작된 이 다큐멘터리는 일본 패션 디자이너 야마모토 요지와 그의 작품 세계를 다루고 있다. 일본과 파리라는 도시와 자신을 일본인이 아닌 도쿄인 이라고 칭하는 야마모토 요지의 옷을 만드는 창작과정을 영화라는 예술작품을 만드는 벤더스가 섬세하게 연출하고 있다. (2014 한국영상자료원 - 독일영화_빔 벤더스와 안드레아스 드레젠)

The film takes the form of a documentary report in which the director Claire Denis follows Les Têtes Brulées, a group of five musicians from Yaoundé in Cameroon, as they tour France.

This symbolic drama from director Benoit Jacques underscores the characters' human need for affection. Children steal lemons for the thrill, while women steal other women's men from them just to prove they can. Drug smuggling, clandestine love affairs, and two lovers involved with the production of Shakespeare's Othello carry on with their own off-stage tragedy.

A man caught in the midst of the events of Algeria is experiencing a new but fleeting happiness with a young Algerian.

멕시코와 미국의 접경 지역 부근, 텍사스주의 어느 황량한 마을에 탈진한 듯 보이는 한 남자가 걸어온다. 그의 이름은 트래비스. 의식을 잃은 트래비스의 소지품에서 월트란 이름을 발견한 의사는 연락을 취하게 되고, 캘리포니아주 로스앤젤레스에서 살던 동생 월트가 형인 트래비스를 데리러 온다. 4년 만에 소식을 접한 월트는 병원에서 말 없이 사라진 형을 바로 찾아내지만, 형은 계속 침묵으로만 일관한다. 그동안 형의 아들인 헌터를 맡아 기르던 월터와 그의 아내 앤은 헌터가 트래비스를 아버지로 인정할 수 있게 최선을 다하지만, 다른 한편으로는 기른 정에 얽매여 헌터를 잃게 되진 않을까 우려한다. 월트는 형이 텍사스에서 헌터의 엄마, 제인과 살다가 왜 갑자기 헤어지게 됐는지 털어놓지 않자 답답해하고, 트래비스는 앤으로부터 제인이 헌터에게 매달 정기적으로 송금해오는데, 휴스턴의 한 은행을 이용하고 있다는 애기를 듣고 직접 찾아보기로 결심하는데..

Juliette is a young woman who has grown up on a farm that is now under economic siege. In order to save her farm and her family, Juliette is forced into a marriage of convenience with Marcel , a morose and laconic railway worker whom she does not even know. Now that her own life is permanently changed, her sacrifice does not ultimately help her family and with that sorrow added to her lonely existence, she is trapped into remaining married because of social pressures and soon enough, the birth of a child. There must surely be a way out for her at some point, but when and how that will happen seems completely up to fate alone.

아무도 없는 파리의 거리와 공원, 그리고 텅빈 방의 이미지 위로 남자(브누아 자코)와 여자(마르그리트 뒤라스)의 나레이션이 흐른다. 파리의 남녀들이 독일 점령군이 설치했던 비밀 전화선을 이용해 사랑의 말을 나누는 가운데 시간은 멈춘 듯 느껴지고 무의미해 보이던 이미지에는 점차 정서가 깃들기 시작한다.

A documentary that follows Dr. Penny Patterson's current scientific study of Koko, a gorilla who communicates through American Sign Language.

영화는 스크린에 나타나는 베라 박스터라는 여인과 부재하는 그녀의 남편 장 박스터에 대한 초상이다. 베라 박스터는 바캉스를 보낼 장소를 임대하기 위해 영화 속의 집을 찾아온다. 한편, 베라 박스터를 한 낯선 여인이 찾아오는데, 나이가 같고 모습이 비슷한 여인에게 말을 거는 베라의 모습은 거울을 보는 여인처럼 그려진다. 수자나 앤들러의 희곡을 뒤라스가 각색한 작품.

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

우간다의 독재자인 이디 아민 장군은 오보테 장군을 몰아 내고 1971년 대통령이 되었다. 경제를 살린다는 목적으로 우간다에 있는 모든 외국인들을 몰아내고 경제 전쟁을 선포하며 우간다에 있는 아시아인들을 모두 내 몰았다. 이디 아민 장군이 있는 동안 수만 명의 우간다인 들이 죽어 나갔다. 영화는 아민 장군의 연설, 내각 회의, 이디 아민 장군의 집에서의 인터뷰 등으로 구성되어 있다.