Rossy Mendoza
출생 : 1950-06-06, Ixtlán del Río, Nayarit, Mexico
약력
María del Rosario Mendoza (June 6, 1950), better known as Rossy Mendoza, is a Mexican vedette, actress, dancer and singer.
During the 70s–80s she was one of the highest grossing artists in the Mexican sex comedies film genre.
Herself
디스코가 인기를 끌던 그 시절 멕시코에는 다른 곳에서 볼 수 없는 밤의 스타들이 있었다. 멕시코 벌레스크 쇼를 이끌었던 여왕들을 이 다큐멘터리에서 새롭게 조명한다.
Father tries to protect his young-adult daughter from his predatory friends.
Adriana
The adventures of two friends, one a chicken vendor in a market and the other a policeman. They have love affairs and capture criminals.
Dancer
A prostitute enters a brothel and establishes a rivalry faking love with the old owner.
Roberto y su nueva familia estan pasando por dificultades economicas por lo que decide formar otra vez su vieja banda y comienzan a tratar de organizar algunos robos que resultan mal. La esposa de Roberto y su abuelita recurren al engaño disfrazandose de monjitas para poder vender galletas y rompope, sin embargo la abuelita hace de las suyas y se meten en problemas.
Rossy
Just arrived from his village to the capital, Roberto calls hosting its ambitious relatives. As not bring money is forced to work as a bricklayer in a construction in which a host of dangerous adventures live.
Associate Producer
Courtroom drama focused on the background of a man accused of rape.
Evelyn Andrade (Trinidad)
Courtroom drama focused on the background of a man accused of rape.
A club of elderly dudes plan a contest among themselves to see who can pull the most babes over a holiday weekend.
Lupita
The inhabitants of a condominium prepare to party and have a baile where various things happen caused by alcohol.
Mexican feature film
If you have even the slightest interest in latsploitation, it’s only a matter of time before you come across El Día de los Albañiles (The Day of the Bricklayers). Released in 1984, this film embodies everything that was “wrong” with Mexican cinema in the 1980s. However, the film managed to become somewhat popular and was followed by three sequels, titled more or less the same, in 1985, 1987 and 1990.
Roberto es un ladrón que le hace creer a su hijo Pepito y a todos sus vecinos que es un honesto Mecánico. La güerita recién llegada a la vecindad es la muchacha de la que Roberto se ha enamorado. Pero Roberto tiene una doble vida, ya que también es Bobby "El elagante" jefe de una banda de ladrones, quienes siempre fallan en todos sus robos y juntos se ven envueltos en persecuciones graciosas y equivocaciones constantes. Una divertida comedia para toda la familia.
Irma
Mexican comedian Alfonso Zayas is just one of the many folks in town who are cheating on their spouses, imagining themselves quite clever and secretive, even while unbeknownst to them their spouses are cheating on them in turn! When one of the many women with whom Zayas has a child dies tragically, he attempts to integrate his daughter into one of his other families, calling her his goddaughter. But when his son falls in love with her, the many sexual escapades around town threaten to take a disturbing turn for the worse.
Yani Chin
About a nymphomaniac and an artist that constantly spies on her.
Mónica
A man finds a woman that reminds him of his long lost love: his step-sister with whom he initiated his sex life. But he is married and his wife wants proof of the cheating to get a divorce.
Madre de Felipe
Local artists mingle with tourists and each other at a Mexican resort. Mingle, mingle.
Marta Cristal
Santo is called in to stop robot terrorists from sabotaging oil supplies in Puerto Rico.
Invitada a fiesta
At the end of an unhappy romance, a Mexico City cabdriver decides he's fed up with big-city classism and hypocrisy, and goes home to his ranch. Soon, a group of city-folk are stranded on his property and dependent on him for help and sustenance.
Santo goes to Ecuador to sit in nightclubs and watch stage shows, also to crack a counterfeiting ring.
She rejects him, but he's there for her, even after she gets married and then is abandoned by her babydaddy. Remake of Bajo El Cielo De Mexico (1958) (and also 1937?).
A woman with a troubled past introduces lust, depravity and sex to a religious commune.
Delivery boy answers a call to take some food to that huge spooky mansion on the hill behind the cemetery.