Harawi (2022)

Ellison é um escritor de romances policiais que acaba de se mudar com a família. No sótão da nova casa, descobre antigos rolos de filme que trazem imagens de assassinatos violentos. Intrigado com o que elas representam e com um estranho símbolo presente nas imagens, ele e a sua família logo passam a correr sério risco de vida.

No verão de 1979, um grupo de seis garotos em uma cidade industrial de Ohio testemunha uma catastrófica colisão noturna de uma caminhonete com um trem de carga. Eles registram tudo com a câmera Super-8 com a qual estavam tentando fazer um filme. Não tarda para que eles comecem a desconfiar que aquilo não foi um acidente, quando misteriosos desaparecimentos começam a acontecer e o exército tenta encobrir a verdade (algo muito mais terrível do que eles poderiam imaginar).

Two instants separated by 99 days conflict with each other.

Filip Mosz é um operário que resolve comprar uma filmadora 8 mm para registrar os primeiros dias da filha recém-nascida. No entanto, o que era para ser apenas um hobby se torna uma obsessão. Mosz começa a filmar tudo e todos. Pessoas do cotidiano transformam-se em "astros" de suas produções. Mas não tarda para que o "operário-documentarista" se depare com dilemas éticos, que trarão sérias consequências para ele e sua família.

Alfredo Lopez (Javier Cámara) é um vendedor fracassado de enciclopédias, que vive na Espanha dos anos 70. Convidado por seu chefe para um simpósio, ele e sua esposa Carmen (Candela Peña) são surpreendidos com o anúncio do novo projeto da empresa: a confecção de uma Enciclopédia Sexual Visual, que contará com fitas de casais de vários países europeus. A proposta do chefe é que seus empregados rodem seus próprios filmes eróticos, que seriam destinados exclusivamente aos países escandinavos. O casal, em crise financeira, aceita a proposta e inicia suas produções com uma simples câmera Super 8. Essa nova atividade rejuvenesce a paixão do casal, que fica famoso em toda a Escandinávia. Alfredo se empolga com a repercussão e influenciado por seu grande ídolo, Ingmar Bergman, planeja sua primeira incursão em uma película não pornográfica.

Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.

Comédia negra sobre um assassinato e as suas consequências, apresentada do fim para o princípio, onde a morte é na verdade um renascer. O filme começa com uma "execução" do protagonista principal e retrocede para explorar as suas ações e motivações anteriores.

In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Now I shall sing the second kingdom there where the soul of man is cleansed, made worthy to ascend to Heaven. (Purgatorio: Canto I)

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.

An experimental short film by Walerian Borowczyk and Jan Lenica.