Harawi (2022)

실제 범죄를 바탕으로 한 소설로 베스트셀러 작가가 된 ‘앨리슨’. 새로운 소설의 소재를 찾기 위해 일가족 몰살 사건이 벌어졌던 저택으로 이사 온다. 우연히 집 안에 남겨진 필름들을 발견한 ‘앨리슨’은 호기심에 이를 보고 경악을 금치 못하는데.. 필름엔 자신이 조사하던 살인 사건의 가족들이 죽어가는 충격적인 장면이 찍혀있었던 것! 카메라 뒤에 숨겨져 있을 범인을 찾기 위해, ‘앨리슨’은 필사적으로 단서를 추적하다, 모든 사건의 가족 중 아이들이 한 명씩 사라졌음을 발견하는데...

1979년, 기차 플랫폼 부근에서 슈퍼 8mm 카메라로 영화를 촬영하던 6명의 아이들은 열차를 향해 전속력으로 돌진해가는 의문의 트럭을 발견한다. 순식간에 벌어진 끔찍한 열차 탈선 사고로 현장은 초토화가 되고, 아이들은 자신들이 우연히 목격한 모든 것을 비밀에 부치기로 한다. 하지만 그 날 이후 정체를 알 수 없는 무언가의 공격이 시작되는데… 비밀 지역 51구역 폐쇄와 함께 그 곳의 모든 것을 옮기던 열차. 누군가가 의도한 사고를 틈타 탈출한 ‘그것’. 그리고, 그 날의 모든 것을 촬영한 슈퍼 8mm 카메라. 진실을 포착한 6명의 아이들! 정체불명 '그것'의 공격에 맞서기 시작한다!

Two instants separated by 99 days conflict with each other.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.

카메라없이 처음으로 만들어진 작품. 실제로 필름 위에 나방의 날개, 꽃잎 조각, 풀 등을 콜라주 형태로 붙여놓고 일련의 프린트 과정을 거친 작품으로 널리 알려져 있다. 이미 죽어버린 생명체가 작가의 손길을 거쳐 스크린 위에 다시 투영될 때의 빛의 숨결을 받아 새로운 생명으로 환생한다는 역설적인 메시지를 지니고 있다. 바로 빛의 깜박거림으로 인하여 영사기를 통해 보여지는 나방의 날개는 마치 살아서 움직이는 것같은 환상을 관객들에게 제공한다.

A musical horror story about two young women who are stalked through a shopping mall by a cannibal. He follows them home, and here the victims become the aggressors.

A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.

A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes back to explore his previous actions and motivations.

In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Now I shall sing the second kingdom there where the soul of man is cleansed, made worthy to ascend to Heaven. (Purgatorio: Canto I)

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Tar pits form as petroleum seeps to the surface through fissures in the Earth’s crust, leaving viscous asphalt pools. To make Tar Pits Film, Jennifer West threw a strip of film into the La Brea Tar Pits in Los Angeles, still-bubbling asphalt pools which have seeped from the ground for tens of thousands of years. The film was then ridden over hot asphalt by a motorcycle and drenched in other substances including thick mayonnaise and body lotion.

An experimental short film by Walerian Borowczyk and Jan Lenica.