“Would You Please Creampie Fuck Me?” We Got Our Semen Milked By A Secretly Big Tits Intellectual Girl Iori Arisu (2019)
Gênero : Documentário
Runtime : 2H 30M
Sinopse
Rookie Arisu Iori's first OPPAI work! This work becomes a liberal arts girl who seeks vaginal cum shot and devours a cock. Influenced by her favorite novel, she longs for her pregnancy and makes her uncle and her classmates vaginal cum shot indiscriminately. Soggy Titty Fuck, Hip Swing Cowgirl, Pregnancy Begging Dirty Talk... Quiet but passionately eating cock matches Alice's personality and brings out her charm and eroticism! Please enjoy H-cup big tits in their teens and a slut who has begun to wake up!
Diane is a mysterious and lonely teenager. Sharing special bonds with her father Christian, she takes care of the education of her brother Marc. The arrival of Julia in the neighborhood, a charismatic and liberated young British woman, is going to disturb Diane’s daily life. Desperately willing to become an adult, Diane is going to live, for a semester, the most shattering experiences of her life. The more she gets close to Julia, the more she gets irresponsible, ignoring consequences and limits to her desires.
Depois de perder a virgindade, Isabelle assume uma vida secreta como garota de programa, conhecendo seus clientes para encontros em quartos de hotel. Durante todo o tempo, ela permanece curiosamente distante, demonstrando pouco interesse pelos encontros ou pelo dinheiro que ganha.
A mysterious visitor spends the night at an apartment belonging to a young engaged couple and their friend. Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.
Lady Wankers is directed by French photographer Frédérique Barraja whose controversial 2010 photographic collection, Les Branleuses, inspired the documentary and is featured throughout. Barraja says she was so surprised by the conversations she had with the models for Les Branleuses during the shoot, about things that she could not show in photographs, that she decided to extend the subject into a film. “The idea was to do research about why we have all these sex toys, and we talk about sex a lot but we don’t talk about masturbating. It’s about self-discovery," said Barraja. A whimsical, slightly risqué but also serious exploration of the taboo subject of female masturbation. See interviews from women of all ages about their own personal stories and practices. It also looks at the history of female sexuality, along with the marketing of the vibrator to women in the 20th century, as well as the tragic issue of genital mutilation and its disastrous consequences.
Doutor Crumb, um cientista que nunca gostou de sair de casa, inventou um modo de conhecer o mundo sem precisar deixar seu laboratório. Usando uma pedra extraterrestre, Crumb, seu ajudante Zoox e seus dois sobrinhos: a bela Amanda e o irreverente Guto, vão fazer sua casa flutuar pelo mundo em busca de aventuras. O problema é que essa pedra tem outros poderes especiais, pode hipnotizar pessoas e abrir portais para outras dimensões. Ao cair nas mãos de um ganancioso arqueólogo francês, a pedra acaba por libertar quatro criaturas monstruosas e atrapalhadas que fogem para diferentes cantos do mundo. Agora, esses montrengos precisam ser capturados antes que destruam os principais monumentos do mundo e a pedra deve ser recuperada antes que o arqueólogo hipnotize todos eles.
Duas alunas, Hisayo Yoshida e Kanna Murakami, que têm a tarefa de cuidar dos coelhos de estimação de sua escola, estão varrendo as gaiolas e alimentando os animais quando Kanna corta a mão, então Hisayo a deixa sozinha para ir buscar curativos.
Bastante machucada e largada em um beco, Joe (Charlotte Gainsbourg) é encontrada por um homem mais velho, Seligman (Stellan Skarsgard), que lhe oferece ajuda. Ele a leva para sua casa, onde possa descansar e se recuperar. Ao despertar, Joe começa a contar detalhes de sua vida para Seligman. Assumindo ser uma ninfomaníaca e que não é, de forma alguma, uma pessoa boa, ela narra algumas das aventuras sexuais que vivenciou para justificar o porquê de sua auto avaliação.
It is the late 1920s when six-year-old Yingzi and her family move to Beijing. As Yingzi explores the busy streets and alleys, she befriends a widow who, driven mad by grief, stands vigil at the entrance of her hutong, waiting for her missing daughter to return.
Wealthy high school girls are sent to a boarding school to learn proper etiquette. Linda Simpson stays out all night. She tells her roommate, Betty Fleet, that it was because she's planning to elope. Linda gets in trouble when the faculty finds out from a monitor's report submitted by reluctant Natalie Freeman, a poor girl attending on scholarship.
O caminho que Billie (Tilda Cobham-Hervey), uma garota de 16 anos, precisa trilhar para alcançar sua independência, já é complicado o suficiente. Mas seu crescimento será mais acelerado ainda quando sua mãe revela o plano de mudança de gênero, e o tempo que elas têm juntas fica limitado às tardes de terça-feira.
Diretor de cinema gay observa a própria vida sexual através das lentes da câmera, embaralhando limites entre ficção e realidade.
Sylvain and Pierre have been running from the law ever since a custody battle with their mother pushed their father Yves into hiding ten years ago. But now that they’re older, the two brothers are road-weary and eager to take advantage of the perks of young adulthood. When the authorities discover their whereabouts, they are forced to move yet again and Pierre, the elder, disappears. Alone with his father on an island in the Loire River, Sylvain meets Gilda: his first girl, his first crush, and the first stop on his way to “the good life” – his own.
Shirin (Desiree Akhavan) é uma jovem de família persa. A moradora do Brooklyn, descolada e bissexual está sofrendo pois sua namorada acaba de terminar o relacionamento delas. Shirin já não vai mais ao bar que costumava ser seu refúgio. A jovem se sente solitária e não tem o apoio da família.
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Dr. Sigmund Wiston, along with the help of his trusty sidekick Billy, teaches the students of the 1950s how to put more excitement into self-loving.
Evangeline (Kat de Lieva) has left her sheltered upbringing to reinvent herself in college. As she begins to break out of her shell, she attracts the attention of a sociopathic fraternity leader (Richard Harmon) and his two cohorts. “Beaten and left for dead, Evangeline finds herself trapped in a supernatural nightmare, where she is caught between salvation and vengeance. But to save herself, Evangeline discovers she must make the most horrifying choice of all…
Girls at a Beijing High School in 1952 have dreams for China.
A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.
Marion is a 14 year old girl, on holidays at the sea. She is in conflict with her mother and family. She meets a man there, to whom she feels close. Back in Paris, she goes to see him again. For the first time, she is going to make love.
This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.