“Would You Please Creampie Fuck Me?” We Got Our Semen Milked By A Secretly Big Tits Intellectual Girl Iori Arisu (2019)

Diane is a mysterious and lonely teenager. Sharing special bonds with her father Christian, she takes care of the education of her brother Marc. The arrival of Julia in the neighborhood, a charismatic and liberated young British woman, is going to disturb Diane’s daily life. Desperately willing to become an adult, Diane is going to live, for a semester, the most shattering experiences of her life. The more she gets close to Julia, the more she gets irresponsible, ignoring consequences and limits to her desires.

여름 남프랑스 휴가지, 17세 생일을 앞둔 이사벨은 그곳에서 만난 독일인 청년과 첫경험을 치른다. 가을, 파리로 돌아온 이사벨은 레아라는 이름으로 학교와 호텔을 오가며 낯선 남자들과의 매춘에 빠져 있다. 겨울, 이사벨의 은밀한 이중생활에도 위기가 찾아온다. 경찰이 들이닥치고 엄마 실비에는 모든 것을 알게 되는데… 그리고 봄, 이사벨은 아무 일도 없었던 것처럼 평범한 10대 소녀의 생활로 돌아갈 수 있을까.

A mysterious visitor spends the night at an apartment belonging to a young engaged couple and their friend. Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.

Lady Wankers is directed by French photographer Frédérique Barraja whose controversial 2010 photographic collection, Les Branleuses, inspired the documentary and is featured throughout. Barraja says she was so surprised by the conversations she had with the models for Les Branleuses during the shoot, about things that she could not show in photographs, that she decided to extend the subject into a film. “The idea was to do research about why we have all these sex toys, and we talk about sex a lot but we don’t talk about masturbating. It’s about self-discovery," said Barraja. A whimsical, slightly risqué but also serious exploration of the taboo subject of female masturbation. See interviews from women of all ages about their own personal stories and practices. It also looks at the history of female sexuality, along with the marketing of the vibrator to women in the 20th century, as well as the tragic issue of genital mutilation and its disastrous consequences.

Dr. Crumb, a scientist who never liked to leave home, invented a way to see the world without leaving your lab. Using a stone extraterrestrial Crumb, his assistant and his two nephews Zoox: the beautiful Amanda and irreverent Guto, will make his house float through the world in search of adventures. The problem is that this stone has other special powers, can hypnotize people and open portals to other dimensions. To fall into the hands of a greedy French archaeologist, the stone eventually releasing four monsters creatures and muddled fleeing to different corners of the world. Now these monsters need to be captured before they destroy the main monuments of the world and the stone must be recovered before the archaeologist hypnotize them all.

Two schoolgirls, Hisayo Yoshida and Kanna Murakami, who are tasked with caring for their school's pet rabbits, are sweeping the cages and feeding the animals when Kanna cuts her hand, so Hisayo leaves her alone to go get bandages. (A prequel to the first version of Ju-on, 2000.)

무수한 남성을 만난 뒤 조는 첫 남자 제롬(샤이아 러버프)과 조우하고 사랑이라는 감정을 느낀다. 그러나 아이러니하게도 사랑은 성적 쾌감을 빼앗아갔다. 조는 삶의 공허함을 느끼게 되고 가학적인 방식으로 성적 만족을 제공하는 K(제이미 벨)를 찾아간다. 조는 감각을 되찾은 대가로 제롬을 잃지만 여성으로서 자신감을 되찾는다. 아무도 믿지 않고 아무 의미도 추구하지 않던 조는 자신의 분신이자 후계자인 P(미아 고스)에게 마음을 주기 시작하면서 조금씩 달라진다. 길고 긴 조의 경험담이 다다른 결론은 자신의 욕망을 인정한다는 것이다.

애인을 잃고 아이를 출산한 주인공. 가족에 의해 딸을 잃어 버린 후, 정신 이상자가 되어버렸다. 6년 후, 6살 여자아이 ‘잉즈’와 우연히 친구가 되면서 잉즈를 통해 친딸을 느끼게 된다. 여 주인공과 6살 잉즈의 눈에 비친 20년대 말 베이징 사람들의 삶을 현실적으로 표현한 영화. 로 알려진 장펑이의 출연작으로 ‘제2회 마닐라 국제영화제’ 최우수 작품상 및 ‘제3회 금계장 영화제’ 최우수 감독상 수상.

Wealthy high school girls are sent to a boarding school to learn proper etiquette. Linda Simpson stays out all night. She tells her roommate, Betty Fleet, that it was because she's planning to elope. Linda gets in trouble when the faculty finds out from a monitor's report submitted by reluctant Natalie Freeman, a poor girl attending on scholarship.

16살인 빌리의 독립에 대한 소극적 행보는 엄마가 성전환 계획을 밝혔을 때 가속화된다. 엄마와 빌리는 떨어져 지내면서, 매주 화요일을 함께 보내기로 한다. 1년 동안, 매주, 일주일에 한 번, 화요일에만 촬영된 ‘52번의 화요일’은 욕망, 책임, 변화에 관한 감동적인 이야기이다. (2014년 제8회 여성인권영화제)

에밀리아노는 영화 감독의 눈으로 삶을 바라보며 객관적 현실과 예술적 창조를 결합하곤 한다. 영화를 촬영하면서 그의 세계는 점점 카메라 렌즈에 갇히게 되는데......

Sylvain and Pierre have been running from the law ever since a custody battle with their mother pushed their father Yves into hiding ten years ago. But now that they’re older, the two brothers are road-weary and eager to take advantage of the perks of young adulthood. When the authorities discover their whereabouts, they are forced to move yet again and Pierre, the elder, disappears. Alone with his father on an island in the Loire River, Sylvain meets Gilda: his first girl, his first crush, and the first stop on his way to “the good life” – his own.

For Shirin, being part of a perfect Persian family isn't easy. Acceptance eludes her from all sides: her family doesn't know she's bisexual, and her ex-girlfriend, Maxine, can't understand why she doesn't tell them. Even the six-year-old boys in her moviemaking class are too ADD to focus on her for more than a second. Following a family announcement of her brother's betrothal to a parentally approved Iranian prize catch, Shirin embarks on a private rebellion involving a series of bisexual escapades, while trying to decipher what went wrong with Maxine.

Game presents Hip Hop Honeys - upscale adult entertainment for the hip-hop generation. Watch stunning beauties from the hottest music videos on BET and MTV groove to blazing beats from the best producers in hip-hop. Hang with sexy super-star Crystal Knight and the world's finest exotic models for a steamy night on the town. It's 70 minutes of heat: more than 25 honeys exposed as block-rocking beats explode through your system! From the nightclubs of New York City to the neon strip of Las Vegas, the Game Girls know how to party. Pop bottles with rappers, DJs and beautiful women of all nationalities who love funky beats and sexy thrills. You've got a VIP pass for an evening with the

Dr. Sigmund Wiston, along with the help of his trusty sidekick Billy, teaches the students of the 1950s how to put more excitement into self-loving.

에반젤린은 인적이 드문 숲에서 잔인한 무리에게 폭행당하고 버려져 죽음을 맞는다. 에반젤린은 숲의 악령에 의해 생명을 구원받지만 악령은 그녀를 살려준 대가로 피와 영혼을 요구한다. 에반젤린이 자신을 죽인 자들에 대한 복수를 포기한다면 그녀의 영혼은 해방될 수 있을 것이다. 하지만 끝까지 복수를 원한다면 그녀는 영원히 악령에 속박된다. 비주얼의 캐릭터와 독특한 특수효과가 향수를 불러일으키는 판타지 호러. 2012년 나프 잇 프로젝트 선정작. (2014년 제18회 부천국제판타스틱영화제)

Girls at a Beijing High School in 1952 have dreams for China.

A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.

Marion is a 14 year old girl, on holidays at the sea. She is in conflict with her mother and family. She meets a man there, to whom she feels close. Back in Paris, she goes to see him again. For the first time, she is going to make love.

This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.