Play Date (2020)

RAW! UNCUT! VIDEO! chronicles the rise and fall of homegrown gay porn studio Palm Drive Video, and explores how a devoted couple helped battle a devastating health crisis by promoting kinky sex.

Two new dads are putting their newly adopted newborn son to sleep when something unexpected happens...

I'm a Porn Star segue as vidas de rapazes que provavelmente são muito mais famosos que você - pelo menos na web. Há uma estimativa de 370 milhões de sites pornográficos online. A pornografia agora é um negócio de treze bilhões de dólares. Então, quem está fazendo tudo isso clandestinamente? Acontece que - provavelmente deve ser alguém que você conhece.

Um jovem empregado como trapaceiro na indústria de entretenimento adulto se apaixona por uma estrela pornô gay que paga, cujo estilo de vida hedonista pode levar os dois à destruição.

Um diretor envelhecido de filmes pornográficos faz um comentário em 2022 para o DVD de um filme underground que fez em 1972 e que foi redescoberto recentemente. Quando o belo garanhão no filme passa por uma série de devaneios eróticos, o diretor lamenta seu condenado caso de amor com o protagonista.

In the winter of 2013, Yong-jun and Jae-sung, a member of the Korean People’s Army, are caught having sex by a superior. After that, Yong-jun decides to defect from North Korea to the South leaving Jae-sung behind. Yong-jun risks his life to step on the land of freedom and meets Tae-kyu. Two years after, Jae-sung comes over to the South, and Yong-jun must decide between Jae-sung and Tae-kyu. This causes misunderstandings and puts them in pain.

In 2014, Luke was a small-town boy growing up in Ohio. The only son and adopted child of a single mother, he dropped out of college and moved to New York to become a gay porn star: Levi Karter.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

Two gay dads fumble to provide their straight son with meaningful support after the loss of his first real love.

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

In the underbelly of the city, where the horny boys play, is a place with no windows, no light or life. It's in the Underground where prying eyes can't reach, where inhibitions are left at ground level and the guys fuck long and hard. Atmospheric, dark and hot!

A beautiful young escort suffers from trip-like dreams he doesn't understand. These visions are shared by his clients, both scaring and exciting them.

Um escritor de viagens do New York Times chega a Tel Aviv após sofrer uma tragédia. A energia da cidade e sua relação com um homem mais jovem o trazem de volta à vida.

Daniel é homossexual. Tem quarenta anos, um belo emprego e uma família rica que ele está sempre usando. Contudo tem que esconder uma vida paralela a partir do momento em que conhece Kyrill, um jovem búlgaro impetuoso e terrivelmente atraente. Kyrill leva Daniel a caminhos de paixão, crime e perigos até então desconhecidos, que vão se tornar o sentido da sua existência e a a sua destruição pessoal.

Todd has a filming fetish. He likes to invite good looking, sexually curious performers over to his house and then film them having hardcore anal sex. It doesn't matter their gender or orientation, what gets him off is his ability to lose himself behind the lens and watch beautiful people getting fucked out and shedding their inhibitions for him and his audience.

A teenage boy, raised by a mother who considers herself psychic, takes a bullied kid into his group of violent misfits. As the group’s troubles escalate toward life-threatening situations, an inner voice awakens in the boy and, with the help of his mother and his new friend, he manages to find his own path.

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.

A historic underground gay document. Shocking. Intimate. Taboo. A behind-the-scenes look at the performance art of a millennial artist who travels the world performing in public spaces using the medium of piss, video and the internet to break social norms.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.