Play Date (2020)

RAW! UNCUT! VIDEO! chronicles the rise and fall of homegrown gay porn studio Palm Drive Video, and explores how a devoted couple helped battle a devastating health crisis by promoting kinky sex.

Two new dads are putting their newly adopted newborn son to sleep when something unexpected happens...

I'm a Porn Star follows the lives of guys in the neighborhood who are likely a lot more famous than you - at least on the Internet. There are an estimated 370 million pornographic websites on-line. Porn is now a thirteen BILLION dollar business. So who's doing all this moonlighting? Turns out -- probably some people you know.

Шон — молоденький выпускник колледжа, только что переехал в Лос Анжелес. Однажды ему попадает в руки порно-кассета «Гражданин Кончить», с Джонни Ребелом. С тех пор у Шона появилась новая страсть. Вскоре он собирает коллекцию фильмов с Джонни и устраивается на работу в компанию, которая снимает фильмы с Джонни. Джонни выступает в гей-ролях только когда ему платят, а в жизни у него подружка — Вавилон. Хотя Джонни заявляет, что он натурал, ему нужна помощь чтобы возбудиться перед съемками, и он просит помочь ему в этом Шона. Шон становится «флаффером». Но «обслужив» Джонни, Шон еще больше влюбляется в него. Жизнь Джонни выходит из-под его контроля. Два парня отправляются в путь, который полностью изменит их жизни.

An ageing director commentates on a porno he directed 50 years ago, reminiscing on his relationship with the lead actor.

In the winter of 2013, Yong-jun and Jae-sung, a member of the Korean People’s Army, are caught having sex by a superior. After that, Yong-jun decides to defect from North Korea to the South leaving Jae-sung behind. Yong-jun risks his life to step on the land of freedom and meets Tae-kyu. Two years after, Jae-sung comes over to the South, and Yong-jun must decide between Jae-sung and Tae-kyu. This causes misunderstandings and puts them in pain.

In 2014, Luke was a small-town boy growing up in Ohio. The only son and adopted child of a single mother, he dropped out of college and moved to New York to become a gay porn star: Levi Karter.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

Two gay dads fumble to provide their straight son with meaningful support after the loss of his first real love.

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

In the underbelly of the city, where the horny boys play, is a place with no windows, no light or life. It's in the Underground where prying eyes can't reach, where inhibitions are left at ground level and the guys fuck long and hard. Atmospheric, dark and hot!

Красивый молодой парень из эскорта, Пол, страдает от неконтролируемых приступов, во время которых он видит сны, не понимая их смысла. Приступы часто случаются во время общения с его клиентами, одновременно пугая и возбуждая их. Пол хочет найти своего брата-близнеца, которого он не видел с раннего детства. Поиски сводят его с загадочным режиссером Джоном Бакстером, и Пол, решает сняться в порнофильме, чтобы познать себя. В процессе съемок находится его брат, но это темное путешествие уже затянуло его, вовлекая опасных клиентов, недобросовестного конкурирующего продюсера, и незащищенный секс. И в этих поисках своего истинного прошлого Пол рискует разрушить себя…

A gay New York Times travel writer comes to Tel Aviv after suffering a tragedy. The energy of the city and his relationship with a younger man brings him back to life.

Это фильм о жизни и любви успешного мадридского адвоката Даниэля. Он ищет свой идеал - красивого, мускулистого, волосатого парня. И однажды он встречает Кирилла - молодого болгарина, который ему очень понравился. Но Кирилл - бисексуал, он даже не целуется с мужчинами, хотя в постели он - бог. А по жизни – альфонс. Его устраивает, что Даниэль за секс может его содержать. Вначале все сводится только к сексу на коммерческой основе, но потом, побывав в семье своего любовника, герой понимает, что он влюблен...

Todd has a filming fetish. He likes to invite good looking, sexually curious performers over to his house and then film them having hardcore anal sex. It doesn't matter their gender or orientation, what gets him off is his ability to lose himself behind the lens and watch beautiful people getting fucked out and shedding their inhibitions for him and his audience.

A teenage boy, raised by a mother who considers herself psychic, takes a bullied kid into his group of violent misfits. As the group’s troubles escalate toward life-threatening situations, an inner voice awakens in the boy and, with the help of his mother and his new friend, he manages to find his own path.

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.

A historic underground gay document. Shocking. Intimate. Taboo. A behind-the-scenes look at the performance art of a millennial artist who travels the world performing in public spaces using the medium of piss, video and the internet to break social norms.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.