Smoking (1966)

Silas (Method Man) e Jamal (Redman) estão bastante tensos na hora de fazer um exame que irá decidir em qual faculdade eles poderão ingressar. Para “relaxar” um pouco, os dois colegas decidem puxar um fumo antes da prova. A fumaça mágica que sai de seus baseados evoca o fantasma de Ivory (Chuck Davis), um outro colega de fumo que havia morrido recentemente. Bem relacionado com todos os espíritos inteligentes “do outro lado”, Ivory ajuda os amigos na hora do exame, e ambos são aprovados com nota máxima. Como prêmio, eles são convidados a entrar na prestigiada Universidade de Harvard, um lugar repleto de ricaços, brancos e mauricinhos. Silas e Jamal, sempre auxiliados pelo fantasma de Ivory, vão deixar a Universidade de cabeça para baixo.

Esta é a aterrorizante sequência do grande sucesso de terror Vampiros de John Carpenter. O invencível caçador de vampiros Derek Bliss (Jon Bon Jovi) está tratando de caçar os chupadores no coração do México, quando recebe uma nova tarefa de um misterioso cliente. Derek e um grupo de caçadores de vampiros, incluindo a sexy Zoey - que talvez seja uma dos não-mortos - devem enfrentar um crescente número de vampiros que se movem muito rápido e estão ávidos por sangue. Estes vampiros, com esconderijo e poderoso líder, têm seus próprios planos para matar os caçadores de vampiros.

Baseado em fatos reais, ex-prisioneiro do campo, Fuga de Sobibor / Escape from Sobibor conta a aguerrida fuga de prisioneiros de um campo de concentração nazista durante a Segunda Guerra Mundial. Sobibor é um dos três campos de concentração localizado na Polônia oriental. Um grupo de prisioneiros é temporariamente poupado para poder trabalhar no acampamento, sob condições degradantes impostas pelos oficiais nazistas. Relembrando o destino desumano de cada dia, os prisioneiros planejam o impossível - fugir de Sobibor! Uma história que verdadeiramente reflete a força, a coragem e a resistência do espírito humano. (e 16 - Estimado 16 Anos)

Somewhere between dream, life, and death, a girl sees HERself confronted with HER images of two important people in HER life and HERself.

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.

Conversation between man and woman that leads to some unexpected events.

Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models

"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."

Word & number gag, no camera.

Mix of surrealist images of bubbles and smoke with some documentation of the world lived by Man Ray and Lee Miller

Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.

Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10

Jharia, India, one of the most dangerous places on earth. Fires rage underground, smoke and dangerous fumes belch from cracks in the ground. This is the home of Anant, an 8 year old boy who scrapes a living picking coal and selling it at the local markets to try and feed himself and his sick mother. One day, a chance encounter changes Anant's life, forever. This is a coming of age drama that casts a spotlight on a humanitarian disaster area and gives us a chance to see the world through the eyes of one of India's many child labourers.

Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy.

This film was shot on Super-8 by Derek Jarman in 1977 and is considered to be the inspiration for Jubilee. Jarman often showed his films silent or with different musical accompaniment - one of Jarman's suggestions was Brahms' "Violin Concerto."

This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.

Zlatko Kovač, a provincial professor, gets the job in the big city's school, only to find out that his red-employment is not random. Professor Toth, the man he replaced, has died under the strange circumstances. Kovac meets a variety of strange people in his school's collective, and it was not long before they came up with the new body. However, the police is unable to solve the case, but he takes the matter into his own hands and setting a trap for a murderer on a school manifestation.

A wall blocks the path of two people. One man submits, while the other refuses to admit defeat.

A fast-paced rhythmic impression of dancers, musicians and sportsmen at a highlands event.

A high-speed view of Paris via train-track; Zooming down the Seine by boat. Chomette's first film, Games of Reflections and Speed, traverses tunnels and elevated railways to produce a disarming rhythm.

London to Brighton in 4 minutes BBC interlude. From the days when TV was all live and programming was hectic. Often when one program finished, the next one was not ready yet, and the gap had to be filled. So the BBC developed a number of interludes to fill these gaps, this being the most famous one.

The 8 minute short is open to interpretation as it examines the inner thoughts of several people around a table, with the Rita Hayworth version of Put the Blame on Mame playing on the soundtrack.

Black atmosphere, with depth-enhancing points of light, broken into shades of dim silhouettes by the ephemeral cloud-glow of lightning.

A series of ghost-like vehicles drive by in this short film by Hollis Frampton.

A butchered cow is decapitated in this short film by Hollis Frampton.

The camera pans across a field of flowers at extreme speeds in this short film by Hollis Frampton.

With a similar dreamy mood like its predecessor "Take the 5:10 to Dreamland" (1976) this clip starts with a boy getting into his bed. The camera zooms in into the boy's mind and a slow, sad waltz (i.e."Valse Triste") accompanies images of a locomotive, a miner, the globe, the sky, a sheep heard, etc. Disparate elements, but if one concentrates only at the movement of the figures, one can perceive a commotion, slowly livening up: The starting wheels of the heavy locomotive, the tired miner pushing the heavy cart of coal bricks, the globe smoothly turning around and around, the clouds imperceptibly floating in the sky, the sheep idly moving in the herd, etc. We reach the first climax when a mannequin opens her coat like a flower. The second big crescendo spurts out from a "water hose", after watching schoolgirls doing gymnastics for quite a while. A sad, but nostalgic aftertaste lingers in the end when funeral cars drive away through a flooded area…

A man talks about heroin abuse and withdrawal.

In this homage to Zen poet Basho, the subtle changes of a pond are chronicled on film over a period of time. Broughton recites his cuckoo haikus in the background.

Short film which documents Marian Anderson's singing performance at the Lincoln Memorial.

A man talks about his addiction to amphetamines and illustrates his struggle by his sudden inability to fix a radio.

Inspired by an Andrew Marvell poem, George Dunning sketched short phrases of animated movement on index cards, which were then stuck to a table top and filmed. Animation bared to the bone, and still extraordinary.

A short Surrealist animation from Denmark which begins with a zoom into a Paul Delvaux painting, then reverses the process by pulling back from a continually changing picture.

A short film by Hollis Frampton.