Smoking (1966)

Fluxfilm No. 18

Жанр :

Время выполнения : 5М

Директор : Joe Jones

Краткое содержание

Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.

Актеры

Экипажи

Joe Jones
Joe Jones
Director
Peter Moore
Peter Moore
Cinematography

Подобные

Торчки
Вопрос: примут ли в престижный Гарвардский университет двух невыносимо тупых, потрясающе грубых и абсолютно «отмороженных» «торчков»-наркоманов, буквально не выпускающих «косяк» из рук?Ответ: примут и с большим удовольствием! Более того, после поступления наши чудесные герои сразу сумеют «подсадить» на траву не только всех учащихся, но и профессорско-преподавательский состав! Старый Гарвард доживает свои последние спокойные дни…
Вампиры 2: День мертвых
Жёсткий охотник на вампиров Дерек Блисс, ищет "кровососов" в центре Мехико, когда получает новое задание от загадочного клиента. Вместе с другими охотниками, одна из которых, Зоуи, также, возможно, вампир, Дерек сражается с растущим числом голодных вампиров и их сильным и неуловимым лидером, у которого есть на охотников определённые виды.
Побег из Собибора
Собибор — гитлеровский концлагерь на территории Польши, один из десятков нацистских лагерей смерти, построенных специально для уничтожения евреев из завоеванных немцами стран. Был закрыт по личному распоряжению СС Гиммлера после того, как в нем произошел самый массовый в истории лагерей смерти побег заключенных, решивших оказать сопротивление нацистскому «порядку». Основной замысел и организацию восстания взял на себя советский военнопленный — лейтенант Печерский, прибывший в Собибор вместе с группой солдат-евреев.
HER
Somewhere between dream, life, and death, a girl sees HERself confronted with HER images of two important people in HER life and HERself.
Eyeblink
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
It Ends with the Taste of Smoke
Conversation between man and woman that leads to some unexpected events.
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Each film frame is a different image from the Sears Roebuck mail order catalogue. The film places pictures of the objects sold by Sears to the consumer society side by side with pictures of female models
Dance
"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."
End after 9
Word & number gag, no camera.
Self-portrait or What we all miss
Mix of surrealist images of bubbles and smoke with some documentation of the world lived by Man Ray and Lee Miller
Artype
Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.
10 Feet
Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10
Mouth of Hell
Jharia, India, one of the most dangerous places on earth. Fires rage underground, smoke and dangerous fumes belch from cracks in the ground. This is the home of Anant, an 8 year old boy who scrapes a living picking coal and selling it at the local markets to try and feed himself and his sick mother. One day, a chance encounter changes Anant's life, forever. This is a coming of age drama that casts a spotlight on a humanitarian disaster area and gives us a chance to see the world through the eyes of one of India's many child labourers.
The Evil Faerie
Following a series of title cards, a man in sunglasses briefly flutters his hands like fairy.
Jordan's Dance
This film was shot on Super-8 by Derek Jarman in 1977 and is considered to be the inspiration for Jubilee. Jarman often showed his films silent or with different musical accompaniment - one of Jarman's suggestions was Brahms' "Violin Concerto."
AFIJN (Misha Mengelberg)
This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.
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