Any Way the Wind Blows (2003)

Lara (Victor Polster) é uma jovem menina trans de quinze anos. Seu maior sonho é tornar-se uma bailarina profissional e, com a ajuda do pai, busca uma nova escola de dança para desenvolver sua técnica. (e 16 - Estimado 16 Anos)

Quando o ladrão de jóias Franky Quatro Dedos faz uma rápida parada em Londres, antes de entregar um enorme diamante roubado para o seu chefe em Nova York, ele não tinha a menor idéia da avalanche de sinistros e cômicos acontecimentos que abalariam os mundo do boxe, dos ciganos irlandeses, das lojas de penhores, das fazendas de porcos e... de um cão vira-latas.

Em um assalto planejado por dois irmãos, Dave e Kenneth, as coisas não saem como esperadas e um deles fica para trás. Quatro anos depois, Kenneth é solto da prisão e muita coisa mudou. Seu irmão, Dave, tenta fugir do seu passado criminoso ao mesmo tempo em que pretende ajudá-lo. Mas com o tempo, os dois se veem presos em um explosivo triângulo amoroso, onde Kenneth quer ter sua ex-namorada de volta.

Vincke e Verstuyft são uma das melhores equipes de detetives da força policial de Antuérpia. Quando eles são confrontados com o desaparecimento de um alto funcionário e o assassinato de duas prostitutas, o rastro leva ao assassino quase aposentado Angelo Ledda. Desde que Ledda começa a mostrar sintomas de Alzheimer, está ficando cada vez mais difícil completar seus contratos. Quando ele tem que assassinar uma prostituta de 12 anos de idade, ele se recusa e se torna ele mesmo um alvo. Enquanto Vincke e Verstuyft o perseguem e contam os cadáveres, Ledda está cuidando de seus empregadores.

Um suspense arrepiante sobre uma mulher, que ao morar com seu novo namorado, fica obcecado com o destino do inquilino anterior e desaba na loucura.

Deborah tem 15 anos de idade e quer escapar do subúrbio entediante onde mora e aproveitar os atractivos da cidade de Antuérpia. A sua nova amiga Jennifer, três anos mais velha, vai introduzi-la na vida nocturna da cidade. Quando Jennifer admite trabalhar como prostituta, Deborah fica curiosa sobre o que parece ser uma forma fácil de ganhar dinheiro. Sob o pseudónimo de Bo, ela começa a entrar num mundo com o qual ainda não é madura o bastante para lidar...

Antwerp, Belgium. The lives of four small-time drug dealers spin out of control when they steal a shipment of cocaine, triggering a full out war between an Amsterdam drug lord and a ruthless Colombian cartel.

Dedee is a prostitute, working in Monsieur Rene's night club on Antwerp's harbour. The porter is Marco, her pimp. Dedee is not happy, until she meets Francesco, an italian sailorman. They fall in love and Dedee begins to dream about an escape of her daily dullness.

A full concert film featuring Shirley Bassey on stage in Antwerp, Belgium during the 'Diamond Awards Festival', including some of her greatest hits, interspersed with behind-the-scenes footage and interviews.

A story about two struggling people who are trying to find their own place in the world. He is a small-time crook recently released from prison and she is a prostitute craving some love and affection. They find each other in an obscure part of Gent. Jean-Claude is responsible for their meeting ; he is also an ex-inmate who has just traded the low-life crime scene for life as a pimp. Will their love survive?

Ryo personifies water, since whenever something important happens in her life, it rains. She inherits a bathhouse and meets a pyromaniac named Yusaku. Their confrontation leads to an inevitable union, just like elements of nature blend together.

Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.

Documentary about the 2002 murder of Iranian football star Nasser Mohammad Khani's wife, the subsequent confession to the crime by his mistress Shahla and her fight to escape the death sentence. (Storyville)

This way madness - or experimental filmmaking - lies. A solitary man in coat and tie enters an apartment. It's midnight. He appears agitated and distraught. He throws a glass of water in his face and laughs. He takes off the coat and tie. His moods swing. He stares at a light bulb. He removes his shirt. He lights a cigarette. He looks at a book. He does something drastic and self-destructive. He opens doors to a garden.

The director has visited tens of cemeteries. He records monuments above mass graves and memorials that people pile above the ground where the dead bodies lie.

The film is officially untitled, but is referred to by the dedication that appears in place of a title card. It is dedicated to Marilyn Brakhage, the filmmaker's wife. Out of all the 350+ films that Stan Brakhage made, this was his personal favorite.

A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick.

Three young girls on their way to adulthood. Xiao-Bu fights over a cigarette with her friend Angel. Ah-Mi sleeps with Xiao-Bu’s boyfriend. He is very popular and lets Angel steal a kiss. Can it get any worse? Life with a depressive, alcoholic father, who can only stare out of the window, for example. Or is it actually worse when dove excrements ruin the new dress that was supposed to be worn on the date with a handsome guy? When you are 17, a coin can still be thrown in order to make decisions. Should the friendship with Angel remain? Is everything that happened a coincidence? Adolescence without emotional chaos is like a life without reason. Is it really of importance who loves who the most, or is it just a game?

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

Actor Nicolas Bro reigns supreme in the role of Nicolas Bro - a man intent on making a film about himself. After his director friend Christoffer Boe lends him a camera, his selfmonitoring is so hair-raisingly private that it becomes impossible to separate fact from fiction.

A requiem for a Russian peasant woman, Maria Semionovna Voinova. The film is in two chapters. The first chapter consists of an impression of Maria Semionovna, scenes of the colours of summer time: hay–making, bathing in a river, work in the flax fields and a holiday in the Crimea. The second chapter, set nine years later, is in black and white and deals with how Maria Semionovna's life ended. The mood is one of a sad and elegiac narration.

An angry young man goes to Europe to find his father, a '60s radical turned doctor in exile.

Bruno loves his wife Maxine, but his love and body are slowly undergoing a transformation. Something is beginning to stir inside him and there is nothing he can do to stop it. Because when you first delve into the dark side of love to find power, aggression and hatred, there is no turning back.

This remarkable trove of color footage, assembled from far-flung private and state collections, presents Hitler's Europe as never seen before. Amateur film enthusiasts - soldiers, tourists, Hitler's own pilot, even Hitler's mistress, Eva Braun - began experimenting with color film in the late 1930s, their camera eye recording the Third Reich from every angle. Some of this film was only recently uncovered in former Soviet-bloc archives, hidden for almost 60 years; all of it, thanks to digital technology, has been newly transferred to video with surprising clarity. (This documentary was produced with two different narratives, both an English and German language version.)

Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.

Baseado em vários escritos do autor e poeta Charles Bukowski, em particular "A sereia que copulava em Veneza, Califórnia", que contém necrofilia. Foi o primeiro filme flamengo-belga a receber um lançamento teatral na América do Norte.

When Black Kelly gets back from New York, she discovers that more has changed than just her hair color while she's been away. Frederic found himself a girlfriend and plans to move. Kurt and Blonde Kelly live together with their one-year-old child. And Patrick's gone. Reunited with the old gang, Black Kelly realizes that life went on during her absence and that things will never be the same...

Matthew Sweet explores his rules of 1940s and 50s American film noir thrillers.

A penniless middle-aged spinster scrapes by giving piano lessons in the Dublin of the 1950s. She makes a sad last bid for love with a fellow resident of her rundown boarding house, who imagines she has the money to bankroll the business he hopes to open.