Samurai Saga (1959)
Gênero : Ação, Drama
Runtime : 1H 51M
Director : Hiroshi Inagaki
Sinopse
Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.
In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.
In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.
Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.
Ryuko was raised by her father, a gambler named Senzo Yano in Kumamoto, Kyushu, after her mother died when she was little. When she turned 18 years old, her father was attacked and killed by a stranger in alley. Ryuko then dissolves her yakuza family, and, carrying the wallet left by the killer, she sets out on a journey to avenge her father's death. Five years later, she wanders the nation, known only as! Red Peony Oryu who has a red peony tattooed on her shoulder and has the defiance and courage of a man. She meets Katagiri - a loner gambler, Kumatora - boss of a family in Shikoku, and Otaka - female boss of the Doman Family in Osaka. With their help, she finally catches up with the man who murdered her father.
The Dai-bosatsu toge trilogy is based on Kaizan Nakazatos unfinished long series of novels (41 books, written from 1913 to 1941). Set in the last period of the Tokugawa Shogunate, Daibosatsu Toge tells the story of Tsuke Ryunosuke, a nihilistic swordmaster who doesn't hesitate to kill anyone, bad or good.
While on the road, famed Yakuza Boss Jirocho is falsely accused of starting a peasant's uprising and chased by the law. Meanwhile, one of his henchmen in an attempt to raise money for the Boss gambles away not only all their funds, but their clothing as well. Jirocho, famed for his honesty and integrity must take on the challenge of rival gangs while trying to elude the government's officials at the same time. Things really heat up when the most famous of all Yakuza Bosses, Chuji of Kunisada gets involved. Will he team up with his old friend or is gang warfare about to erupt?
Loyal samurai Samanosuke is attacked, mutilated, and left for dead while carrying out a mission for his clan. He recovers but has lost an eye and an arm. Taking a new identity as Tange Sazen, he searches for a stolen urn which has hidden significance to his clan. But Tange Sazen has his own reasons for seeking the urn.
Oryu searches for blind child she left behind and get involved in a Yakuza turf war that takes place in the Tokyo Theater.
The famous showdown at Kagiya corner has been told many times, but never before with the realism and intensity of this version scripted by Kurosawa Akira and starring Mifune Toshiro as the famed swordsman who must face his best friend as they are forced to take opposite sides in a vendetta caused by the murder of a family member. Told mostly in flashback as the avengers await the arrival of their quarry, this film displays true heroism in the face of fear as most of the combatants, while of the samurai class are not skilled swordsmen. They contrast sharply with the true warriors involved in this battle. Araki Mataemon (Mifune), who was not only a direct student of Yagyu Munenori, but the founder of his own sword style under the Yagyu name is a powerful force ready to assist his brother-in-law against the murderer's allies that include not only another noted sword teacher, but the deadly spear of Katsumi no Hanbei.
The arrogant Arizmendi, pelota champion, lives intoxicated by his success and disdain for women who love him. Arizmendi commits blackmail to lose a game. Convinced to get away with it, Arizmendi does not meet the covenant and must face the villainous revenge Marcial Gomez.
Farmer Abare Goemon is confronted by brigand-like samurai. He raises an army of farmers to fight them and does so brilliantly. When Lord Asakura sees the success Goemon has achieved, he attempts to recruit him to fight in a conflict between Asakura and another clan. Goemon refuses, and Lord Asakura sets out to destroy him.
India Cabaret (1985) is a documentary by Mira Nair exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.
An early example of the Japanese war film, closer to documentary realism than the kind of propaganda produced at the height of the Pacific War. "A company commander calls on five men. They are to reconnoiter, but on their way they are attacked. Only four of them return. While his companions mourn the fifth straggles back. Soon after comes the order to move out for a general attack. The men know that this time there will be no returning." (Donald Richie)
Isazo is a traveling gambler and living legend in the world of yakuza, known for his swordsmanship and bravery, his impeccable manners, and his brilliant talent in gambling. One late fall at an inn in Kiso Fukushima, Isazo befriends a young boy whose mother turns out to be his old love Yoshino, with whom he was not unable to consummate a marriage due to the class differences between them.
A dramatic captivating tale tells of widowed Tei (Junko Fuji), she has become a coalmine operator and is determined to be successful despite mining being a predominately male domain. Overcoming the natural hardships, a more serious threat to Tei and her mine, the menacing presence of rival mining gangs who sense her vulnerability... Nihon jokyo-den:ketto midarw-bana is an outstanding drama, highlighted by wonderful characterizations/performances. Yamashita's excellent direction maintains a rich emotional flow from the opening seconds to the last. Intense and bloody encounters punctuate throughout the engaging multi layered tale!
In the mountain regions of Hida, the dreams of a peasant named Kyonosuke, who longed to be a samurai, come true when he becomes one of three doubles, of shadows, of Lord Yasutaka. After months of intense and cruel training, he faces his destiny when the Lord and the other two shadows are killed in battle and he must take on the role of Lord Yasutaka....
When Omuro Yahachi of the Omuro family is selected as Mutsumikai Soke's successor, the conflict between the Kitakyushu and Wakamatsu begins.
[Period covered: 1616] Kirigakure Saizo (Mist Saizo) returns for the final time as he sets out to assassinate Tokugawa Ieyasu in order to avenge the death of Lord Sanada Yukimura. But first he must contend with Ieyasu’s own ninja group led by the powerful Fuma Daijuro, who has a score to settle with the men of Iga that dates back 280 years to the war between the Genji and the Heike at the Battle of Dan-no-Ura. Tremendous fighting and great plot twists highlight this exceptional look into the lives of the mysterious ninja of Japan.
A decapitation at the hands of the shogun's monstrous misbegotten son kicks off the action and draws nomadic Nemuri Kyoshiro (Raizô Ichikawa) into more sword-fighting adventures when he's blamed for the beheading. Meanwhile, the head-chopper's mother is busy knocking off the shogun's lawful heirs to secure the shogunate for her son.
A Hong Kong Special Branch cop and a CIA agent reluctantly team up to bring down a major international terrorist.