Chieko Nakakita

Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.

Ryô is a young leopard, Maki a rhythmical wave. The barrier between a teacher and a student gives way to the passionate embrace of a man and a woman desperately in love.

In the Edo period, a nameless ronin accepts an assignment to go to a mountain pass and wait. Near the pass he stops at an inn where a collection of characters gather, including a gang set on stealing shogunate gold that's soon to come over the pass. When the Ronin's assignment becomes clear, to help the gang, he's ordered to kill the inn's residents, including a woman he's rescued from an abusive husband. He's reluctant to murder innocent people; then he learns that the gold shipment is a trap and he's part of a double cross. How he sorts through these divided loyalties tests of his samurai honor, and perhaps of his love for a woman.

A timid salaryman is the subject of this black comedy.

During the early days of the war a young student, Makito (Kazuo Funaki), falls in love with Yuko (Mayumi Ozora), the widow of a naval officer. She, however, is living with the memories of her husband and it is her younger sister, Yumiko (Nana Ozaki), who grows fond of the student. Then, one day, a young naval officer, Tadayuki (Ken Ogata), a friend of her late husband, comes to see the widow and she becomes attracted to him. Though Makito is inspired to study for the navy, he is much upset when he learns that Yuko and Tadayuki are to marry.

Um cruzeiro marítimo vai mal quando um acidente em uma ilha tropical sujeita a tripulação a encontrar um exército que quer dominar o mundo. Enquanto eles tentam sair vivos, Godzilla luta contra um monstro marinho gigante que habita as águas e só pode ser mantido afastado pelo suco de uma fruta que cresce na ilha.

Saotome is a white-collar worker on the brink of a burnout who one day strikes up a friendship with Gen, a boorish drifter who approaches life one day at a time.

When an only child is struck by a car and dies, the child's mother seeks vengeance against the driver in this thrilling drama. The car was driven by the wife of a company president who is having an affair. The woman's husband manages to buy silence about the incident, but the victim's mother discovers the identity of the driver. After she secures a job in the home of the company president and his philandering spouse, the woman plans to murder the couple's son when he reaches the age of her late son.

Easily bored, but still innocent and naive countryside girl (Mako Midori) discovers partying in Tokyo is a ton of fun. Yakuza-to-be (Ichiro Araki) is an acquaintance who tries to rape her, and the typically bland but very-good-here (Hayato Tani) the first boyfriend. Director Yasuo Furuhata (his first picture) lets his camera roll in trendy clubs amongst partying youngsters in a way that could've been out of 60s England or a Nikkatsu film if it wasn't shadowed by dated 60s Toei conservatism.The resulting film is a bit confused, either a rebellious youth tale chained by moral concerns, or something conceived as a morality tale trying to break free from its chains.

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

Banjun organizes a group of con men to fleece the greedy and rich.

Ayako, a young woman from a rural fishing village, is sold by her family into a brothel when her father takes ill. There, she is quickly stripped of her innocence and illusions.

A group of criminals whose diamond heist goes wrong retreat to a WWII era bunker where tensions begin to rise.

Depois que um bombardeio destrói a loja da família e seu marido, Reiko reconstrói e administra a loja por amor, interrompida pela destruição.

Toho-produced crime drama involving the drug trade.

The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.

Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

An irresponsible salaryman works his way to the top of the corporate ladder.

This Japanese film speculates on the events which lead the U.S. and the Soviet Union into a nuclear Armageddon.

Tobe is a small-time crook who runs a prostitution business of blonde girls, as well as sells pornographic pictures. He frequents a cafe run by two women, one of them a young widow with a son. They like him and think that he is an ordinary office worker. One day, Tobe accidentally discovers pictures of an acquaintance, Kanzaburo, with a woman and sets out to blackmail him. He soon finds out that Kanzaburo died in a train accident but things may not be what they seem

In the late 1950's prostitution was banned in Japan and if a woman was found exercising this profession they were sent to a reformatory. This is a story of one of these brave women Kuniko who is released from the reformatory and tries to build a new life.

Four fishermen friends are caught up in a piracy plot.

In "The Other Woman" the children of a distinguished professor find that the woman they have come to regard as their racy and slightly disreputable Ginza aunt is really their mother.

The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.

During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.

Gang of robbers quarrel about the loot, but when one of them gets killed, his younger brother seeks them out to ice them one by one.

A skilled country doctor's talents are such that he can even perform operations as difficult and novel as removing a patient's kidney for the first time in Japan. Unfortunately for him, however, his wife's addiction to gambling is of such a magnitude that he is down to selling his underwear to make money. The image sticks and he becomes known as the 'underwear doctor.' On the other hand, his successful surgery's patient is so grateful he himself wants to become a physician.

Este filme apresenta uma grande e extensa família (e associados) ainda mais extensa do que aquela retratada por Ozu em "Fim do Verão". O personagem central é Setsuko Hara - uma mulher equilibrada de meia-idade, cujo marido rico (e prestigioso) morre no início do filme, deixando-a viúva, mais o produto de uma apólice de seguro de um milhão de ienes. Por não ter filhos, os seus sogros não poem objeções com o seu regresso a casa de família.

Suspense drama about a married salaryman whose affair with one of his co-workers is compromised when, returning from a clandestine meeting with his lover, he runs into a neighbor who is later accused of murder. Questioned by police about the neighbor, and blackmailed by his lover's neighbor, the salaryman's lies lead him on a path to destruction.

Mama, mais conhecida por Keiko, uma gueixa de meia-idade tem que decidir se aceita casar-se ou se abre um bar por conta própria. A família querendo dinheiro, os clientes querendo atenção, e ela está sempre endividada. A vida de uma gueixa é analisada, assim como o sistema que aprisiona, e por vezes mata, quem nele sobrevive. (e 12 - Estimado 12 Anos)

The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.

When Sergeant Okubo's brother is murdered at a Japanese outpost in Northern China during the Second World War, Okubo poses as a war correspondent and seeks out his brother's killer.

Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.

The story is about the social problems faced by Japan's indigenous Ainu, mostly centered on the reactions of the characters to their oppressed state.

An Ishiro Honda film.

Historical drama about a sleepy-eyed ronin.

Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

Otsuta está dirigindo a casa de gueixas Tsuta em Tóquio. Seu negócio está fortemente endividado. Sua filha Katsuyo não vê nenhum futuro no negócio de sua mãe porque está terminando os dias da gueixa. Mas Otsuta não desistirá. Este filme retrata a vida diurna da gueixa quando não está entretendo os clientes.

With one of the busiest film industries in the world, Japan was able to submit several films into competition at the 1957 Berlin Film Festival. One of the best of these was Arashi, directed by Hiroshi Inagaki of Rickshaw Man fame. Anticipating Hollywood's Table for Five by nearly a quarter of a century, the film concerns the efforts by a recently widowed high-school teacher to raise his four children alone. Chihu Ryu is terrific as the central character, while Izumi Yukimura is even better as Ryu's eldest daughter. For reasons unknown, Arashi is often omitted from "official" lists of Inagaki's films.

Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.

The story of a professional nude model stalked by a bizarre, unknown man wearing a hideous mask.

Um jovem assalariado e a sua esposa lutam dentro dos limites do seu relacionamento sem paixão, enquanto ele tem um caso extraconjugal.

A husband and wife's pet peeves and minor irritations escalate into major rifts and animosity.

An Ishiro Honda film.

Two youths - the serious son of a Buddhist abbot and his rakish pal - quarrel over a restaurant keeper's daughter. When one of the youths die the other boy and the girl find they cannot forget him.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

An Ishiro Honda film.

This drama of middle-class life in postwar Japan tells the story lower-middle-class workers in the city of Kawasaki, and their troubles and travails.

Toku, a factory worker gives food to a starving woman, Tsuru, who then follows him home. He shares a shack in a shanty village in Kawasaki with his friend Pin-chan. The two men try to get rid of her but then let her stay when she gives them money. Tsuru tells the people of the village that she lost her job due to a strike, then was robbed of her severance pay, then sold to a brothel in Tsuchiura. She ran away with a friend from Kawasaki. Toku and Pin-chan sell her to a geisha house and spend the money. She is thrown out. The owner demands his money back. Tsuru earns the money to pay their debt by working as a prostitute outside the station. The other prostitutes beat her. She fends them off with a policeman's revolver and is then shot dead by the police.

This is a film about a Naval Air Corps Director who hates the war. Director Honda uses this film to ask the question "What is war?", showing the human bonds between Japan and America, Japanese military tactics which had little regard for life, and the attitude of Japanese military personnel who treated their actions as if they were just doing a job. This film contains few battle scenes, concentrating instead on the love stories of young officers and female members of the community in this lonely air base.

Uma noiva insinuante desenvolve laços afetuosos com o sogro enquanto seu marido frio a desdenha por outra mulher.

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

Story about a poor Japanese woman living near an American army base who resorts to prostitution.

Every year, at the festival, familiar merchants such as Toraemon, a magic trick, Tokubei, a blowgun, Kaji, acrobatics, and Unsaibo, a ritual, gather toward the port town.

A story of unhappy youths and the perils of lack of sex education.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

The story of Kiyoko, a young woman who has successfully managed to make a break with her dysfunctional family who have been trying to arrange a marriage for her with a disagreeable man whom she has rejected.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

Michiyo lives in the small place Osaka and is not happy with her marriage, all she does is cook and clean for her husband.

The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its cat fights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

Three humorous love stories set in rural Japan.

Toshirō Mifune plays a young idealistic doctor who works at his father's (Takashi Shimura) clinic in a small and seedy district. During the war, he contracts syphilis from the blood of a patient when he cuts himself during an operation. Treating himself in secret and tormented by his conscience, he rejects his heartbroken fiancée without explanation.

Um médico bêbado de temperamento esquentado e um gângster com tuberculose muito propenso à violência criam um vínculo instigante. Depois de uma batalha com criminosos rivais, um gangster de pequeno porte é tratado por um médico alcoólatra no Japão do pós-guerra. O médico diagnostica a tuberculose do jovem gângster, e convence-o a iniciar o tratamento. Os dois desfrutam de uma amizade inquieta até que o ex-chefe do gângster seja libertado da prisão e procure assumir o seu bando novamente. O jovem deficiente perde seu status de chefe de gangue e cai no ostracismo, e finalmente confronta seu ex-chefe em uma batalha até a morte. Um dos filmes mais violentos do diretor. (e 14 - Estimado 14 Anos)

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.

A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.

Yukie, a filha bem-educada de um professor universitário, fica chocada quando o seu pai é dispensado do seu cargo pelos seus ensinamentos políticos e ainda mais quando o seu amante, um aluno do seu pai, é preso e executado como espião. Ela decide deixar Kyoto para viver com os pais do rapaz na aldeia camponesa. Mas a vida ainda tem muitas lições para ela... (e 12 - Estimado 12 Anos)

Lord for a Night is a 1946 Japanese film directed by Teinosuke Kinugasa.

Two sisters, one a dancer and the other a script supervisor at a big movie studio, become embroiled in union activities when a strike is called in sympathy with striking railroad workers, one of whom boards with the sisters and their parents. The girls' father argues with them about their strike, but finds his views changing when he himself loses his job.

The story of an airport and its air traffic control crew in a remote and northern Japanese town. Three of the air traffic controllers are female with one of them working with her dead fiancé's sister. The engaged man had gone to war and never returned.

The stories of several young women who work in a 'precision optical instruments' factory during the second World War. Despite illness, injury, and tremendous personal hardship, the women persevere in their tasks, devoted to their work and their country's cause.