Chieko Nakakita

「男はつらいよ」シリーズ第31作。寅さんが、満男の小学校生活最後の運動会に行くか行かないで、大げんか。そして旅先の佐渡島への港で出会ったのが、私生活と仕事の板挟みで何もかも投げ出したくなって、失踪中の演歌歌手・京はるみ（都はるみ）。そうとは知らず寅さんは、彼女と佐渡への二人旅。楽しい時を過ごし、やがて別れの時が。彼女の正体にいつしか気づいた寅さんは、優しい言葉をかける。そして柴又、「佐渡島の休日」に想いを馳せ、はるみの歌に聞き惚れていると、なんとはるみがとらやへやってくる・・・

Ryô is a young leopard, Maki a rhythmical wave. The barrier between a teacher and a student gives way to the passionate embrace of a man and a woman desperately in love.

In the Edo period, a nameless ronin accepts an assignment to go to a mountain pass and wait. Near the pass he stops at an inn where a collection of characters gather, including a gang set on stealing shogunate gold that's soon to come over the pass. When the Ronin's assignment becomes clear, to help the gang, he's ordered to kill the inn's residents, including a woman he's rescued from an abusive husband. He's reluctant to murder innocent people; then he learns that the gold shipment is a trap and he's part of a double cross. How he sorts through these divided loyalties tests of his samurai honor, and perhaps of his love for a woman.

A timid salaryman is the subject of this black comedy.

During the early days of the war a young student, Makito (Kazuo Funaki), falls in love with Yuko (Mayumi Ozora), the widow of a naval officer. She, however, is living with the memories of her husband and it is her younger sister, Yumiko (Nana Ozaki), who grows fond of the student. Then, one day, a young naval officer, Tadayuki (Ken Ogata), a friend of her late husband, comes to see the widow and she becomes attracted to him. Though Makito is inspired to study for the navy, he is much upset when he learns that Yuko and Tadayuki are to marry.

ゴジラシリーズ第7作。行方不明の兄を探す少年、大学生２人、銀行強盗ら４人が乗りあわせたヨットが、エビラの襲撃を受けて遭難。南海の孤島レッチ島に漂着する。彼らはそこで、インファント島の住人を拉致し、核弾頭を秘密裏に造る秘密結社・赤イ竹の存在を知る。彼らはレッチ島に眠っていたゴジラを覚醒させて、インファント島の島民たちの救出と、島からの脱出を画策するが…。

Saotome is a white-collar worker on the brink of a burnout who one day strikes up a friendship with Gen, a boorish drifter who approaches life one day at a time.

When an only child is struck by a car and dies, the child's mother seeks vengeance against the driver in this thrilling drama. The car was driven by the wife of a company president who is having an affair. The woman's husband manages to buy silence about the incident, but the victim's mother discovers the identity of the driver. After she secures a job in the home of the company president and his philandering spouse, the woman plans to murder the couple's son when he reaches the age of her late son.

Easily bored, but still innocent and naive countryside girl (Mako Midori) discovers partying in Tokyo is a ton of fun. Yakuza-to-be (Ichiro Araki) is an acquaintance who tries to rape her, and the typically bland but very-good-here (Hayato Tani) the first boyfriend. Director Yasuo Furuhata (his first picture) lets his camera roll in trendy clubs amongst partying youngsters in a way that could've been out of 60s England or a Nikkatsu film if it wasn't shadowed by dated 60s Toei conservatism.The resulting film is a bit confused, either a rebellious youth tale chained by moral concerns, or something conceived as a morality tale trying to break free from its chains.

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

Banjun organizes a group of con men to fleece the greedy and rich.

Ayako, a young woman from a rural fishing village, is sold by her family into a brothel when her father takes ill. There, she is quickly stripped of her innocence and illusions.

A group of criminals whose diamond heist goes wrong retreat to a WWII era bunker where tensions begin to rise.

After a bombing raid destroys the family store and her husband, Reiko rebuilds and runs the shop out of love stopped short by destruction.

Toho-produced crime drama involving the drug trade.

The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.

Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

東宝によるクレージーキャッツ主演コメディシリーズの第一弾。通称"無責任"ものの一作目でもある。大平洋酒に入社した主人公・平均（たいらひとし）は舌先三寸で周囲の人間を味方に引き入れ、とんとん拍子の出世を果たす。主人公の軽妙なキャラクターと荒唐無稽なストーリーが受け、東宝のドル箱シリーズとなった。

松林宗恵の映画（１９６２年）

This Japanese film speculates on the events which lead the U.S. and the Soviet Union into a nuclear Armageddon.

Tobe is a small-time crook who runs a prostitution business of blonde girls, as well as sells pornographic pictures. He frequents a cafe run by two women, one of them a young widow with a son. They like him and think that he is an ordinary office worker. One day, Tobe accidentally discovers pictures of an acquaintance, Kanzaburo, with a woman and sets out to blackmail him. He soon finds out that Kanzaburo died in a train accident but things may not be what they seem

In the late 1950's prostitution was banned in Japan and if a woman was found exercising this profession they were sent to a reformatory. This is a story of one of these brave women Kuniko who is released from the reformatory and tries to build a new life.

Four fishermen friends are caught up in a piracy plot.

In "The Other Woman" the children of a distinguished professor find that the woman they have come to regard as their racy and slightly disreputable Ginza aunt is really their mother.

The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.

During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.

Gang of robbers quarrel about the loot, but when one of them gets killed, his younger brother seeks them out to ice them one by one.

A skilled country doctor's talents are such that he can even perform operations as difficult and novel as removing a patient's kidney for the first time in Japan. Unfortunately for him, however, his wife's addiction to gambling is of such a magnitude that he is down to selling his underwear to make money. The image sticks and he becomes known as the 'underwear doctor.' On the other hand, his successful surgery's patient is so grateful he himself wants to become a physician.

Sanae is left a widow after her prestigious husband dies, but holds the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.

Suspense drama about a married salaryman whose affair with one of his co-workers is compromised when, returning from a clandestine meeting with his lover, he runs into a neighbor who is later accused of murder. Questioned by police about the neighbor, and blackmailed by his lover's neighbor, the salaryman's lies lead him on a path to destruction.

夫を亡くした圭子は、外国人マスターが経営する銀座のバー“ライラック”の雇われマダムだった。よく店に来ていた利権屋の美濃部が、かつて圭子の下で働いていたユリに店を持たせ、そちらへ頻繁に出入りしているようだ。マスターからはユリのように体を張って売り上げを回復させろと言われてしまう。ある日、狂言自殺をするつもりだったユリが本当に死亡した。葬儀の席で圭子は美濃部に食ってかかるが、血を吐いて倒れてしまう。酒の飲み過ぎで胃潰瘍にかかっていたのだ。やがて圭子は客に体を許すようになるが、その度に裏切られてしまう。

The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.

第二次世界大戦末期の北支戦線。クズ兵士ばかりを集め危険な任務に当たらせる“独立愚連隊”と呼ばれる部隊に、従軍記者の荒木がやってくる。交戦中に中国人慰安婦と心中したという、見習士官のことを調べに来たという。実は荒木の正体は大久保元軍曹であり、彼こそ見習士官の実の兄であり、弟の死の真相を知るため戦地に赴いたのだった。死んだ慰安婦の妹から紙片を渡された大久保は、弟が上官の不正を部隊長に告発しようとして、その上官から逆に殺されたことを知る。

Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.

The story is about the social problems faced by Japan's indigenous Ainu, mostly centered on the reactions of the characters to their oppressed state.

An Ishiro Honda film.

Historical drama about a sleepy-eyed ronin.

Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

With one of the busiest film industries in the world, Japan was able to submit several films into competition at the 1957 Berlin Film Festival. One of the best of these was Arashi, directed by Hiroshi Inagaki of Rickshaw Man fame. Anticipating Hollywood's Table for Five by nearly a quarter of a century, the film concerns the efforts by a recently widowed high-school teacher to raise his four children alone. Chihu Ryu is terrific as the central character, while Izumi Yukimura is even better as Ryu's eldest daughter. For reasons unknown, Arashi is often omitted from "official" lists of Inagaki's films.

Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.

The story of a professional nude model stalked by a bizarre, unknown man wearing a hideous mask.

蒲田に妻と住む杉山正二は、丸ノ内への通勤途中で知り合ったサラリーマンたちと仲良くなり、退社後に遊びに行くのが日課となっていた。妻は退屈な毎日から逃れるように、おでん屋を営む母の実家へ帰ったりしている。通勤仲間と出かけた江ノ島で、杉山は金子千代と接近。千代の誘惑に耐えきれず、関係を持ってしまう。二人の関係に気づいた杉山の妻は家出して、旧友のアパートに転がり込んだ。同僚の死をきっかけに、杉山は自分の生き方を振り返り、千代と別れようと考え始める。ちょうどその頃、会社で地方工場への転勤話が持ち上がった。小津安二郎が野田高梧とともに書いたシナリオを監督し映画化。不倫に揺れる昭和30年代のサラリーマン夫婦を描く。

A husband and wife's pet peeves and minor irritations escalate into major rifts and animosity.

An Ishiro Honda film.

Two youths - the serious son of a Buddhist abbot and his rakish pal - quarrel over a restaurant keeper's daughter. When one of the youths die the other boy and the girl find they cannot forget him.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

An Ishiro Honda film.

This drama of middle-class life in postwar Japan tells the story lower-middle-class workers in the city of Kawasaki, and their troubles and travails.

Toku, a factory worker gives food to a starving woman, Tsuru, who then follows him home. He shares a shack in a shanty village in Kawasaki with his friend Pin-chan. The two men try to get rid of her but then let her stay when she gives them money. Tsuru tells the people of the village that she lost her job due to a strike, then was robbed of her severance pay, then sold to a brothel in Tsuchiura. She ran away with a friend from Kawasaki. Toku and Pin-chan sell her to a geisha house and spend the money. She is thrown out. The owner demands his money back. Tsuru earns the money to pay their debt by working as a prostitute outside the station. The other prostitutes beat her. She fends them off with a policeman's revolver and is then shot dead by the police.

This is a film about a Naval Air Corps Director who hates the war. Director Honda uses this film to ask the question "What is war?", showing the human bonds between Japan and America, Japanese military tactics which had little regard for life, and the attitude of Japanese military personnel who treated their actions as if they were just doing a job. This film contains few battle scenes, concentrating instead on the love stories of young officers and female members of the community in this lonely air base.

成瀬巳喜男監督が川端康成の同名小説を映画化した原節子の代表作の一つ。鎌倉を舞台に、老境に入った男が、同居する若く美しい息子の嫁に抱く複雑な心模様を丁寧に描く。 鎌倉で息子夫婦と暮らす尾形信吾は、老いを感じ、寂しさを感じる日々を送っていた。息子・修一の浮気に耐える嫁の菊子を不びんに思う信吾は、いつしか菊子にひかれるようになるが、やがて菊子の妊娠がわかり…。

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

Story about a poor Japanese woman living near an American army base who resorts to prostitution.

Every year, at the festival, familiar merchants such as Toraemon, a magic trick, Tokubei, a blowgun, Kaji, acrobatics, and Unsaibo, a ritual, gather toward the port town.

A story of unhappy youths and the perils of lack of sex education.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

The story of Kiyoko, a young woman who has successfully managed to make a break with her dysfunctional family who have been trying to arrange a marriage for her with a disagreeable man whom she has rejected.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

Michiyo lives in the small place Osaka and is not happy with her marriage, all she does is cook and clean for her husband.

The critical establishment was clearly not prepared to accept a woman's prison film featuring former prostitutes recovering from venereal diseases, unwanted pregnancies, and estranged lovers. With its cat fights, hysterical tantrums, film noir lighting, and dramatic music, White Beast is indicative of the new influences of the Hollywood psychological thriller on Naruse. Caged (John Cromwell, 1950) initiated a cycle of women's prison movies in the United States that may or may not have been shown in Japan, but the stylistics of White Beast draw on the same paranoid woman's films and film noir conventions that preceded the American cycle.

Three humorous love stories set in rural Japan.

前線の野戦病院で次々と運ばれてくる負傷兵を必死に治療する軍医・藤崎。彼はふとした不注意から手術中に小指にキズをつくってしまい、そこから梅毒に感染してしまう。藤崎は誰にも打ち明けることなく、秘かにサルバルサンの注射を打ち続けるが大した効果はなかった。復員後、藤崎は恋人の美佐緒にも病気を隠し続け、次第に彼女を避けるようになるのだった……

Doctor Sanada treats gangster Matsunaga after he is wounded in a gunfight, and discovers that he is suffering from tuberculosis. Sanada tries to convince Matsunaga to stay for treatment, which would drastically change his lifestyle. They form an uneasy friendship until Matsunaga's old boss Okada returns from prison.

楽しくなるはずの日曜日のデートでことごとく厳しい現実に遭遇して落ち込む恋人たちが、最後にはそれでも明るい未来に希望を抱き絆を強める姿を巨匠・黒澤明監督が描いた瑞々しい感動編。とある日曜日にデートを計画した雄造と昌子。でも、手持ちのお金はたった35円。お金がないなりになんとか工夫して楽しいデートをと考えるのだが、そんな二人に容赦ない現実が待っていた。すっかり惨めな気持ちになって帰路につく二人だったが…。

A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.

黒澤明監督の戦後最初の監督作品。京大・滝川事件とゾルゲ・スパイ事件をモチーフに、ファシズムの吹き荒れる時代にあって自らの信念に基づいて強く生きる女性の姿を謳い上げたドラマ。国民的アイドル原節子が芯の強いヒロインを好演。昭和8年。京都帝国大学の教授・八木原の教え子たちにとって教授の一人娘、幸枝は憧れの的。野毛、糸川の二人の学生も幸枝に想いを寄せていた。秀才型で日和見的な糸川に対して実直で行動派の野毛。軍国主義が強まる中、野毛が左翼運動へと身を投じる一方、糸川はひたすらに法曹の道を目指していた。やがて、幸枝は信念を持って行動する野毛に魅力を感じ始めるのだったが……。

Lord for a Night is a 1946 Japanese film directed by Teinosuke Kinugasa.

Two sisters, one a dancer and the other a script supervisor at a big movie studio, become embroiled in union activities when a strike is called in sympathy with striking railroad workers, one of whom boards with the sisters and their parents. The girls' father argues with them about their strike, but finds his views changing when he himself loses his job.

The story of an airport and its air traffic control crew in a remote and northern Japanese town. Three of the air traffic controllers are female with one of them working with her dead fiancé's sister. The engaged man had gone to war and never returned.

The stories of several young women who work in a 'precision optical instruments' factory during the second World War. Despite illness, injury, and tremendous personal hardship, the women persevere in their tasks, devoted to their work and their country's cause.