The Water-Funker (1912)

Um rato sai para passear na floresta e se encontra com vários predadores.

Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) é uma curta-metragem de animação japonesa de 2002 produzida pelo Studio Ghibli para o seu uso quase exclusivo no Museu Ghibli. Ele apresenta o diretor Hayao Miyazaki como o narrador, na forma de um porco humanóide, reminiscência de Porco do filme Porco Rosso, contando as histórias de vôo e as muitas máquinas imaginadas para alcançá-lo.

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

A young female babysitter is chatting to her friend when the young girl she's watching disturbs her. She hangs up the phone and goes upstairs to investigate. She finds her screaming and standing up on her bed but can't find anything wrong. She calms the child down and goes back down stairs. This happens several times but things get more ominous and creepy as the babysitter has to investigate the supposedly safe little bedroom.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

A look at the life of Bob Kane, the creator of Batman.

When Fatty Arbuckle accidentally hits on the rajah, he declares, "Death to all flirts!" and hijinks ensue.

A porcelain doll’s explorations of a dreamer’s imagination.

Short mock trailer attached to select Canadian screenings of "Grindhouse."

This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.

A satire on "typical" upper middle class girls.

The Seed follows the events surrounding a homeless veteran named Ken Mercado, played by Will Yun Lee. Living along the banks of the Los Angeles River, he is attacked by masked men in black vehicles, invisible to the eye. To any passers-by, Mercado appears to have some sort of mental illness, but as he is chased throughout the city, it is revealed to the audience that he is not in fact paranoid, but rather the victim of a government conspiracy. Sung's adversaries are visible to him, yet only visible to the audience part of the time. At the end of the film, an alien ship is visible in the sky, watching the scene.

An obnoxious heckler at a baseball game infuriates everybody.

Filmed like the travel journey of a Western traveler in search of Madagascar's customs. The pages turn, the drawings come to life, and the luxuriant landscapes of Madagascar appear one after another.

Cartoon short about Quark the troll, this time as a dragonslayer by chance.

Dorothy Pritchard thought it would be easy: Housesit for the Poe's on Halloween while making out with her hot boyfriend. But when the Poe's comatose mother ends up needing a bit of babysitting, Dorothy's night just went from good to bad... and it's about to get worse after she discovers she'll be spending it with the hosts of hell.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrspective exhibit in 1969. There wew heated discussions on whether it would be rudent to screen the film during the exhibit. Portabella took the following stante: "either both films are screened or ther don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

An experimental short film from Toshio Matsumoto featuring Mona Lisa.

A father son hunting trip... what could go wrong?