To Fly in a Straight Line (2013)

Um rato sai para passear na floresta e se encontra com vários predadores.

Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) é uma curta-metragem de animação japonesa de 2002 produzida pelo Studio Ghibli para o seu uso quase exclusivo no Museu Ghibli. Ele apresenta o diretor Hayao Miyazaki como o narrador, na forma de um porco humanóide, reminiscência de Porco do filme Porco Rosso, contando as histórias de vôo e as muitas máquinas imaginadas para alcançá-lo.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

A porcelain doll’s explorations of a dreamer’s imagination.

Ghiblies, um olhar totalmente diferente na equipe do Studio Ghibli ao longo da vida, trabalhando em novos projetos de animação, piadas de escritório, eventos extraordinários e decidindo o que comer no almoço.

A young female babysitter is chatting to her friend when the young girl she's watching disturbs her. She hangs up the phone and goes upstairs to investigate. She finds her screaming and standing up on her bed but can't find anything wrong. She calms the child down and goes back down stairs. This happens several times but things get more ominous and creepy as the babysitter has to investigate the supposedly safe little bedroom.

A look at the life of Bob Kane, the creator of Batman.

Short mock trailer attached to select Canadian screenings of "Grindhouse."

In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.

After adopting a hippie lifestyle, a man finds his home life enhanced while becoming isolated at work.

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

When Fatty Arbuckle accidentally hits on the rajah, he declares, "Death to all flirts!" and hijinks ensue.

Filmed like the travel journey of a Western traveler in search of Madagascar's customs. The pages turn, the drawings come to life, and the luxuriant landscapes of Madagascar appear one after another.

The film centers on an unusual photograph dating back to the 1930s. An investigation of its particulars reveals a tapestry of secrets hidden in the details, and a tale of kidnapping and murder captured in a haunting moment.

Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

This 1914 drama set in the WWI-era relates a heroic act carried out by a war nurse for the Red Cross (Dora Tschitorina) who has witnessed the death of her husband (Ivan Mosjoukine).

Amy keeps the monster under her bed away at night with her magic torch but one night the batteries run out.