Órfãos da Tempestade (1951)

A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.

In England during WWII, an American news correspondent’s affair with a married British correspondent ends tragically when he is killed in action. Fearing a nervous breakdown as a result of his death, she travels to Cornwall to mourn with his family without any intention of revealing her relationship with him.

Steven (Spencer Tracy) está escrevendo uma biografia sobre um herói nacional que morreu quando seu carro caiu da ponte. A viúva (Katharine Hepburn) do homem coopera com o escritor, mas ele acaba descobrindo que ela poderia ter evitado o acidente, mas escolheu não fazê-lo. Agora ele precisa descobrir os motivos da viúva.

A jornalista Kim Baker decide largar o relativo conforto de uma mesa na redação e a mesmice de um relacionamento sério. Ela aceita passar três meses como correspondente no Afeganistão, um país devastado pela guerra. Logo após chegar, Kim percebe que não está emocionalmente preparada para os perigos da guerra, mas acaba ficando mais tempo do que o planejado. Apesar dos desafios que enfrenta em uma sociedade que menospreza as mulheres, Kim usa isso para conseguir algumas vantagens.

How does a nation slip into war? Dateline-Saigon profiles the controversial reporting of five Pulitzer Prize-winning journalists -The New York Times' David Halberstam, the Associated Press' Malcolm Browne, Peter Arnett, and legendary photojournalist Horst Faas, and UPI's Neil Sheehan -- during the early years of the Vietnam War as President John F. Kennedy is secretly committing US troops to what is initially dismissed by some as 'a nice little war in a land of tigers and elephants.' 'When the government is telling the truth, reporters become a relatively unimportant conduit to what is happening,' Halberstam tells us. 'But when the government doesn't tell the truth, begins to twist the truth, hide the truth, then the journalist becomes involuntarily infinitely more important.'

For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.