Bikini Drive-In (1995)

O artista gráfico Clay Riddell (John Cusack) se vê numa caçada alucinante em meio a criaturas que antes eram simples mortais. Em um rápido momento, todas as pessoas que estavam falando no celular enlouquecem. Fora de si, começam a atacar e matar quem passa pela frente. O desafio é sobreviver num mundo virado às avessas.

In 1974, Terry commits a murder and pins it on his twin brother, Todd. Ten years later, Todd escapes from a mental institution on the same day as Terry’s murderous instincts resurface.

A noite de encerramento do último cinema drive-in na América e Cecil B. Kaufman tem planejado a maratona de final de filme perdeu impressões sobre a desencadear de seus patronos cinéfilos fieis. Quatro filmes tão raro que nunca foram expostos publicamente em solo americano até esta noite! Com títulos como Wadzilla, eu era um Homem-Urso Adolescentes, O Diário de Anne Frankenstein, e Zom-B-Movie, Chillerama não só celebra a idade de ouro do drive-in B Shlock horror, mas também se estende por mais de quatro décadas de cinema com algo para todos os mau gosto.

Um thriller de uma corrente fantástica em voga nos anos 70, com a singularidade de apresentar um ex-combatente do Vietnã, traumatizado pela guerra. O personagem considerado morto na guerra, regressa, mas transformado num ser diferente, sedento de sangue.

Byron Orlock, veterano ator de filmes de terror, decide se aposentar, pois acredita que seus filmes não assustam mais como outrora. Sua derradeira aparição pública será na estreia de seu último filme, num drive-in. Lá ele encontrará Bobby Thompson, um jovem aparentemente comum que após matar a mãe e a esposa saiu pelas ruas atirando ao acaso.

In the near future, drive-in theatres are turned into concentration camps for the undesirable and unemployed. The prisoners don't really care to escape because they are fed and they have a place to live which is, in most cases, probably better than the outside. Crabs and his girlfriend Carmen are put into the camp and all Crabs wants to do is escape.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

A pair of slackers get in way over their heads when they try to dump the body of a dead girlfriend in the basement of a drive-in movie theater where a satanic cult performs ritual sacrifices.

Kim Taylor inherits her grandfather's drive-in theatre. She must raise $25,000 over one weekend or the bank will take the property from her.

Two police detectives try to catch a serial killer who is stalking a rural California drive-in theater, randomly killing people with a sword.

Mayhem starts when a gang of bikers is accused of a sadistic rape in a small town.

The goings-on at a typical drive-in on a summer night.

A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

A feature-length documentary that goes behind the scenes to get to know the families who own and operate drive-in theaters.

Onew, who is visually impaired, and Eun-soo, who is hearing impaired, both enjoy the pleasure of communicating with loved ones regardless of disability through barrier-free films.

[19:30 | 35mm (1.85) | Stereo Sound | 2013] The Broken Altar is a portrait of open-air theaters documented under the strange light of day, emptied of the once present hum of human voices, radioed-in soundtracks and tires on gravel. Scripting the landscape and exploring the residue of a cinematic history, The Broken Altar forms a sculptural treatment of the architectural artifacts of these abandoned and barren spaces: speaker boxes rise from tall grass like grave markers and the screens themselves are monumental, sepulchral in their peeling whiteness.

A short experimental documentary is filmed at the last drive-in movie theater in Los Angeles, located in a desolate area called the City of Industry. Floating within a backdrop of smokestacks, beacon towers and passing trains, dislocated Hollywood images filled with apocalyptic angst are re-framed and reflected through car windows and mirrors as the displacement of the radio broadcast soundtrack collides with the projections upon and surrounding the multiple screens. In VINELAND, the nocturnal landscape is seen as a border zone aglow with dreamlike illusions revealing overlapping realities at the intersection of nostalgia and alienation.

In Thorold, Ontario in the summer of 1996, a movie legend was made when a real-life tornado hit a drive-in theatre during a screening of Twister. But how much truth really lies inside this tale of life (or weather) imitating art?

Sola Powers, special agent with Extra Terrestrial Affairs, jumps into action when a drive-in cinema showing a UFO invasion movie is attacked by a real UFO. Sola literally uses all cinematic tools to defeat the ruthless intruders.