Klaus Schulze - Big in Europe, Vol. 1 Warsaw (2013)

É o primeiro filme sobre o fenômeno da cultura pop que é o Daft Punk. O documentário revela uma dupla de artistas em uma busca permanente por criatividade, independência e liberdade. Entre realidade e ficção, magia e segredos, futuro e reinvenção, Os Robôs construíram um mundo único. O filme combina gravações inéditas e raras com entrevistas exclusivas com seus colaboradores mais próximos.

Martha (Marthe Keller) vive sozinha de frente para o mar em Ibiza e sua vida começa a mudar quando surge uma amizade inesperada entre ela e Jo (Max Riemelt), um músico de 20 anos que sonha em ser contratado como DJ na famosa boate berlinesa Amnesia.

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.

Armin Only é um evento de música eletrônica performado por Armin van Buuren. O evento consiste em vários generos da música eletrônica (porém o mais predominante é o Trance), luz, laser e um show de fogos de artifícios e com a interpretação de cantores/vocalistas como Raccon (edição 2005), Ilse de Lange (edição 2006) e Audrey Gallagher interpretando 'Big Sky' de John O'Callaghan.

In the not so distant future, the war on drugs is considered a failure. Prohibition has ended. A group of friends risk their relationships and sanity, to create the perfect new drug.

Live performance of the album Tubular Bells III at Horse Guards Parade London

Shot in 11 cities and 5 countries, Speaking in Code provides a glimpse into the world of electronic dance music through the eyes of Modeselektor, the Wighnomy Brothers, Philip Sherburne, Monolake and David Day. Director Amy Grill documents their successes and failures over a three-year period.

'Blip Festival: Reformat the Planet' is a feature length documentary which delves into the movement known as ChipTunes, a vibrant underground scene based around creating new, original music using old video game hardware. Familiar devices such as the Nintendo Game Boy and Nintendo Entertainment System are pushed in new directions with startling results. Using New York as a microcosm for a larger global movement, 'Reformat the Planet' maps out the genesis of the first annual Blip Festival, a four day celebration of over 30 international artists exploring the untapped potential of low-bit video game consoles. With floor-stomping rhythms and fist-waving melodies, trailblazers of the ChipTune idiom descend upon Manhattan to pen a new chapter in the history of electronic music.

Live performance of the album Tubular Bells II at Edinburgh Castle

A 3D visual vapor release by James Webster.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.

Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.

The Concerts in China was a concert tour by Jean Michel Jarre, notable for marking the opening of post-Mao Zedong China to live Western music, in 1981. Five concerts were held in the two biggest cities, for an estimated audience of 120,000 spectators, on October 21 and 22 in Beijing, and on October 26 through 28 in Shanghai.

A Life in Waves explores the life and innovations of composer and electronic music pioneer, Suzanne Ciani.

His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.

A documentary of Chicago Footwork and Juke scene

As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.