The Metropolitan Opera: The Merry Widow (2015)

Este, para quem só há felicidade conjugal quando se é o primeiro marido da mulher, é escrupulosamente mantido na ignorância do casamento com Eric Thomson. Só a irmã de Gilberte, Arlette Poumaillac, ainda solteira, conhece o segredo. Mas o que aconteceria se, por pura coincidência, Georges Valandray iniciasse uma relação de negócios com Eric Thomson e ficassem amigos?

Eisenstein gets in trouble for shooting a grouse. He is told that he must go to prison for his crime. However, his friend has invited him to an aristocratic ball. Eisenstein, despite being married, wants to go to the ball to meet women. Eisenstein lies to his wife. He tells her that he is going to prison but actually he goes to the ball. His story arises the suspicion of his wife. His wife devises a plot to catch her womanizing husband.

Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Out of unlikely circumstances an underground ticket vending girl and a mail pilot fall in love.

Live television version of the classic musical.

Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this live television special became an annual Christmas tradition with rotating cast members.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

A British musical film directed by Victor Hanbury and Ladislao Vajda

Sylva Varescu, uma conhecida cantora de cabaré, está apaixonada pelo príncipe Edwin von und zu Lippert-Weylersheim, que tem uma outra pretendente, arranjada por sua família reprovadora. As questões se resolvem quando se verifica que a mãe do príncipe também já foi uma cantora de cabaré.

A shy young man with a passion for opera has his world turned upside down by a con artist who really does have a heart of gold.

Young Austrian Archduke Paul "Gustl" Gustave is in an arranged engagement but his uncle, the emperor, decides to let Gustl carry on a fling with ballet dancer Lisl Gluck.

In 1890, Gus Sascher joins the Austrian Army and romances the impoverished girl Elsa Hofner. Elsa instead marries the wealthier officer Franz von Renner, in an attempt at social climbing.

O governo de Pontevedrino teme que uma rica viúva gaste sua fortuna em Paris ou caia nas mãos de um usurpador, o que provocaria a falência do principado. Para que o dinheiro permaneça no país, é preciso que um pontevedriano seduza e se case com ela. Trata-se da tarefa perfeita para o charmoso conde Danilo, que conhece todos os truques para conquistar as mulheres.

A student nun falls in love with a Mexican singer starring in a cafe next door to her convent.

This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.

This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.