Zero (1997)
Gênero : Drama, Terror
Runtime : 2H 22M
Director : James Fotopoulos
Sinopse
James Fotopoulos’ first feature film is a two and half hour endurance test about a lonely man’s decent into horror, mutilation and psychological collapse. The lines of reality and fantasy blur when the man’s hand-tinted primordial dreams of humanoid sex and violence manifest in his everyday reality as cancer, abuse and mannequin love.
Julie, a teen who died from a PCP overdose in the early '70s searches from beyond the grave for her younger brother Bob who now in the '90s is an obese watch seller suffering with sucrose intolerance.
A teenage boy plays truant from school, and spends the day riding around the town and the deserted beach on his bicycle, letting his mind wander as he imagines he is the only person in the world...
A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.
Jonathon "The Impaler" Sharkey threw himself into the race for Minnesota governor on January 13, 2006. His "coming out" to the media as a Hecate Witch, Satanic Dark Priest and Sanguinary Vampire grabbed international attention, and his candidacy marked the beginning of the largest amount of media coverage ever given to an unknown third party candidate running for governor in American history.
A young woman is awakened to a world of cruelty, shadowy passions and sensuality.
Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other. The dark and magical images of this haunting film unfold in a dreamlike stream of consciousness revealing an unlikely cast of characters engaged in a violent struggle for survival.
A 4-year-old child is the element from and around which the action develops, and brings sentiments and emotions to light.
A man gets trapped inside a telephone box and nobody is able to free him.
Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.
A woman wakes up to discover herself in a hospital room. She wanders the corridors before making a shocking discovery.
Two ghosts walk along the Camino of Santiago.
"A pressão aqui em Hollywood é tão grande, vinda de todas aquelas pessoas mortas," opina a superestrela de Warhol Viva neste longa-metragem experimental de Varda, filmado em Los Angeles no ano de 1968.
A surreal look at the schizophrenia of a group of girls in a therapy session.
Four Third-World Christs try to stop the American industrialist John Brahms in Glauber Rocha's experimental film inspired by Pier Paolo Pasolini's murder.
Im Na Mi é uma mulher que tem uma vida perfeita. Um marido bem sucedido e uma filha bonita. Mas sente que algo em sua vida está faltando. Um dia, vai ao hospital para visitar sua mãe e encontra com Ha Chun Hwa, uma velha amiga do ensino médio. Na Mi, descobre que essa amiga tem pouco tempo de vida. Então, ela pergunta se há algo que ela poderia fazer por Chun Hwa, Chun Hwa, diz que não, mas depois diz que gostaria de reencontrar "Sunny" antes de morrer.
Joshua (Jacob Kogan) é o filho mais velho de uma típica família norte-americana. Com o nascimento de sua irmã mais nova, o garoto vira um psicopata para chamar a atenção de seus pais e professores. Sem demonstrar nenhuma culpa, mata animais com frieza e tortura a própria família com jogos psicológicos e perigosas ameaças. Os pais do garoto entram em conflito para decidir o que farão com o pequeno delinqüente.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Durante o inverno, um homem é contratado para ficar como vigia em um hotel no Colorado e vai para lá com a esposa e seu filho. Porém, o contínuo isolamento começa a lhe causar problemas mentais sérios e ele vai se tornado cada vez mais agressivo e perigoso, ao mesmo tempo que seu filho passa a ter visões de acontecimentos ocorridos no passado, que também foram causados pelo isolamento excessivo.
Becky é uma caixa de lanchonete acusada de roubar dinheiro da bolsa de uma cliente. Embora a acusação seja feita num telefonema por um suposto policial, a gerente do fast food, Sandra, concorda em deter e revistar Becky. Essa “cooperação”, porém, transforma a situação num pesadelo. Baseado em eventos reais.
F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.