If It Ain't Stiff: The Stiff Records Story (2007)

Após terminarem seu show, uma banda de rock acaba testemunhando um terrível ato de violência e um brutal assassinato. Como eles são as únicas testemunhas do crime, eles logos se tornam o principal alvo de uma gangue de skinheads. A banda, então, terá que se refugiar na "sala verde" se quiser sobreviver a "queima de arquivos" promovida pelos brutais assassinos.

O amor pela música uniu Liam (Josh Whitehouse), um artista batalhador e colecionador de vinis, e Natalie (Freya Mavor), que abandonou seu sonho de criar capas de álbuns e se tornou uma publicitária bem sucedida. Com os acontecimentos da vida afastando cada vez mais o casal, a trilha sonora do seu relacionamento continua os mantendo juntos.

Um documentário sobre uma banda norte-americana que tocava punk ou proto-punk. Em virtude de estigmas da sociedade dos anos 70, a banda nunca conseguiu vingar. Até que há uns anos atrás o único registo discográfico da banda foi descoberto.

What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dad's? With a large chorus of Punk Rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, 'Fuck Authority', to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.

Em janeiro de 1978, após seu sucesso na Inglaterra, a banda de punk rock Sex Pistols aventura-se em sua turnê pelo sul dos Estados Unidos. O baixista temperamental Sid Vicious é forçado por seus companheiros de banda e gerente a viajar sem sua perturbada namorada, Nancy Spungen, que se juntará a ele em Nova York. Quando a banda se separa e Sid começa sua carreira solo em uma cidade hostil, o casal turbulento cai de vez nas profundezas do vício das drogas, uma última jornada sem retorno.

A documentary about the history and reformation of Toronto punk band Death from Above 1979.

"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows-without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry's subsequent implosion). Thirty years later, DC's original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction.

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Documentary covers three tumultuous years in the career of the Southern rock group Drive-By Truckers.

Os últimos anos da vida de Ian Curtis, vocalista da lendária banda inglesa Joy Division. Curtis, que teve uma trajetória curta e intensa, ficou famoso por seu talento de letrista e por suas performances épicas à frente da banda. Sofrendo com os ataques de epilepsia, sem saber como lidar com o seu talento e dividido entre o amor por sua mulher e filha e um caso extraconjugal, ele se enforcou em 18 de maio de 1980, aos 23 anos.

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.

A documentary on the music, performers, attitude and distinctive look that made up punk rock.

Fat Wreck Chords... The influential music label proud to say they've spent the past 25 years "ruining punk rock". A Fat Wreck tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label.

An archive celebration of studio performances from the British bands that broke through courtesy of punk between 1975 and 1982. Starting with Dr Feelgood and Eddie and the Hot Rods and culminating in Gang of Four, with performances from Top of the Pops, The Old Grey Whistle Test, Something Else and other shows by The Sex Pistols, The Clash, The Buzzcocks, The Damned, Joy Division, Siouxsie and the Banshees and many more. Hey ho, let's go!

"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

Cheio de ganância, ambição e uma quantidade desumana de drogas, Steven Stelfox procura um novo sucesso para seu próximo disco em meio a uma orgia incessante como auto-gratificação. Criado por uma indústria que exige êxito a qualquer preço, ele eleva o conceito de concorrência a um nível sombrio, em uma tentativa desesperada de salvar sua carreira.

Filmed at The Earl in Atlanta, GA in 2015, this set by Built to Spill is jammed-packed with old favorites and cover songs galore. Featuring versions of songs by DEVO, Bob Dylan, The Clash, The Smiths, Blue Oyster Cult and more.

Never Get Tired is the story of underground musician Jeff Rosenstock, who put his songs online for free and redefined punk rock for the internet age.

From the beginning, LA punk band the Circle Jerks were rooted in controversy. Formed by ex members of Black Flag and Red Cross (now Redd Kross) in late 1979, the band came to encapsulate the image, sound and energy of California Hardcore Punk. Filmmaker David Markey (1991: The Year Punk Broke, The Slog Movie) mixes in-depth interviews, rare live footage and historical perspective to illustrate the story of one of the most influential bands in the American underground. My Career as a Jerk follows the band from their early days and classic debut to navigating the independent label and touring scene of the 80s to the addictions, fights and injuries that forced their break up. Of course the story doesn't quite end there.