Tumultes (1932)

Jean Valjean, pursued through the years for a minor infraction by the implacable policeman Javert, attempts to create a life for himself and for his adopted daughter Cosette amid the revolutionary struggles of France.

Dr. Charon and his group of mad scientists built a neutron bomb with trying to blackmail the free world for global power. But the hero appears, Neutron, who, with the help of Dr. Thomas and reporter Nora spoil those plans.

Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.

An aristocrat instigates divorce proceedings against his son-in-law, a commoner and the ex-owner of night club "La Vie de Plaisir".

Maloin, a maritime station guard, spends his nights at the port signal box. One night, he becomes the witness of a murder: for a simple suitcase smuggled, the altercation between the two men turns to drama. While the first falls and drowns, the second flees. Maloin, instead of warning the police, decides to dive in and recover the suitcase...which contains more than 3 million in small denominations! That's when the trouble begins...

Milan is an ex Formula One driver and now he lives with his wife Roberte in a small country town. But Milan is not satisfied, so Roberte encourages a love-story between Milan and Helene, a young woman. Milan can't decide and at last the tragedy comes. Then Milan returns to drive in Formula One.

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.

A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as the murderer of her fiance who was found dead the same morning. With the help of his mistresses and some new ones he makes on the road, the young man goes in search of the man he thinks is the killer, then his blond consort with whom he fell in love at the first sight the evening before.

An exiled Italian prostitute (Anna Magnani) shields her sister (Geraldine Brooks) from a deep-sea diver (Rossano Brazzi) on an island volcano.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

Do romance de Louis Hemon "M. Ripois and His Nemesis" sobre Andre Ripois, um namorador em busca de amor e riquezas de Paris a Londres. Andre está terminando com sua esposa, Catherine, por causa de suas atenções com sua melhor amiga Patricia. Enquanto Catherine está organizando o divórcio, André, apenas para manter a prática, dá em cima da garota do andar de cima, Diana, e depois volta sua atenção para Patricia, que ele engana para jantar em seu apartamento sob o pretexto de que Catherine estará lá. Quando ele não consegue fazer nenhum progresso com ela por meio de suas táticas usuais, ele tenta despertar sua pena de contar a ela sobre seu passado. Em seus primeiros dias empobrecidos em Londres, ele fez amor com sua chefe Anne, mas sua comida horrível o afastou. Em seguida veio Norah, que ele pegou em um ônibus e levou para seu apartamento e contou a ela sobre sua herança de faz de conta, mas ela insistiu em se casar primeiro, o que não estava em seus planos.

A plucky businesswoman agrees to receive love letters to a prefect’s wife from a young official, and soon finds herself embroiled in a scandal that inflames a town’s class tensions.

Lydia (Danielle Darrieux) is a student, poor and orphaned, who pretends to be the daughter of a famous writer.

Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a young, innocent maid. The maid, Julie, loses her job after going out with Liliom; he's fired by his jealous employer for going out with Julie. The two lovers move in with Julie's aunt; unemployment emasculates him and a local weasel tempts him with crime. Julie, now wan, is true to Liliom even in his bad temper. Meanwhile, a stolid widower, a carpenter, wants to marry Julie. Is there any future on this earth for Julie and Liliom, whose love is passionate rather than ideal?

Dr. Holk leads an isolated and lonely existence in a small, Dutch colony in the tropics. Having fled from love and civilization, his only companions now are alcohol and his work, which takes him to villages ravaged by dirt, fever and a strange illness which turns innocent people into madmen: Amok. One day, he is called on by Helene Haviland, who asks him to abort her lover's child before her husband returns from abroad. Even though Holk is enchanted by her seductive beauty, he haughtily refuses her request. Rejected, the woman turns to a Chinese practitioner. When Holk tracks her down in a dirty dive, it's already too late for the two of them.

Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. Stanislas, a poet whose pen name is Azrael, is a suicidal anarchist, his imagination haunted into hate by longing for this queen who's drawn apart. He enters her private quarters intent on killing her then himself, but they fall in love, in part because he looks like the king. Stanislas wants her to regain political power by appearing to the public, and she tries to convince him to find hope and escape. All the while, the queen's enemies plot to keep the lovers together but to thwart their plans.

Philippe Lutcher, an anarchist, fires a shot at Clara Stuart, a famous stage and screen actress, but only wounds her. The star, through affectation and curiosity to know his motives, pleads in his favour at his trial, but he rebuffs her pity. After he has served 18 months in prison, they meet and fall in love.

A man assists his gravely ill wife to die and wants to face justice for this, but his brothers try everything to keep the family's name clean.