A Arte do Crime (2003)
Gênero : Crime, Drama, Romance
Runtime : 1H 33M
Director : Jim Amatulli
Sinopse
A filha de um chefe de polícia, uma agente de vendas de uma empresa de segurança doméstica, conhece um dono de galeria de arte. O amor e a inveja os levam a criar uma trama para roubar pinturas negligenciadas, mas valiosas, de seus clientes abastados.
Em pleno Outono de 1997, uma galeria americana decide comprar, através da dádiva de um milionário, um importantíssimo quadro que estava em Paris. Para reforçar a importância do acontecimento a galeria pediu à Royal National Gallery de Inglaterra que enviasse o seu mais ilustre conhecedor de arte no sentido deste apresentar a obra. Este seria o maior erro da história da Grierson Gallery, pois os Ingleses não lhe iriam disponibilizar a pessoa que eles tanto pretendiam. O "escolhido" seria o empregado mais detestável que possuíam, pois era a única forma que encontraram para se verem livres dele. Quem é o famoso empregado? Mr. Bean. 007 é o seu Q.I.
The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.
Em 1944, um coronel alemão carrega um trem com tesouros de arte francesa para enviar para a Alemanha. A resistência deve pará-lo sem danificar a carga. Quando as forças aliadas se aproximam de Paris em agosto de 1944, o coronel alemão von Waldheim está desesperado para levar todas as maiores pinturas da França para a Alemanha. Ele consegue um trem para transportar as valiosas obras de arte, mesmo com o caos da retirada. A resistência francesa, no entanto, quer impedi-los de roubar seus tesouros nacionais, mas receberam ordens de Londres de que não devem ser destruídas. O chefe da estação, Labiche, tem a tarefa de agendar o trem e fazer tudo acontecer sem problemas, mas ele também faz parte de um grupo cada vez menor de combatentes da resistência encarregados de impedir o roubo. Ele e outros armam um estratagema elaborado para impedir que o trem saia do território francês.
Um detetive veterano persegue um assassino que pode estar imitando o método de um famoso serial killer que ele prendeu cinco anos atrás, o que o deixa em dúvida se ele capturou a pessoa certa.
Ao treinar para um papel, o ator Jack é confundido com o assassino Ace. Ele não percebe isso até que seja tarde demais e é levado até o chefe gangster Leo Smooth, que tem um trabalho para Ace. Temendo por sua vida, Jack continua a interpretar o papel.
A filha de um chefe de polícia, uma agente de vendas de uma empresa de segurança doméstica, conhece um dono de galeria de arte. O amor e a inveja os levam a criar uma trama para roubar pinturas negligenciadas, mas valiosas, de seus clientes abastados.
56-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.
Ayo Akingbade recria e documenta os encontros de seus sujeitos com a arte, a literatura e o “cânone.” Uma comuna entre jovens artistas e legados artísticos que está voltada para o futuro.
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Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.
A look at the feud between graffiti artists King Robbo and Banksy.
One and a half years before the begin of the Second World War during the annexation of Austria in March of 1938, Hitler conceived the megalomaniac idea of creating the largest European art center in his home town of Linz. At the beginning of the war on the 1st of September 1939, not only did his armies advance but also his art thieves began to fan out in their great foray of art plundering; an expedition on a previously unheard of scale began. Not only did the task forces of diverse National Socialist organizations pillage the occupied countries; Nazi bigwigs like Goering also took whatever they felt was valuable. This documentary includes the long and eventful journey of an exceptional masterpiece of European art: the Ghent Altar, created by van Eyck.
The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.
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Documentary on the marijuana pipe glassblowing industry and culture surrounding it.
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50 years ago, Sydneysiders were shocked and the art world astonished by Christo's wrapping of the Little Bay coastline. Hungarian migrant and entrepreneur John Kaldor, who initiated this monumental work, has said “it all started with a stale sandwich, in Christo's studio in 1968 New York.” Now, Project 34 (by Asad Raza) is about to be unveiled, and UK artist Michael Landy is designing the exhibition to celebrate 50 years of Kaldor Public Art Projects.
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.