Dias Verdes (2009)

Green was the symbol of recognition among the supporters of Iranian presidential candidate Mir-Hossein Mousavi. This documentary-collage illustrates with animated blogs and tweets the story of democracy under fire and the dramatic events before and after the 2009 presidential elections in Iran.

Rahmat travels to a host of islands in a vast salt pan in order to collect the inhabitant's tears for an unknown purpose. He is joined on his mysterious journey by a young boy searching for his father. As their travel nears its end, a potent critique of the Iran's political leadership emerges.

Um diretor de vinema e seu filho retornam a uma região atingida pelo terremoto de Guilan, na esperança de encontrar as crianças que apareceram em seu filme alguns anos antes. Após o terremoto de Guilan, o diretor de cinema e seu filho Puya viajam para a área devastada para procurar os atores do filme que o diretor fez lá alguns anos atrás, Khane-ye Doust Kodjast? (1987). Em sua busca, eles descobrem como as pessoas que perderam tudo no terremoto ainda têm esperança e tentam viver a vida ao máximo. (e 12 - Estimado 12 Anos)

On June 20, 2009, Neda Agha-Soltan was shot and killed on the streets of Tehran during the turmoil that followed the Iranian presidential contest. Within hours, images of her dying moments, captured on cell phones, appeared on computer screens across the world, focusing the world's attention on mass protests against the rigged elections in Iran. Featuring previously unseen footage of Neda with friend and family, as well as exclusive video of her recorded the day she died, "For Neda" debuts just before the anniversary of her death.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

Starting with her own memories of working as an actress on Abbas Kiarostami's Ten, filmmaker Roya Akbari proceeds to elicit other testimonies on the masters of Iranian cinema from three people who are themselves among the foremost Iranian directors: Rafi Pitts on Parviz Kimiavi; Amir Naderi on Sohrab Shahid Saless; and Bahram Bayzai on Arby Ovanessian. Bayzai also analyses Haji Agha, the Cinema Actor (1933) by Ovanes Ohanian, considered the first feature film made in Iran.

Neste falso documentário, apesar das restrições legais que lhe foram impostas, Jafar Panahi instala uma câmara dentro de um táxi e segue pelas ruas de Teerã. À medida que vai encontrando clientes e os conduz ao destino, vai encetando conversa. Os assuntos abordados vão criando uma espécie de mosaico da sociedade iraniana e abrangem vários temas, desde a política nacional, os costumes locais ou mesmo a liberdade de expressão no Cinema.

Akram, an illiterate Iranian woman, shows us that true talent will always refuse to be stifled, and that you don't need an education to understand, to feel, and to paint. She discovered her talent quite by chance at the age of 50, when she was helping her grandson with his homework…

In the the tumultuous neighborhoods of Tehran, in the winding streets and alleys and displaced and confused in every little houses... Does this the rummage will be the end?

Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.

Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?

The educational documentary film Music of Yarsan: A Living Tradition is an investigation into the variety of muscial practices in the life of the Kurdish Ahl-e Haqq people of the Guran region, in the Kermanshah province of Iran.

Iran, 2008. As President Mahmoud Ahmadinejad's motorcade creeps through the teeming streets of Qom Shrine, thousands of people jam hand-written letters into the hands of his handlers. Hearing their President deliver a speech is a thrill, but more promising to these men and women is the hope that their letters - expressing pleas for loans, medical attention, housing and jobs - will be answered. Since his 2005 election on a populist, "man of the people" platform, Ahmadinejad has encouraged Iranians to send him such letters; according to a staff member, he has received about 10 million of them, and has been able to respond to nearly 76 percent. In one letter, a 16-year-old boy says his family has no money and goes to bed hungry every night. According to the staff member, the boy will be helped. As other letters are read, the worker says that "In Islam, charity is a necessity."

Breath is about an Iranian family who lives in Iran. It tells the story of Bahar, who is living with her father, Ghafour and Grandmother during the 70s.She is living in her childish and surreal world, filled with their dreams and fantasies.

Jalil is 17-year-old boy living with his Iranian family in a suburb near Helsinki. Though he has lived in Finland all his life, it seems hard for him to find acceptance among the "native" Finns. At home he faces the opposite problem. His parents demand him to respect Iranian cultural traditions. Jalil is about one day in the life of a boy standing on the edge of two cultures. On this summer day big things are bound to culminate; religion, identity, love.

Fox Night movie was made in 1996. This film is a product of the Iranian country in the genre of action and mystery genre. Mohammad Motoselani, Hossein Yaryar and Gholamhossein Lotfi have been featured in the film.

The story of Zeinal, a man who after 20 years of being a POW, tries to clear up his past.

In modern day Iran, a female attorney fights for the custody of her seven year old diabetic son following a divorce from her husband. When the courts rule against her, she takes desperate actions that lead to tragic events.

In september 2017 Samira comes from Iran to Sarajevo, BH for the first time to shoot a documentary. She tries to connect with the country and people. In order to find people who traveled from far places like her, she attempts to visit a refugee center, but all she finds are closed gates as she isn't allowed to see anyone.