Vancouver: No Fixed Address (2017)

David (Aaron Paul) e Claire (Annabelle Wallis) vivem um tórrido romance após se conhecerem em uma situação incomum. Passado algum tempo juntos, a moça desapere do nada sem deixar nenhum traço. Destinado a encontrar sua amada, o homem começa a caçar pistas que possam o direcionar para a solução do mistério. Entretanto, ele vai acabar descobrindo uma verdade misteriosa e bizarra sobre ela e sobre o que ele conhecia sobre a sua personalidade.

Agente do FBI força namorado de moça seqüestrada a acompanhá-lo na perseguição a um assassino perigoso, através de uma região selvagem de florestas e despenhadeiros, onde tem dificuldades de se orientar e agir, e que só o rapaz conhece.

Paul Snider é um narcisista, um pequeno vigarista que se imagina um mulherengo. Sua vida muda quando ele conhece Dorothy Stratten trabalhando atrás do balcão de uma lanchonete Dairy Queen. Sob sua orientação, Dorothy ganhou fama como Playmate da Playboy. Mas quando Dorothy começa a seguir a carreira de atriz, o ciumento Paul é expulso da cena por homens mais famosos. (e 16 - Estimado 16 Anos)

Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated -- since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.

After she ends up in prison and loses custody of her son, a woman struggles to assimilate outside her former life and remain clean long enough to regain custody of her son.

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.

Frances Austen, whose well-appointed apartment overlooks a park in Vancouver, one cold day, observes a rain-soaked young man on a park bench whom she assumes is homeless. Hoping to repress her loneliness, Frances invites ‘the boy’ inside her home to get warm and ends up encouraging him to stay. The young man accepts her every hospitality—food, clothes, profuse conversation, and a room of his own. Little does she realize that her guest is not the person he appears to be. Nor, for that matter, is Frances the woman that she appears to be.

The documentary follows one woman's quest to overcome anxiety, depression, and opioid addiction through the use of psychedelic medicines.

Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.

Eve is a precocious nine year-old girl with a wild imagination growing up in a traditional Chinese immigrant family in Vancouver where Confucian doctrines, superstitious obsessions and divine visions abound. When Buddhism and Catholicism are thrown into the mix, life for Eve and her 11-year-old prim and authoritative sister, Karena, escalates into a fantasia of catastrophe, sainthood and cultural confusion. The journey of a young girl and her sister striving to grow up in world where childhood is lonely and the world is full of wonder.

There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives. A chorus of voices chime in — everyone from David Suzuki, to Vancouver Mayor Gregor Robertson, Seth Klein, Condo King Bob Rennie, Senator Yuen Pau Woo, and lots of regular Vancouver citizens.

No Canadá, uma gangue formada por jovens de origem asiática entra numa disputa pelo negócio do tráfico de drogas e armas. Seu líder tenta seduzir uma mulher que é membro do júri de um julgamento por homicídio.

NiiSoTeWak means “walking the path together.” Tapwewin and Pawaken are 10-year-old brothers trying to make sense of the world, their family and each other. They’re already grappling with some heady questions about identity. What does it mean to be a twin? What does it mean to be Cree? How do you define yourself when you’re forever linked to someone else? The twins discuss these questions with their two elder brothers — 22-year-old actor Asivak and 20-year-old basketball player Mahiigan — and their parents, Jules and Jake.

This documentary, set in the Lower East End of Vancouver's downtown core, is a pretty honest account of life on the streets in urban Canada. It is aimed at educating high school kids on the dangers of addiction to hard drugs and is the brainchild of a group of city police officers who videotape their interactions with local homeless personalities.

Two novice thieves are plotting to rob a bank in Vancouver. A photographer snaps a shot of one thief as he is carrying the bank building's blueprints. The would-be thief then begins a relationship with the photographer and attempts to retrieve the photos. Meanwhile, the thieves' plot consists of this: one man will enter the bank building after dark, while the other man sits in a van and uses a computer to unlock the building's doors. The final step involves transporting the cash to a freight ship waiting on the docks, for transportation to a money launderer in Macau.

The life and murders of one of the worst serial killers in history, Robert Pickton who went unchallenged for decades.

Brooklyn flies home to surprise her boyfriend on his birthday, but immediately changes her mind upon arrival and decides to hide out for the summer with her friend Faith. Faith lives with Casey and with relationship problems of their own, the couple are happy with the distraction...until Brooklyn begins to assert herself, then all of the characters come face to face with the hard realities of their relationships.

A psychological thriller about a young girl who's terrorized on her family farm after the arrival of her popstar boyfriend's best friends.

Photographed through the windshield of a Vancouver city bus and edited according to the rhythms of the bus' windshield wiper, the film transforms the linear narrative of the bus ride into a temporal construction that can be described as cubist. The effect of the cutting strategy on the actual temporal organization of the film is as remarkable as its effect on our sense of time.

In what appears to be a serendipitous encounter upon saving the life of a stranger, the calculated and reserved businessman Nick meets the impulsive and optimistic photographer Ali, who believes in destiny and carpe diem, or seizing the day. Nick, who seeks closure for his past mistakes, is drawn towards Ali's spirit and vigor. Despite living with a congenital heart disease and being on the wait-list for a heart transplant, Ali continues to be hopeful about her future. Ali challenges Nick to seize every moment of his life before it's too late. Meanwhile, Nick finds a way to give Ali a new lease on life - even if it means risking one's life and their love for each other.