Memory: As Origens de Alien (2019)
Before Alien, there was Starbeast. Before Starbeast, there was… Memory.
Gênero : Documentário
Runtime : 1H 35M
Director : Alexandre O. Philippe
Sinopse
Documentário que explora as origens do filme Alien (1979), enraizadas nas mitologias grega e egípcia, em quadrinhos underground, na parasitologia, na ficção de H.P. Lovecraft, na arte de Francis Bacon e na simbiose entre o escritor Dan O’Bannon, o designer H.R. Giger e o diretor Ridley Scott.
In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
Documentário que explora as origens do filme Alien (1979), enraizadas nas mitologias grega e egípcia, em quadrinhos underground, na parasitologia, na ficção de H.P. Lovecraft, na arte de Francis Bacon e na simbiose entre o escritor Dan O’Bannon, o designer H.R. Giger e o diretor Ridley Scott.
A fantástica história de como uma antiga arte marcial, o kung fu chinês, conquistou o mundo através das centenas de filmes que foram produzidos em Hong Kong ao longo das décadas, transformou o cinema de ação ocidental e inspirou o nascimento de vários movimentos culturais.
Quando Alice Guy-Blaché terminou seu primeiro filme em 1896, em Paris, ela não era apenas a primeira cineasta mulher, mas também uma das primeiras diretoras de cinema a fazer um filme narrado. Be Natural segue sua trajetória, desde secretária na Gaumont até sua indicação como Diretora de Produção em 1897, e sua subsequente carreira de sucesso de 20 anos na França e nos Estados Unidos, como fundadora de seu próprio estúdio, além de roteirista, diretora e/ou produtora de mil filmes - e depois completamente apagada da história. Até agora.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Halil goes to a club with his friends and meets Sabiha, a prostitute, and they fall in love. Two lovers want to escape their past and live together. However, Sabiha knows little about Halil's life, and she has to face some facts.
Tom designs a better mousetrap that would have made Rube Goldberg jealous. While he sleeps, the mouse that Tom drew wakes Jerry and they get chased by the cat Tom drew. As Tom awakes, they make a strategic alteration to the design.
RAMS is a documentary portrait of legendary designer Dieter Rams by filmmaker Gary Hustwit. For over fifty years, Rams has left an indelible mark on the field of product design with his iconic work at Braun and Vitsoe, and his influence on Apple. So at 86 years old, why does he now regret being a designer? RAMS is a design documentary, but it’s also a rumination on consumerism, materialism, and sustainability. Dieter's philosophy is about more than just design, it’s about a way to live. The film also features an original score by pioneering musician Brian Eno.
Documentary following the history of America's first cinematographers.
Mysterious, sublime and elegiac, director Yang Chao’s odyssey blends breathtaking images with fantasy, poetry and history to create a complex magical universe. From the Shanghai metropolis to the snow-capped Tibet mountain, Gao Chun steers his cargo up the Yangtze, a river that has nurtured a centuries-old civilization. He comes across An Lu, a beautiful woman who appears in a different identity at every port recorded by a poetry book. Longing for her company, he realizes she gradually turns younger as he journeys upstream. He starts to wonder whether An Lu is supernatural or he is traveling not only in space but also in time. After passing a pagoda that reverberates Buddha’s voice, a flooded town reappeared elsewhere, the grandiose Three Gorges Dam and many other places where lives have been transformed, he finally arrives at the start of the Yangtze, where he unveils the secret of his past and An Lu.
A bored newspaper editor tries to make life more interesting through the brief human connection he finds at speed dating.
First narrative polish film. The janitor sweeps the pavement in front of the tenement house. A carriage comes with a rather solidly inserted young man. He is well-dressed but has lost all his strength. Merry Fellow needs help.
Two brave young men set out to create the greatest film drama of all time. What comes next turns out to be much bigger than they ever expected.
A teenager decides to shut himself off from the world around him after receiving bad news.
Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)
Like a lone cowboy, Sergei passionately devotes his life to traditional horse breeding in the impenetrable Arctic Sakha; permafrost and the absence of roads, electricity and channels of communication mean that there is nobody else to rely on but oneself. Sergei is sensitive and introspective; he truly cares about his family, community and treats nature with the utmost respect. He loves the independence and freedom this life brings, despite the immense sacrifices that it necessitates, such as total isolation and being a stranger to his own children. Spectacular camerawork characterizes the Sakha horses in all their magnificence, and juxtaposes the post-soviet towns and the boundless taiga landscapes, where the cold bites through the screen.
110 of the world's top cinematographers discuss the art of how and why films look the way they do.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.