Robert Muratore

Filmes

You Can Call Me Bill
Co-Producer
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
You Can Call Me Bill
Cinematography
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
Lynch/Oz
Co-Producer
Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This new documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.
Lynch/Oz
Director of Photography
Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This new documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.
A Apropriação
Cinematography
Uma investigação radical das formas como o Monument Valley foi retratado no cinema e na publicidade. O filme investiga como um marco do território soberano dos nativos Navajo tornou-se o símbolo da fantasia de um Velho Oeste, repleta de falsidades que se autoperpetuam.
Childhood 2.0
Director
For the first time in history, mental illness and suicide have become one of the greatest threats to school-aged children. Many parents still view dangers as primarily physical and external, but they’re missing the real danger: kids spending more time online and less time engaging in real life, free play, and autonomy. What are the effects on the next generation's mental, physical, and spiritual health? Childhood was more or less unchanged for millennia, but this is CHILDHOOD 2.0.
Stars and Strife
Director of Photography
Examines how an epidemic of hatred has left America helpless in the face of crisis—and how a return to empathy can save us.
The Tangle
Cinematography
Em um futuro próximo, uma inteligência artificial baseada em nanotecnologia aérea conecta o mundo. É um guardião benevolente que traz de volta a lei e ordem. Uma agência do governo vigia e protege a tecnologia a partir de salas seguras, lugares impenetráveis aos nanorobôs. Quando a agente Margot Foster é encontrada morta em uma dessas salas, a agência precisa investigar o primeiro assassinato em vários anos.
Leap of Faith: William Friedkin on The Exorcist
Co-Producer
A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
Leap of Faith: William Friedkin on The Exorcist
Director of Photography
A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
Memory: As Origens de Alien
Co-Producer
Documentário que explora as origens do filme Alien (1979), enraizadas nas mitologias grega e egípcia, em quadrinhos underground, na parasitologia, na ficção de H.P. Lovecraft, na arte de Francis Bacon e na simbiose entre o escritor Dan O’Bannon, o designer H.R. Giger e o diretor Ridley Scott.
Memory: As Origens de Alien
Director of Photography
Documentário que explora as origens do filme Alien (1979), enraizadas nas mitologias grega e egípcia, em quadrinhos underground, na parasitologia, na ficção de H.P. Lovecraft, na arte de Francis Bacon e na simbiose entre o escritor Dan O’Bannon, o designer H.R. Giger e o diretor Ridley Scott.
Stadium Anthems
Cinematography
A female recording artist encounters the misogyny and outdated business practices of male record label executives.
78/52
Co-Producer
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
78/52
Director of Photography
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
Mo Mandel: Negative Reinforcement
Cinematography
Mo Mandel takes the stage in his first hour-long special at the Gothic Theater in Denver. He loves Julio Iglesias, hates positive people, and aims his frenetic laser at everything from the sins of his parents, to the perils of sex, to the dark nature of his own disastrous mind.
LEGO: As Peças de Uma História
Director of Photography
A look at the global culture and appeal of the LEGO building-block toys.
Doc of the Dead
Producer
Este novo documentário dos criadores de «The People vs. George Lucas» examina em detalhe a evolução do género zombie no cinema e literatura, assim como o seu impacto e influência na cultura pop, criando um olhar abrangente, dinâmico e divertido sob um fenómeno cultural de proporções globais. «Doc of the Dead» conta com a presença de autores, realizadores e especialistas deste subgénero do terror, e contém entrevistas com verdadeiros ícones zombie, como Max Brooks, George A. Romero, Simon Pegg, Robert Kirkman, Bruce Campbell e muitos mais. Teve estreia mundial no SXSW e passou posteriormente no Hot Docs, o prestigiante festival canadiano de documentários.
Doc of the Dead
Director of Photography
Este novo documentário dos criadores de «The People vs. George Lucas» examina em detalhe a evolução do género zombie no cinema e literatura, assim como o seu impacto e influência na cultura pop, criando um olhar abrangente, dinâmico e divertido sob um fenómeno cultural de proporções globais. «Doc of the Dead» conta com a presença de autores, realizadores e especialistas deste subgénero do terror, e contém entrevistas com verdadeiros ícones zombie, como Max Brooks, George A. Romero, Simon Pegg, Robert Kirkman, Bruce Campbell e muitos mais. Teve estreia mundial no SXSW e passou posteriormente no Hot Docs, o prestigiante festival canadiano de documentários.
When the Dragon Swallowed the Sun
Cinematography
The People vs. George Lucas
Cinematography
The passion the original Star Wars trilogy inspires in its fans is unparalleled; but when it comes to George Lucas himself, many have found their ardor has cooled into a complicated love-hate relationship. This hilarious, heartfelt documentary delves deep into Lucas’s cultural legacy, asking all the tough questions. Has Lucas betrayed his masterwork? Should he just have left the original trilogy alone? Is The Phantom Menace so bad it should carry a health warning? Utilizing interviews taken from over 600 hours of footage, and peppered with extraordinary Star Wars and Indiana Jones recreations lovingly immortalized in song, needlepoint, Lego, claymation, puppets and paper-mâché, above all this film asks the question: who truly owns that galaxy far, far away—the man who created it, or the fans who worship it?
Ink Music: In the Land of the Hundred-Tongued Lyricist
Cinematography
Everyone in Japan knows his work, yet few recognize his face. Chris Mosdell, British expatriate, pop lyricist, poet and visual artist, during his 30-year residence in Tokyo has written chart-topping hits with some of Japan's most influential musicians and composers, penned lyrics to anime film scores, and run with the multimedia underground of that city's avant-garde. Ink Music: In The Land Of The Hundred-Tongued Lyricist is a 90-minute documentary film detailing those artistic relationships in the expansive career of artistic word-smith, Chris Mosdell. Shot in HD on-location in Tokyo and Fukui, Japan, and New York City, USA, the film highlights Mosdell's rise from obscure expatriate bohemian poet to renowned lyricist for Japan's biggest band ever, Yellow Magic Orchestra (YMO). The story is told through exclusive interviews. Tokyo itself also figures into the narrative as a major character, featuring copious clips of original footage from inside the city that inspires Mosdell's work.
Revenge of the Roadkill Rabbit
Cinematography
A malicious Father rabbit decides to give a twist to his nightly bedtime story.
Revenge of the Roadkill Rabbit
Hick #1
A malicious Father rabbit decides to give a twist to his nightly bedtime story.
Cannibal! The Musical
Director of Photography
Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemused companions find themselves lost, starving and musically inspired by the obstacles they confront along the way, including a die-hard Confederate cyclops, a trio of surly trappers, a tribe of Japanese-speaking "Indians," and ultimately, each other.
Cannibal! The Musical
Frenchy Cabazon
Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemused companions find themselves lost, starving and musically inspired by the obstacles they confront along the way, including a die-hard Confederate cyclops, a trio of surly trappers, a tribe of Japanese-speaking "Indians," and ultimately, each other.