Robert Muratore

参加作品

You Can Call Me Bill
Co-Producer
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
You Can Call Me Bill
Cinematography
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
Lynch/Oz
Co-Producer
Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This new documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.
Lynch/Oz
Director of Photography
Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This new documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.
The Taking
Cinematography
Following his acclaimed documentaries on Psycho, Alien and The Exorcist, Alexandre O Philippe turns to Monument Valley for his latest inspiration.
Childhood 2.0
Director
For the first time in history, mental illness and suicide have become one of the greatest threats to school-aged children. Many parents still view dangers as primarily physical and external, but they’re missing the real danger: kids spending more time online and less time engaging in real life, free play, and autonomy. What are the effects on the next generation's mental, physical, and spiritual health? Childhood was more or less unchanged for millennia, but this is CHILDHOOD 2.0.
Stars and Strife
Director of Photography
Examines how an epidemic of hatred has left America helpless in the face of crisis—and how a return to empathy can save us.
The Tangle
Cinematography
In the near future, The Tangle, an A.I. utilising airborne nanotech, connects the world. It is a benevolent guardian, returning law and order to society. To ensure that The Tangle never turns rogue, a government agency watches over the tech from within safe rooms, locations impermeable to the nanobots that make up The Tangle. When field agent Margot Foster is found dead in one of these rooms, the agency needs to investigate the first murder in years.
Leap of Faith: William Friedkin on The Exorcist
Co-Producer
A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
Leap of Faith: William Friedkin on The Exorcist
Director of Photography
A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
Memory: The Origins of Alien
Co-Producer
The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.
Memory: The Origins of Alien
Director of Photography
The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.
Stadium Anthems
Cinematography
A female recording artist encounters the misogyny and outdated business practices of male record label executives.
78/52
Co-Producer
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
78/52
Director of Photography
The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.
Mo Mandel: Negative Reinforcement
Cinematography
Mo Mandel takes the stage in his first hour-long special at the Gothic Theater in Denver. He loves Julio Iglesias, hates positive people, and aims his frenetic laser at everything from the sins of his parents, to the perils of sex, to the dark nature of his own disastrous mind.
A LEGO Brickumentary
Director of Photography
A look at the global culture and appeal of the LEGO building-block toys.
Doc of the Dead
Producer
The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.
Doc of the Dead
Director of Photography
The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.
When the Dragon Swallowed the Sun
Cinematography
ピープルVSジョージ・ルーカス
Cinematography
何種類も売り出されたシリーズが映画自体として「中毒」を招くだけでなく、関連商品購入も「中毒」になって生活も壊れた(それでも満足している)人々が出てくる。 特に、旧3部作に比べ新3部作への失望が、多くの出演者の共通の不満となっている。エピソード1を観ただけでその後の作品は観てないという人も多い。絶対的な悪役の不在が新シリーズの欠点で、その悪役がルーカスになってしまったという人も出てくる。 最大の非難は、唯一のフルCGキャラクターであるジャー・ジャー・ビンクスに向けられる。不満から私家版の『スターウォーズ』を作った多くの人々も取り上げられる。 最初の公式なスピンオフの一つだった「ホリディ・スペシャル」(Star Wars Holiday Special)もまた批判の的となる(映像はその後公開されていない)。これは チューバッカが故郷に帰る話だった。
Ink Music: In the Land of the Hundred-Tongued Lyricist
Cinematography
Everyone in Japan knows his work, yet few recognize his face. Chris Mosdell, British expatriate, pop lyricist, poet and visual artist, during his 30-year residence in Tokyo has written chart-topping hits with some of Japan's most influential musicians and composers, penned lyrics to anime film scores, and run with the multimedia underground of that city's avant-garde. Ink Music: In The Land Of The Hundred-Tongued Lyricist is a 90-minute documentary film detailing those artistic relationships in the expansive career of artistic word-smith, Chris Mosdell. Shot in HD on-location in Tokyo and Fukui, Japan, and New York City, USA, the film highlights Mosdell's rise from obscure expatriate bohemian poet to renowned lyricist for Japan's biggest band ever, Yellow Magic Orchestra (YMO). The story is told through exclusive interviews. Tokyo itself also figures into the narrative as a major character, featuring copious clips of original footage from inside the city that inspires Mosdell's work.
Revenge of the Roadkill Rabbit
Cinematography
A malicious Father rabbit decides to give a twist to his nightly bedtime story.
Revenge of the Roadkill Rabbit
Hick #1
A malicious Father rabbit decides to give a twist to his nightly bedtime story.
Cannibal! The Musical
Director of Photography
Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemused companions find themselves lost, starving and musically inspired by the obstacles they confront along the way, including a die-hard Confederate cyclops, a trio of surly trappers, a tribe of Japanese-speaking "Indians," and ultimately, each other.
Cannibal! The Musical
Frenchy Cabazon
Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemused companions find themselves lost, starving and musically inspired by the obstacles they confront along the way, including a die-hard Confederate cyclops, a trio of surly trappers, a tribe of Japanese-speaking "Indians," and ultimately, each other.