Co-Producer
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
Cinematography
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
Co-Producer
Линч / Оз прослеживает влияние культовой работы Виктора Флеминга на работу не менее культового Дэвида Линча.
Director of Photography
Линч / Оз прослеживает влияние культовой работы Виктора Флеминга на работу не менее культового Дэвида Линча.
Cinematography
Following his acclaimed documentaries on Psycho, Alien and The Exorcist, Alexandre O Philippe turns to Monument Valley for his latest inspiration.
Director
Документальный фильм нужно смотреть всем, кто хочет лучше понять мир, в котором живут их дети, вырастая в цифровую эпоху. Этот документальный фильм с участием настоящих родителей и детей, а также ведущих экспертов в области безопасности и развития детей погружается в реальные проблемы с которыми сегодня сталкиваются дети, включая кибербулинг, онлайн-сталкеров, суицидальные мысли и многое другое.
Director of Photography
Examines how an epidemic of hatred has left America helpless in the face of crisis—and how a return to empathy can save us.
Cinematography
In the near future, The Tangle, an A.I. utilising airborne nanotech, connects the world. It is a benevolent guardian, returning law and order to society. To ensure that The Tangle never turns rogue, a government agency watches over the tech from within safe rooms, locations impermeable to the nanobots that make up The Tangle. When field agent Margot Foster is found dead in one of these rooms, the agency needs to investigate the first murder in years.
Co-Producer
A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
Director of Photography
A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
Co-Producer
The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.
Director of Photography
The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.
Cinematography
A female recording artist encounters the misogyny and outdated business practices of male record label executives.
Co-Producer
В фильме детально рассмотрена одна из важнейших сцен «Психо» — убийство Мэрион Крейн, героини Джанет Ли.
Director of Photography
В фильме детально рассмотрена одна из важнейших сцен «Психо» — убийство Мэрион Крейн, героини Джанет Ли.
Cinematography
Mo Mandel takes the stage in his first hour-long special at the Gothic Theater in Denver. He loves Julio Iglesias, hates positive people, and aims his frenetic laser at everything from the sins of his parents, to the perils of sex, to the dark nature of his own disastrous mind.
Director of Photography
Фильм расскажет о том, как образовалась легендарная корпорация и какие тонкости в производстве игрушек оказались решающими в формировании ее успеха. Лента отразит и современные реалии индустрии.
Producer
Зомби как культурное явление — тема фильма известного документалиста Александра О. Филиппа, автора нашумевшей ленты "Народ против Джорджа Лукаса".
Director of Photography
Зомби как культурное явление — тема фильма известного документалиста Александра О. Филиппа, автора нашумевшей ленты "Народ против Джорджа Лукаса".
Cinematography
Cinematography
The passion the original Star Wars trilogy inspires in its fans is unparalleled; but when it comes to George Lucas himself, many have found their ardor has cooled into a complicated love-hate relationship. This hilarious, heartfelt documentary delves deep into Lucas’s cultural legacy, asking all the tough questions. Has Lucas betrayed his masterwork? Should he just have left the original trilogy alone? Is The Phantom Menace so bad it should carry a health warning? Utilizing interviews taken from over 600 hours of footage, and peppered with extraordinary Star Wars and Indiana Jones recreations lovingly immortalized in song, needlepoint, Lego, claymation, puppets and paper-mâché, above all this film asks the question: who truly owns that galaxy far, far away—the man who created it, or the fans who worship it?
Cinematography
Everyone in Japan knows his work, yet few recognize his face. Chris Mosdell, British expatriate, pop lyricist, poet and visual artist, during his 30-year residence in Tokyo has written chart-topping hits with some of Japan's most influential musicians and composers, penned lyrics to anime film scores, and run with the multimedia underground of that city's avant-garde. Ink Music: In The Land Of The Hundred-Tongued Lyricist is a 90-minute documentary film detailing those artistic relationships in the expansive career of artistic word-smith, Chris Mosdell. Shot in HD on-location in Tokyo and Fukui, Japan, and New York City, USA, the film highlights Mosdell's rise from obscure expatriate bohemian poet to renowned lyricist for Japan's biggest band ever, Yellow Magic Orchestra (YMO). The story is told through exclusive interviews. Tokyo itself also figures into the narrative as a major character, featuring copious clips of original footage from inside the city that inspires Mosdell's work.
Cinematography
A malicious Father rabbit decides to give a twist to his nightly bedtime story.
Hick #1
A malicious Father rabbit decides to give a twist to his nightly bedtime story.
Director of Photography
В 1873 году шестеро американских парней предприняли путешествие из штата Юта в штат Колорадо, с тем чтобы поиграть в золотоискателей и промыть немного породы. В дорогу они взяли холщевый мешок с припасами, лошадку, несколько одеял, а также топор, пистолет и заржавленное кайло. Спустя месяц один из экспедиторов сидит на скамье подсудимых по довольно страшному обвинению: он, якобы, не только убил товарищей, но и съел. К нему в камеру приходит журналистка — вся в красном, напомаженная, губки бантиком, — и с фальшивым сочувствием просит: «Расскажите, как вам одиноко во мраке». А он ей: «Да нормально, нормально, чего вы!».
Frenchy Cabazon
В 1873 году шестеро американских парней предприняли путешествие из штата Юта в штат Колорадо, с тем чтобы поиграть в золотоискателей и промыть немного породы. В дорогу они взяли холщевый мешок с припасами, лошадку, несколько одеял, а также топор, пистолет и заржавленное кайло. Спустя месяц один из экспедиторов сидит на скамье подсудимых по довольно страшному обвинению: он, якобы, не только убил товарищей, но и съел. К нему в камеру приходит журналистка — вся в красном, напомаженная, губки бантиком, — и с фальшивым сочувствием просит: «Расскажите, как вам одиноко во мраке». А он ей: «Да нормально, нормально, чего вы!».
