The Brink (2019)

Em 1975, Bob Dylan embarcou em uma turnê através dos Estados Unidos junto com diversos artistas, brincando com novas técnicas criativas e adotando uma teatralidade raramente vista em sua carreira. Unindo imagens de arquivo restauradas e novas entrevistas com Dylan, o diretor Martin Scorsese captura a experiência desse momento histórico tanto para a música, quanto para o espírito americano.

Rose-Lynn Harlan é uma cantora de Glasgow, na Escócia, que sonha em se tornar uma estrela da música country em Nashville, no Tennessee. Acabando de sair da prisão e mãe solteira de dois filhos, ela é forçada a encarar responsabilidades mais urgentes e arruma um emprego de diarista, mas acaba encontrando em seu caminho quem dê apoio para o seu sonho aparentemente louco.

John Klute (Donald Sutherland) é um detetive do interior contratado para descobrir o paradeiro de um empresário desaparecido há seis meses. Ele chega a Nova York para investigar o caso e a única pista que possui são cartas de teor pornográfico enviadas a Bree Daniels (Jane Fonda), uma prostituta. Bree já trabalhou para Frank Ligourin (Roy Scheider), mas atualmente faz programas apenas por indicação. Ela foge do detetive, mas, chantageada, acaba aceitando guiá-lo pelo submundo da prostituição.

Durante as promoções de inverno de uma loja de departamento, um vestido amaldiçoado passa de pessoa para pessoa, causando todo tipo de infortúnio para a vida de quem quer que entre em contato com ele.

Llewyn Davis é um cantor e compositor que sonha em viver da sua música. Com o violão nas costas, ele migra de um lugar para o outro na Nova York dos anos 60, sempre vivendo de favor na casa de amigos e outros artistas. Talentoso, mas sem se preocupar muito com o futuro, ele incomoda a amiga Jean Berkey, que vive uma relação com outro músico, Jim. Nem um pouco confiável, Davis se depara com a oportunidade de viajar na companhia de um consagrado e desagradável artista, Roland, mas nem tudo vai acabar bem nesta nova jornada.

A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

We follow the film journey of director Viollaine de Villers and traveller Jean-Pierre Outers around the Chinese interior during the late 1980s. In a fragmented sequence of archival shots, vignettes of local culture gradually emerge, including everyday work, leisure time moments, and reflections of ancient myths. But it’s not just another of the countless travel documentaries or urban symphonies, but rather a suggestive video essay. The VHS camera becomes a fully-fledged historiographical medium through which foreign culture is revealed in all its myriad facets without crystallizing it into a comfortably consumable image

Breakthrough tells the story of a renegade scientist’s quest to find a cure for cancer, the disease that killed his mother. Texan Jim Allison is a 2018 Nobel Prize winner for discovering how to prompt a cancer patient’s own immune system into defeating their disease, but for decades he waged an often-lonely struggle against the painful skepticism of the medical establishment.

Revolves around a group of individuals who are all connected by a lost bottle of breast milk.

Demolition of the old and building of the new Kunsthalle in Mannheim in the years 2013 to 2018.

While trying to lead a normal life in Berlin, a young man struggles with his own emotional isolation

In this fluid dance film, director Sophie Fiennes collaborates with choreographer Lucy Bennet to reimagine Stopgap Dance Company's performance piece Artificial Things.

Henrik is a successful actor and comedian who's always trying to prove he's not a homophobe. In his private life, he is lonely and insecure, struggling with adulthood. One day, after dislocating his shoulder, he joins a yoga class and makes his first gay friend ever.

Um documentário de Peter Azen

Referência histórica do cinema brasileiro, Humberto Mauro foi contratado em 1936 como diretor do INCE – Instituto Nacional de Cinema, produzindo cerca de 350 curtas e médias-metragens durante esse período.

Julia Polniuk is ten years old. She trains figure skating – and there is not much time left for her to succeed in sports and to meet the expectations of her family, which has moved to Poland from Ukraine. The girl has the opportunity to take part in the Polish Figure Skating Championships. This could bring her fame and success, and maybe even help the whole family to obtain Polish citizenship. But can a child spread its wings and fly with such a burden on its shoulders?

An intimate and vital account of love and friendship within a group of youngsters. They live in a complex, contradictory, and isolated world – the self-proclaimed state of Transnistra, where the national flag still holds the hammer and sickle. Tanya plans to move abroad, however future seems to offer frighteningly limited possibilities for her lovestruck friends.

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

The Chechen Ruslan Arsajev seizes every opportunity to fight against the Russians, including in Ukraine. A portrait of a displaced mercenary from the front line of the crisis.