The House She Flew In On: The Video (2002)
Gênero :
Runtime : 3M
Director : Natasha Spencer
Sinopse
Building on a sound piece of the same name, The House She Flew In On: The Video uses the framework of The Wizard of Oz but creates a new narrative through drastic re-editing.
Vinte anos depois que Lou Reed e John Cale dissolveram o Velvet Underground, eles se reuniram brevemente para gravar “Songs for Drella.” Capturado pela câmera neste filme, o álbum explora a vida, sonhos, aspirações e medos do mentor e gerente da banda, Andy Warhol.
A biography of Vincent van Gogh using only images and the letters he wrote to his brother Theo.
A collection of inserts from B-movies, edited according to a structuralist scheme. The latent meaning of purely functional film language released through isolation and interposition. Preserved by the Academy Film Archive in 2010.
A aspirante a fotógrafa Polly consegue um trabalho numa galeria dirigida pela curadora e pintora Gabrielle. Uma forte conexão se estabelece entre elas, pois Polly idolatra a obra de Gabrielle. No entanto, ao conhecer sua amante Mary, Polly percebe que Gabrielle não é exatamente quem ela parece ser.
Documentary about the work and the unconventional approach of the painter Karel Appel. The film shows him flinging vast amounts of paint onto the canvas, resulting in dynamic paintings showing an overful, raging, run-away world. In 1962 awarded with a Golden Bear at the Berlinale. (filmcommission.nl)
Hundertwassers Regentag is a german documentary by Peter Schamoni released in 1972.
After a female art student purchases a life-size wooden sculpture of a crucifixion from an abandoned church, she has a vision of herself being nailed to a cross and soon becomes sexually tormented by the sculpture when it comes to life.
An experimental short film from Finnish director Eino Ruutsalo.
FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.
The epic life of a world-class artist, jammed into six minutes.
Aleksander Sokurov brings the treasures of the Hermitage back into the light by making films about artists and their paintings. He has chosen the painter Hubert Robert, who spent a long time in Italy, and whose preference was for creating ancient ruined landscapes and naturalistic portrayals of times past. He was successful with the wealthy, who bought his works from him. The camera pans across the paintings while Sokurov speaks of a happy era, when the artist was at one with the spirit of the times, and agreed with the taste of his clients. Just how far removed from us this is, is shown by pictures of a "Nô" performance which are inter-cut on the screen. No words are necessary to describe what everybody knows today.
Arts documentary, first broadcast before Ai Weiwei's arrest by the Chinese authorities in April 2011, and his subsequent release after being detained for 11 weeks. Architect, photographer, curator and blogger, Ai Weiwei is China's most famous and politically outspoken contemporary artist. Alan Yentob explores the story of Ai Weiwei's life and art, and reveals how this most courageous and determined of artists continues to fight for artistic freedom of expression while living under the restrictive shadows of authoritarian rule.
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer)
A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut
Esta história de amor explora o casamento de 40 anos do famoso pintor Ushio Shinohara e sua esposa, Noriko
A high-speed view of Paris via train-track; Zooming down the Seine by boat. Chomette's first film, Games of Reflections and Speed, traverses tunnels and elevated railways to produce a disarming rhythm.
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.
Superhero creator and Marvel Comics legend, Stan Lee, together with Marvel's top artist, John Buscema, demonstrate the skills needed to create compelling characters and scenes for drawing and writing comic books. Based on the book of the same name, the video became an educational classic for aspiring cartoonists and is also available on DVD. Stan Lee's flair for humor and close friendship with Buscema adds to this good-natured instructional video a sense of drama, action and fun. Stan Lee's inimitable talent for creating superheroes (Spider Man, The Incredible Hulk, etc.) and Buscema's own creations (Conan the Barbarian, Silver Surfer, etc.) meshes well in the conversation and makes this a special treat for comic book fans as well as cartoonists on all levels
Após fazer diversos filmes sobre dança (sua primeira vocação), a cineasta nova-iorquina Shirley Clarke foi convidada para realizar uma série de curtas-metragens sobre o estilo de vida de seu país para o Pavilhão Americano da Feira Mundial de Bruxelas, em 1958. Carrossel de Pontes nasceu dos materiais descartados desse projeto, e, diferentemente do original - de natureza narrativa -, as imagens sobrepostas neste filme experimental exprimem a concretude dos objetos que retratam, as pontes que cruzam o rio Hudson em Nova York. A música envolve e suaviza a rigidez geométrica das construções de ferro e concreto, que contrastam com a fluidez do rio. Clarke fez duas versões do filme: uma com trilha sonora dos compositores pioneiros da música eletrônica Louis e Bebe Barron; outra, com trilha do compositor, produtor e saxofonista de jazz Teo Macero.
A man is drinking wine, pukes it up, and eats it. He repeats it for a while, until he starts to rub the vomit all over himself.