Ladies on Top (Tilik) (2018)

Rakel, Marta, Karin e Annette são casadas com quatro irmãos. Enquanto esperam numa cabana de verão para que seus maridos voltem para casa, elas contam histórias umas as outras sobre os seus casamentos. Rakel fala sobre o tempo que ela teve um caso e confrontou o marido com isso. A história de Marta é sobre como ela a princípio se recusou a casar e teve seu filho sozinha. Karin fala sobre o que aconteceu quando uma vez ela e o seu marido ficaram presos num elevador. Enquanto as mulheres contam as suas histórias, a irmã mais nova de Marta, Maj, está a planear fugir.

No fim do século 19, no Pacífico, na região conhecida com Índias Ocidentais Holandesas, o navio Batavia Queen, comandado pelo capitão Hanson, está saindo para procurar uma fortuna que está num navio afundado. Mas tem problemas ao levar condenados e depois com a explosão do vulcão Krakatoa, que provoca um Tsunami, uma onda gigantesca e mortal. (e 12 - Estimado 12 Anos)

James Burke (Peter O'Toole) é o primeiro oficial de um navio a vapor que durante um furacão, covardemente abandona o navio deixando seus passageiros para morrer afogados. Desonrado, Lord Jim procura uma forma de consertar seu erro - não somente perante os olhos da comissão da marinha inglesa, como também para si próprio. Assim, ele recebe a dura missão de entregar um carregamento de dinamite para uma tribo de nativos em algum lugar inexplorado do oriente e acaba se unindo aos nativos em sua luta contra O General (Eli Wallach), um brutal e rude opressor. Em sua jornada de aventuras, ele se encontra com Brown (James Mason), um pirata educado e cavalheiro que tem um plano misterioso o qual irá colocá-lo num confronto com seu verdadeiro destino. Agora, Lord Jim terá que aprender a diferença entre um herói e um covarde, uma verdade que é impiedosa e sem fuga.

David Bowie incorpora o major Celliers, um oficial britânico mantido pelos japoneses como prisioneiro de guerra. O comandante está obcecado com o misterioso loiro estranho, enquanto o tenente-coronel britânico Lawrence tenta superar as diferenças emocionais e linguísticas entre ele e seu captor.

Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.

Katharine Watson (Julia Roberts) é uma recém-graduada professora que consegue emprego no conceituado colégio Wellesley, para lecionar aulas de História da Arte. Incomodada com o conservadorismo da sociedade e do próprio colégio em que trabalha, Katharine decide lutar contra estas normas e acaba inspirando suas alunas a enfrentarem os desafios da vida.

Margaret (Lena Headey) is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish neighbor Syl Monro (David Threlfall). Both bride- and groom-to-be still live with their mothers in the humdrum suburb of Croydon. However Margaret has been acting strangely ever since a vacation in Egypt, where she stayed with her mother's friend Marie-Claire (Catherine Schell). She secretly despises Syl, but does not resist when her mother Monica (Julie Walters), who has repressed the failure of her own matrimony, insists on marriage for the sake of social convention.

In an age long ago, the last village of clever, peace-loving Hobbits is attacked and enslaved by the Java Men, komodo-worshiping, dragon-riding cannibals. Now the young Hobbit Goben, along with his father and sister, must seek help from the "giants" (human hunters) to find the Javas' lair and rescue the last surviving Hobbits, Goben's mother among them. In their quest to destroy the Javas, the heroic partnership of humans and Hobbits will transform both species forever.

Would-be filmmaker Sophie left Africa for Canada as a child. After graduating, she films the daily doings as part of a summer job at a fair. When pointing the camera at herself, she reveals painful secrets from the past.

Tennis star and women’s rights activist Billie Jean King won a total of 12 Grand Slam titles, but the biggest match of her career took place in 1973 against former men’s champion Bobby Riggs, a self-proclaimed male chauvinist pig who declared that, even at the age of 55, he could beat any woman in the world.

Uma mulher sai de casa. No trabalho, no metrô, no carro, na rua, o suspense do cotidiano. Ela está com algo.

Six students were terrorized by a mysterious dancer while running a community service program in a remote village. Apparently, one of them violates the most fatal rule in the village.

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

Satirical artist and art director, Suzanne Heintz, adopted her fake family more than 15 years ago to challenge persisting stereotypes about women's lives.

Dutch ice freediver Kiki Bosch swims in the world's coldest waters without a wetsuit as therapy for a trauma she experienced, and to inspire others.

"Monday's Girls" explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity.

The film focuses on the exciting life journey of Swiss writer Katharina Zimmermann. She follows her husband on a mission to the jungle in Indonesia where she raises their four children and five foster children and lives through the military coup. Back in Switzerland Katharina discovers her voice and finds her path. Now, at eighty, she is writing her life story. Yet suddenly she faces another battle because her publisher is threatening to let her go.

Short documentary on female workers at school, made by a high school student.

"Work While You Have the Light" is a feature documentary by a multi-generational directing team that examines professional women who are over seventy years old and still working.

An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.