Kathputli (1971)

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

Uma jovem órfã forçada a trabalhar como dançarina em um bar de Mumbai se pergunta se os musicais e os finais felizes de Bollywood realmente existem.

A man suffering from anterograde amnesia as a result of a violent attack in the past sets out to avenge his girlfriend's death with the aid of photographs, notes and tattoos all over his body.

When Governor Jaisingh Sinha is murdered, the needle of suspicion points towards his estranged son Sahil who has been fighting with his father over the girl he had chosen for him to marry. Sahil is in love with Isha but the governor wanted him to marry Sheetal. Now Sahil must prove his innocence and find out who the killer is.

Samir precisa enfrentar previsões astrológicas nada favoráveis, seus destemperos e um rival determinado a conquistar o coração de Rani, o amor de sua vida.

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.

Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.

In a village circa the British rule in India, lives a young school-going male named Amal, who is shortly to get married to a girl named Rajni. The traditional ritual-filled marriage takes place, the young couple are then left alone for a few days, and this is where the two develop their love and friendship. Then Rajni must return to her parents' house, while Amal continues with his studies in school, and at home with Masterji, an elderly teacher. His life is enlivened occasionally when Rajni is permitted to visit. Rajni next visit is scheduled for Durga Pooja, but she does not come, instead she comes at Vijay Dashami, to stay there for a couple nights, before going on a Tirth Yatra with her family, where they are scheduled to visit all the holy places in India namely, Benaras, Gaya, Mathura, Vrindavan, Hardwar, Nasik, Hrishikesh, Dwarka, Rameshwaram, Kamakshya, Puri, and Konarak.

A woman from a rural family enters into an arranged marriage with a man from the city. While she is instantly taken with her husband, she is shocked to discover that the holy man who arranged the wedding had neglected to mention the crammed living conditions of her new family and soon the lack of privacy disrupts the marriage bliss of the newly-wed couple.

Trata-se de uma história de amor passada em uma época de guerras, desbravações e conquistas no século XVIII. Este épico tem como protagonista o primeiro-ministro do imperador, chamado Bajirao. Um grande guerreiro de espadas flexíveis que expandiu o imperio Maratha entre 1720 e 1740. Além de mostrar sua atuação como líder de seu exército, o filme foca, principalmente, em seu romance com sua segunda esposa, a muçulmana Mastani, filha do rei de Bundelkhand. O problema é que Bajirao já é casado com uma bela hindu, Kashi.

Inpired from the movie "Liar Liar", this movie is about a lawyer (Govinda) who lies his way through marriage and career. His wife (Sushmita Sen) falls in love with him because of his honesty and when she finds out of his dishonesty she threatens to divorce him. Their son, to avoid the divorce, wishes on a shooting star that his father should lose the ability to lie. What happens after that is an enjoyable journey.

Shivudu, o filho de Bahubali, está cada vez mais perto de conhecer sua verdadeira herança e encarar de vez suas novas responsabilidades. Querendo respostas para questões que fogem de seu conhecimento, como o real motivo por trás da morte de seu pai, ele encontrará uma barreira para os seus planos devido aos fatos de seu próprio passado.

Two feuding neighbouring families are brought together to celebrate the wedding anniversary of Vishnupratap Singh (Vikram Gokhale) and his wife (Farida Jalal), much to the dislike of Rudra Pratap (Sharad Kapoor). During this get together Abhayendra Singh (Fardeen Khan) falls in love with Mangala Solanki (Richa Pallod). Abhayendra comes to know of the background of the two families' feud, and makes attempts to reconcile the two families - with disastrous results.

Vikas, the son of a successful lawyer, disagrees with his father over his choice for his life partner; and marries his girlfriend Aarti. They enjoy the bliss of marriage, breaking away from the custom of staying with his widower father. Returning home from a date, they encounter a traumatic incident that makes headline news. This incident changes their lives forever. The trauma keeps intruding into their day to day lives. When Aarti's mother leaves town to take up a new job, the pressure on Aarti and Vikas brings them into the abyss of despair. Can they crawl out of self-hate and emotional estrangement and rekindle their love?

While visiting his comatose wife in the hospital, a serene old professor befriends a vibrant young woman whose husband has also fallen into a coma.

Hasee Toh Phasee é uma comédia romântica sobre o amadurecimento de duas pessoas em relação ao amor, suas famílias e o ambiente em que se encontram. É a história de suas jornadas e o modo como eles se encontram nesse mundo.

O rei de Mahishmati, Amarendra Baahubali e sua esposa Devasena gorvenaram o reino onde as pessoas estavam vivendo em paz e prosperidade, até que um cruel ministro se junta com o rei Bhallaladeva e captura o reino, matando Baahubali em uma grande guerra. Para evitar ameaças, Bhallaladeva manda matar Devasena e seu filho, que conseguem fugir. Agora, o filho de Baahubali, Shivudu, que é secretamente criado pela mãe de Bhallaladeva, volta para o resgate do reino de seus pais.

Um grupo de sete jovens decidem passar uma noite em um hotel supostamente assombrado para comemorar a despedida de um deles que vai morar nos EUA. Apesar das advertências das pessoas e de outros “sinais” que tentam afastá-los de lá, eles entram no hotel e, em seguida, a verdade aparece para eles.

Widower Amar is well-off financially and lives in a house with his daughter and servant Dayal. His sister and brother-in-law want him to marry again so that his daughter can have the love and care of a woman. Amar reluctantly agrees. Together they set out to check out two sisters, Shobha, and Sheela. Amar goes as Dayal, and Dayal goes as Amar, as Amar is not sure if a step-mother will be able to bestow care and love as a real mother. They arrive at the household of Durga, Shanti Swarup, Renu, Sheela, and their servant Geeta. They begin to settle down, Dayal in a spacious room, and Amar in the servant's quarters, which consists of an untidy room with no electricity. It is not long before Amar finds out that he is attracted to Geeta, and not to the two sisters, but in his present state, he cannot reveal himself and openly propose marriage. In the meantime, Durga starts getting suspicious about Amar and starts wondering if Amar is actually a servant or a crook.