Watching the Pain of Others (2019)

O "Dela" no título do filme se refere à Paris dos anos 60, um retrato da sociedade de consumo, em meio à pobreza das massas e conflitos como a Guerra do Vietnã. Um dos exemplos dessa atmosfera é Vlady, uma dona-de-casa que se divide entre cuidar da família e a prostituição, o meio mais fácil que encontra para poder ganhar dinheiro e satisfazer suas necessidades mais frívolas.

F for Fake é um documentário ensaístico, um filme sobre a fraude, a mentira, nos seus vários ângulos. Centra-se na vida do famoso falsificador de arte Elmyr de Hory.Welles surge em vários locais, inclusive num restaurante, até numa suposta sala de edição, criando um filme dentro do filme.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

Um ensaio atmosférico, servindo como uma versão alternativa do “Conde Drácula”, um filme dirigido por Jess Franco em 1970; uma narração fantasmagórica entre ficção e realidade.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.

Twenty-five films from twenty-five European countries by twenty-five European directors.

An essay-film about images and politicians.

A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.

Cremaster foi feito durante um período de oito anos (1994-2002) e culminou em uma grande exposição do museu organizado por Nancy Spector do Museu Solomon R. Guggenheim , em Nova York, que viajou para o Museu Ludwig , em Colónia e do Musée Moderne arte d' em Paris, de 2002-03. Colaborador de longa data do Barney Jonathan Bepler compostas e arranjadas as trilhas sonoras para os filmes.

For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.

An immersive film essay on tennis legend John McEnroe at the height of his career as the world champion, documenting his strive for perfection, frustrations, and the hardest loss of his career at the 1984 Roland-Garros French Open.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Valtos is a story told from thirty years hence, in the last moments of its narrator, who awoke one day in 1987 'with the knowledge that I had been duplicated during the night, and that I was an inferior replica of myself'. There follows a relentless, epic, pursuit of an absconding phantom - his 'original' - which ends in catastrophe at Valtos, a place at once ethereal and terrifying.

O documentário reúne pedaços biográficos de uma família dividida entre o final do século 19 e o século 20. É sobre pessoas que por acaso se encontraram, para então se perderem. Agora são seus descendentes, filhos e netos, que começam a desaparecer. É sobre fala e silêncio. Primeiro amor e felicidade perdidos. Pais e mães, filhos e irmãos, as relações, a mágoa e a alegria nas paisagens de transição — cada um com as entrelaçadas características de seu tempo. Uma colagem de imagens, sons, cartas, diários, notas, vozes, fragmentos de tempo e espaço.

A personal essay film about the nature of artistic creation and the responsibility that comes along with it.

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.

The reunion of a group of former medical students results in a flood of bitter memories.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.