Chloé Galibert-Laîné

From role playing games to animated GIFs, from reenacted performances to poetic writing, this video essay asks: what is an authentic expression of anger?

Documentary by Occitane Lacurie.

Canções Engarrafadas é um projeto de mídia contínuo que descreve estratégias para dar sentido à propaganda terrorista online. Chloé Galibert-Laîné e Kevin B. Lee trocam cartas, narrando seus encontros com vídeos do grupo terrorista ISIS. Eles usam uma abordagem de documentário de desktop para rastrear e registrar suas investigações.

Canções Engarrafadas é um projeto de mídia contínuo que descreve estratégias para dar sentido à propaganda terrorista online. Chloé Galibert-Laîné e Kevin B. Lee trocam cartas, narrando seus encontros com vídeos do grupo terrorista ISIS. Eles usam uma abordagem de documentário de desktop para rastrear e registrar suas investigações.

Canções Engarrafadas é um projeto de mídia contínuo que descreve estratégias para dar sentido à propaganda terrorista online. Chloé Galibert-Laîné e Kevin B. Lee trocam cartas, narrando seus encontros com vídeos do grupo terrorista ISIS. Eles usam uma abordagem de documentário de desktop para rastrear e registrar suas investigações.

Canções Engarrafadas é um projeto de mídia contínuo que descreve estratégias para dar sentido à propaganda terrorista online. Chloé Galibert-Laîné e Kevin B. Lee trocam cartas, narrando seus encontros com vídeos do grupo terrorista ISIS. Eles usam uma abordagem de documentário de desktop para rastrear e registrar suas investigações.

Canções Engarrafadas é um projeto de mídia contínuo que descreve estratégias para dar sentido à propaganda terrorista online. Chloé Galibert-Laîné e Kevin B. Lee trocam cartas, narrando seus encontros com vídeos do grupo terrorista ISIS. Eles usam uma abordagem de documentário de desktop para rastrear e registrar suas investigações.

Canções Engarrafadas é um projeto de mídia contínuo que descreve estratégias para dar sentido à propaganda terrorista online. Chloé Galibert-Laîné e Kevin B. Lee trocam cartas, narrando seus encontros com vídeos do grupo terrorista ISIS. Eles usam uma abordagem de documentário de desktop para rastrear e registrar suas investigações.

Canções Engarrafadas é um projeto de mídia contínuo que descreve estratégias para dar sentido à propaganda terrorista online. Chloé Galibert-Laîné e Kevin B. Lee trocam cartas, narrando seus encontros com vídeos do grupo terrorista ISIS. Eles usam uma abordagem de documentário de desktop para rastrear e registrar suas investigações.

A researcher finds a phone video showing hundreds of ISIS captives running through a desert. She is puzzled that the video is posted on YouTube by Les Observateurs, a French state-funded news channel as a work of “citizen journalism”. While the video has been removed from many other channels, the French news channel’s legitimacy allows the video to remain online and spread terror over several years. Further investigation uncovers multiple variants of the footage on countless other sites, leading her to despair.

Inventing a poetic path through images created with Louis Daguerre's centuries-old photographic device, 16mm film cameras, pixelated video games consoles, early smarphones and contemporary computer interfaces, the work asks: what aspects of reality have these different technologies been designed to document? What phenomenon, either too slow or too fast to be recorded, have escaped their capture? Are there still dimensions of our experience on Earth that have never been visually documented, and for which photographic techologies are yet to be invented ?

A film about Chris Kennedy’s Watching the Detectives (2018), a detective comedy appropriating for its own purposes the principle of its model: inquiring about the inquirer.

A film about Chris Kennedy’s Watching the Detectives (2018), a detective comedy appropriating for its own purposes the principle of its model: inquiring about the inquirer.

Two researchers investigate the dissemination of propaganda created by the terrorist organization known as the Islamic State and contemplate the media’s role in spreading this message. Exchanging video letters recorded from their computer desktops, the researchers share their thoughts and fears as they each dissect pieces of media produced by ISIS in 2014 that are still available online today.

Neste diário em vídeo profundamente pessoal, uma jovem pesquisadora tenta entender seu fascínio pelo filme "A Dor dos Outros," de Penny Lane. Um mergulho profundo no mundo desconfortável do YouTube e nas conspirações online, que desafiam as noções tradicionais do que é ou deveria ser o cinema documental.

Neste diário em vídeo profundamente pessoal, uma jovem pesquisadora tenta entender seu fascínio pelo filme "A Dor dos Outros," de Penny Lane. Um mergulho profundo no mundo desconfortável do YouTube e nas conspirações online, que desafiam as noções tradicionais do que é ou deveria ser o cinema documental.

Neste diário em vídeo profundamente pessoal, uma jovem pesquisadora tenta entender seu fascínio pelo filme "A Dor dos Outros," de Penny Lane. Um mergulho profundo no mundo desconfortável do YouTube e nas conspirações online, que desafiam as noções tradicionais do que é ou deveria ser o cinema documental.

A video essay by Chloé Galibert-Laîné and Kevin B. Lee. Commissioned by Dana Linssen and Jan Pieter Ekker for Critics Choice V: Absence, 2019 International Film Festival Rotterdam. Special thanks to Bero Beyer. Dedicated to the film I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS by Radu Jude.

A video essay by Chloé Galibert-Laîné and Kevin B. Lee. Commissioned by Dana Linssen and Jan Pieter Ekker for Critics Choice V: Absence, 2019 International Film Festival Rotterdam. Special thanks to Bero Beyer. Dedicated to the film I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS by Radu Jude.

A poetic journey through the collages of paper maps made by Robert Kramer during the preparation of the shooting of Route One USA, to which are superimposed excerpts from his diary, and scenes from the finished film. How do you prepare a shoot when your desire is simply to leave, camera in hand, on the roads, and document unexpected encounters?

At the turn of the 20th century, the 'flâneurs' started disappearing from the Parisian landscape. Walter Benjamin became, in his posthumous book 'Das Passagen-Werk', the witness of their extinction. What if one century later, against all odds, the art of flânerie was reappearing in Paris?

Um filme de Kevin B. Lee

This video presents Chapters 3 and 4 from the series. « The Spokesman » (aka « A Guide to be driven ») investigates the online traces of John Cantlie, a British news reporter who was kidnapped and appeared in several Islamic State's propaganda videos. « My Crush was a Superstar » tracks a French ISIS fighter, Abu Abdallah Guitone, through a trail of messages, videos and postings to uncover his existence in both social media and reality. This leads to an uncomfortable first-person exploration of the gender dynamics behind ISIS recruitment strategies.

This video essay explores the gender dynamics behind the acts of looking and being-looked-at in Black Narcissus (Michael Powell and Emeric Pressburger, 1947).

What do the numerous similarities between the films of Michael Haneke and Quentin Dupieux reveal about their respective filmmaking strategies?

Produced as part of an end-of-the-year series of videos looking back at films released in 2015, this video essay asks: when does the act of framing an image become a political gesture?

"This video was produced as part of an ongoing collaborative project on terrorist media. The project aims to explore the contents and contexts for production of terrorist media and to question how these images migrate from social media to news broadcasts, from phones to computers, from the Middle East to other regions of the globe. This specific video explores the online presence of the French-Moroccan jihadist known as Abu Abdallah Guitone who died in Syria in 2014."

Through a series of text, clips, and sounds popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné investigates the noise that terrified Daney, as well as those that have scared her; the result proving its success by, spooking us in turn.

Through a series of text, clips, and sounds popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné investigates the noise that terrified Daney, as well as those that have scared her; the result proving its success by, spooking us in turn.

Through a series of text, clips, and sounds popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné investigates the noise that terrified Daney, as well as those that have scared her; the result proving its success by, spooking us in turn.

Odile lives alone. Afraid that someone might enter her flat when she’s not at home, she enters a video surveillance online community, in the hope that users will keep an eye on her apartment and inform her in case of unexpected intrusion. And the intrusion happens: dark smudges appear on the walls. Furious, she decides to leave the community. While she tries to fight against infiltrations, she realizes that she is still on watch…