Chloé Galibert-Laîné
Рождение : 1992-01-01, France
История
Chloé Galibert-Laîné (1992, France) is a researcher and filmmaker. She is currently finishing a PhD in the arts at the École normale supérieure de Paris. In addition, she teaches theory classes and artistic workshops on film and media at several institutions across Europe, including the Royal Academy of Art in The Hague and Johannes Gutenberg University. Her work mainly explores the intersection between cinema and online media. Galibert-Laîné has directed several award-winning short films and stage productions, and her video essays on film and media are regularly screened in academic contexts and at film festivals. She often works together with filmmaker and media artist Kevin B. Lee; they have presented their collaborative works at IFFR, True/False Film Festival, Open City Documentary Film Festival, Camden International Film Festival and London Essay Film Festival as well as art venues such as the Ars Electronica Festival and the WRO Media Art Biennale.
Director
From role playing games to animated GIFs, from reenacted performances to poetic writing, this video essay asks: what is an authentic expression of anger?
Voice
Documentary by Occitane Lacurie.
Sound Designer
Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens.
Production Design
Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens.
Editor
Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens.
Director of Photography
Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens.
Producer
Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens.
Writer
Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens.
Director
Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens.
Director
A researcher finds a phone video showing hundreds of ISIS captives running through a desert. She is puzzled that the video is posted on YouTube by Les Observateurs, a French state-funded news channel as a work of “citizen journalism”. While the video has been removed from many other channels, the French news channel’s legitimacy allows the video to remain online and spread terror over several years. Further investigation uncovers multiple variants of the footage on countless other sites, leading her to despair.
Director
Inventing a poetic path through images created with Louis Daguerre's centuries-old photographic device, 16mm film cameras, pixelated video games consoles, early smarphones and contemporary computer interfaces, the work asks: what aspects of reality have these different technologies been designed to document? What phenomenon, either too slow or too fast to be recorded, have escaped their capture? Are there still dimensions of our experience on Earth that have never been visually documented, and for which photographic techologies are yet to be invented ?
Producer
A film about Chris Kennedy’s Watching the Detectives (2018), a detective comedy appropriating for its own purposes the principle of its model: inquiring about the inquirer.
Director
A film about Chris Kennedy’s Watching the Detectives (2018), a detective comedy appropriating for its own purposes the principle of its model: inquiring about the inquirer.
Director
Two researchers investigate the dissemination of propaganda created by the terrorist organization known as the Islamic State and contemplate the media’s role in spreading this message. Exchanging video letters recorded from their computer desktops, the researchers share their thoughts and fears as they each dissect pieces of media produced by ISIS in 2014 that are still available online today.
Editor
In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film "The Pain of Others" by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.
Herself / Voiceover
In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film "The Pain of Others" by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.
Director
In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film "The Pain of Others" by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.
Writer
A video essay by Chloé Galibert-Laîné and Kevin B. Lee. Commissioned by Dana Linssen and Jan Pieter Ekker for Critics Choice V: Absence, 2019 International Film Festival Rotterdam. Special thanks to Bero Beyer. Dedicated to the film I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS by Radu Jude.
Director
A video essay by Chloé Galibert-Laîné and Kevin B. Lee. Commissioned by Dana Linssen and Jan Pieter Ekker for Critics Choice V: Absence, 2019 International Film Festival Rotterdam. Special thanks to Bero Beyer. Dedicated to the film I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS by Radu Jude.
Director
A poetic journey through the collages of paper maps made by Robert Kramer during the preparation of the shooting of Route One USA, to which are superimposed excerpts from his diary, and scenes from the finished film. How do you prepare a shoot when your desire is simply to leave, camera in hand, on the roads, and document unexpected encounters?
Director
At the turn of the 20th century, the 'flâneurs' started disappearing from the Parisian landscape. Walter Benjamin became, in his posthumous book 'Das Passagen-Werk', the witness of their extinction. What if one century later, against all odds, the art of flânerie was reappearing in Paris?
Director
How much can you see of a movie you can't see? A speculative video essay on the film READERS by James Benning.
Director
This video presents Chapters 3 and 4 from the series. « The Spokesman » (aka « A Guide to be driven ») investigates the online traces of John Cantlie, a British news reporter who was kidnapped and appeared in several Islamic State's propaganda videos. « My Crush was a Superstar » tracks a French ISIS fighter, Abu Abdallah Guitone, through a trail of messages, videos and postings to uncover his existence in both social media and reality. This leads to an uncomfortable first-person exploration of the gender dynamics behind ISIS recruitment strategies.
Director
Director
This video essay explores the gender dynamics behind the acts of looking and being-looked-at in Black Narcissus (Michael Powell and Emeric Pressburger, 1947).
Director
What do the numerous similarities between the films of Michael Haneke and Quentin Dupieux reveal about their respective filmmaking strategies?
Director
Produced as part of an end-of-the-year series of videos looking back at films released in 2015, this video essay asks: when does the act of framing an image become a political gesture?
Director
"This video was produced as part of an ongoing collaborative project on terrorist media. The project aims to explore the contents and contexts for production of terrorist media and to question how these images migrate from social media to news broadcasts, from phones to computers, from the Middle East to other regions of the globe. This specific video explores the online presence of the French-Moroccan jihadist known as Abu Abdallah Guitone who died in Syria in 2014."
Editor
Through a series of text, clips, and sounds popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné investigates the noise that terrified Daney, as well as those that have scared her; the result proving its success by, spooking us in turn.
Writer
Through a series of text, clips, and sounds popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné investigates the noise that terrified Daney, as well as those that have scared her; the result proving its success by, spooking us in turn.
Director
Through a series of text, clips, and sounds popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné investigates the noise that terrified Daney, as well as those that have scared her; the result proving its success by, spooking us in turn.
Director
Odile lives alone. Afraid that someone might enter her flat when she’s not at home, she enters a video surveillance online community, in the hope that users will keep an eye on her apartment and inform her in case of unexpected intrusion. And the intrusion happens: dark smudges appear on the walls. Furious, she decides to leave the community. While she tries to fight against infiltrations, she realizes that she is still on watch…
Director
