All Eyes Off Me (2022)
Gênero : Drama
Runtime : 1H 28M
Director : Hadas ben Aroya
Sinopse
A party in Tel Aviv, Israel. Danny is looking for Max to share that she is pregnant with his child; but Max has just started a new relationship with Avishag whose rough sexual fantasy he is trying to make come true.
Paul é um veterano da Guerra do Vietnã. Mentalmente perturbado, ele passa o tempo circulando por Los Angeles, investigando pessoas que lhe pareçam suspeitas. Sem confiar no Governo, ele procura, desesperadamente, o novo terrorista que poderá causar uma tragédia igual à de 11 de setembro. Para isso, ele conta somente com a ajuda do mendigo Jimmy.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
Through a mosaic of stories intertwined and created a current picture of the sad social and economic situation in Israel. Mother forced into prostitution to support her son; Blind man must survive after loosing his dog; Son is looking for his rocker father's; Apartment owner complicates his life while entering the underworld...
Nasri é um garoto de 13 anos de idade que enfrenta a passagem para a vida adulta de forma dramática quando seu tio fere imprudentemente um importante membro de um clã, deixando assim sua família exposta à vingança. Omar, irmão mais velho de Nasri, está decidido a salvar a todos. Ele aceita cometer um crime por dinheiro, mas vive o dilema de estar apaixonado por Hadir, justamente a filha do chefe. Num cenário no qual inimigos são todos vizinhos, as vidas desses personagens se entrecruzam em Ajami, um bairro israelense aonde judeus, muçulmanos e cristãos convivem lado a lado, ainda que as diferenças culturais sejam explícitas.
Nos primeiros doze minutos do filme é recheado de cenas sensuais. Como num ritual, o dançarino Boaz aparece algumas vezes levando um homem a cada noite para seu apartamento. Toda manhã, depois que seu companheiro vai embora o rapaz se alonga, toma uma ducha e vai trabalhar.Três anos depois, o foco da trama não é Boaz, mas sim Omer , um jovem bibliotecário gay, que está sempre em busca de um amor e próximo de fazer 30 anos.
A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about "amour." Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year's contest, and it becomes Israel's entry.
The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930s. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold...
The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub's name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.
Uma série de assassinatos brutais coloca as vidas de três homens em rota de colisão: O pai da vítima mais recente agora em busca de vingança, um detetive da polícia que trabalha fora dos limites da lei, e o principal suspeito dos assassinatos - um professor de estudos religiosos preso e liberado devido a um erro técnico da polícia.
Mike Anderson, a tough American reporter on a dangerous foreign assignment, finds his own life in jeopardy when he uncovers a deadly labyrinth of political intrigue that threatens the lives of thousands. Dispatched to investigate a mysterious and fatal attack on an overseas US naval base, Anderson, a leading investigative journalist and ex-US marine, finds himself back on familiar ground. Instinct makes him question the official CIA explanation that cites an unknown terrorist group called Black October. Alone, and armed only with his combat training and determination to uncover the truth, he sets out to expose a complex and dangerous political web.
Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.
A ten-year-old Israeli boy whose father died years earlier during the Six-Day-War is determined to find out more about his father's death. He skips school and, with the help of a friendly cab driver, heads to Jerusalem to find the men who fought with his father's unit and learn the exact circumstances. During the drive from Tel Aviv to Jerusalem, the cabbie provides a history of the establishment of the Jewish state
Yacine is the veterinarian of the only zoo remaining in the Palestinian West Bank. He lives alone with his 10-year old son, Ziad. The kid has a special bond with the two giraffes in the zoo. He seems to be the only one to communicate with them. After an air raid in the region the male giraffe dies. His mate, Rita, won’t survive unless the veterinarian finds her a new companion. The only zoo that might provide this animal is located in Tel Aviv ...
Yossi é um cardiologista que nunca superou a morte de Jagger, sua grande paixão. Apesar de assediado, ele vive solitário e tentando enganar sua melancolia com o vício no trabalho. Um dia, uma mulher misteriosa entra em seu consultório. Este encontro muda o rumo de sua vida e ele decide deixar Tel Aviv.
Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.
Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.
Hahamishia Hakamerit (Hebrew: החמישייה הקאמרית, The Kameri Quintet) was a weekly Israeli satirical sketch comedy television program created by Asaf Tzipor, who was also the main writer of the show, and Eitan Tzur, who directed the entire run of the show. Hahamishia Hakamerit was broadcast on Israeli Channel 2 and Channel 1 between the years 1993-1997. Later on, reruns of the show were broadcast on the cable channel Bip (channel). The show's often surreal skits were characterized by a satirical point of view which did not spare the audience sensitive subjects such as politics, national security, the Holocaust and sex.
Itamar and Thomas share a bed, walls, an apartment and electricity bills. Thomas commands, manages, and criticizes; Itamar is silent and listens. Between the apartment walls, frustration and loneliness unfold.